Exhibition at Hunter College Art Galleries presents works by Los Angeles-based queer Chicanx artists

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Exhibition at Hunter College Art Galleries presents works by Los Angeles-based queer Chicanx artists
Installation view of Axis Mundo: Queer Networks in Chicano L.A. at 205 Hudson Gallery and the Bertha and Karl Leubsdrof Gallery. Photo by Stan Narten. Courtesy of Hunter College Art Galleries.



NEW YORK, NY.- Axis Mundo: Queer Networks in Chicano L.A. is a traveling exhibition that explores the intersections among a network of over fifty artists. This historical exhibition is the first of its kind to excavate histories of experimental art practice, collaboration, and exchange by a group of Los Angeles-based queer Chicanx artists between the late 1960s and early 1990s. While the exhibition’s heart looks at the work of Chicanx artists in Los Angeles, it reveals extensive new research into the collaborative networks that connected these artists to one another and to artists from many different communities, cultural backgrounds, sexual orientations, and international urban centers, thus deepening and expanding narratives about the development of the Chicano Art Movement, performance art, and queer aesthetics and practices.

As referenced in its title, the exhibition also sheds light onto the work of Edmundo “Mundo” Meza (1955–1985), a central figure within his generation. Primarily a painter, but also known for his performances, design, and installation work, Meza collaborated with many of his peers towards developing new art practices amid emerging movements of political and social justice activism.

Axis Mundo presents over two decades of work—painting, performance ephemera, print material, video, music, fashion, and photography—in the context of significant artistic and cultural movements: mail art and artist correspondences; the rise of Chicanx, LGBTQ, and feminist print media; the formation of alternative spaces; fashion culture; punk music and performance; and artistic responses to the AIDS crisis. As a result of thorough curatorial research, Axis Mundo marks the first historical consideration and significant showing of many of these pioneering artists’ work.

Artists: Laura Aguilar, Jerri Allyn, Carlos Almaraz, Skot Armstrong, David Arnoff, Steven Arnold, Asco, Judith F. Baca, Alice Bag, Tosh Carrillo, Monte Cazazza, Edward Colver, Vaginal Davis, DIVA TV, Jerry Dreva, Tomata Du Plenty, Simon Doonan, Tomata du Plenty, Elsa Flores, Anthony Friedkin, Harry Gamboa Jr., Roberto Gil de Montes, Gronk, Jef Huereque, Louis Jacinto, Ray Johnson, Alison Knowles, Robert Lambert, Robert Legorreta (Cyclona), Zoe Leonard, Les Petites Bonbons, Scott Lindgren, Mundo Meza, Judy Miranda, Ray Navarro, Nervous Gender, Graciela Gutiérrez Marx and Edgardo Antionio Vigo, Richard Nieblas, Dámaso Ogaz, Pauline Oliveros, Ferrara Brain Pan, Genesis Breyer P-Orridge, Clemente Padín, Phranc, Ruby Ray, Albert Sanchez, Teddy Sandoval, Jack Smith, Joey Terrill, Cosey Fanni Tutti, Patssi Valdez, Ricardo Valverde, Jack Vargas, Gerardo Velázquez, Johanna Went, Faith Wilding

Axis Mundo: Queer Networks in Chicano L.A. is curated by C. Ondine Chavoya and David Evans Frantz as part of Pacific Standard Time: LA/LA, an initiative of the Getty to encourage ambitious research and exhibitions at Southern California cultural institutions. The exhibition is organized by ONE National Gay & Lesbian Archives at the USC Libraries in collaboration with The Museum of Contemporary Art, Los Angeles, and organized as a traveling exhibition by Independent Curators International (ICI).










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