Samuel Dorsky Museum of Art at SUNY New Paltz accepts gift of 29 photographs from collection of Howard Greenberg
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Samuel Dorsky Museum of Art at SUNY New Paltz accepts gift of 29 photographs from collection of Howard Greenberg
Joel Meyerowitz, Still life, 1983. Collection of Samuel Dorsky Museum of Art.



NEW PALTZ, NY.- SUNY New Paltz has received a donation of photographs by two of the most significant New York-based photographers of the 20th century, which will be added to the permanent collection of the Samuel Dorsky Museum of Art.

The works come from the collection of Howard Greenberg, a longtime friend of the College and The Dorsky Museum, and have been accepted by the SUNY New Paltz Foundation, which coordinates philanthropic contributions for the enrichment of academic activities at the College.

Greenberg’s gift includes 14 images from Aaron Siskind’s “Harlem Document,” and 15 images from Joel Meyerowitz’s “Cape Cod” series.

“We are thrilled to be able to add these beautiful photographs to our collection,” said Sara Pasti, the Neil C. Trager Director of the Samuel Dorsky Museum of Art. “They are certain to be used by faculty and students on a regular basis in the years to come and will be included in museum exhibitions. We cannot thank Howard enough for his extraordinary generosity to the museum and the College.”

Howard Greenberg is a leading authority on 19th and 20th century photography, the founder of the Center for Photography at Woodstock (CPW), and a 2012 recipient of a lifetime achievement award from the George Eastman House.

Greenberg has been a friend of The Dorsky Museum since its inception. His creation of an endowment to support photographic exhibitions, catalogues and conservation at the museum led to the naming of the Howard Greenberg Family Gallery on his behalf, and his numerous donations have come to comprise nearly half of the museum’s photography collection.

The present gift focuses on works by two major photographers of the 20th century:

Aaron Siskind (1903-1991) was one of the most important and influential artists of his time. He began his career as a social documentary photographer under the auspices of the New York Photo League. His most notable work during this period was the “Harlem Document,” a moving series of portraits and scenes of street and home life in Harlem taken between 1932 and 1940.

Joel Meyerowitz (1938- ) was already a renowned New York street photographer in 1976 when he decided to trade his 35mm for an 8-by-10, large-format camera and try photographing on Cape Cod, where he spent summers. The slower pace of life on the Massachusetts cape, combined with the heavy, complicated camera, made for a dramatic change in his photographic process.

The photographs Meyerowitz produced for this series – mostly landscapes that showcased the area’s natural beauty through several seasons – were unlike any he’d produced before. They are acclaimed for their use of color and their appreciation of light, which transform everyday scenes of homes, beaches, and streets into something otherworldly. Selections from the series were eventually published in 1979’s “Cape Light,” which became an instant classic.

These new additions to The Dorsky’s permanent collection can be viewed in the searchable collections database of the Samuel Dorsky Museum of Art: http://www.hvvacc.org/cdm/landingpage/collection/sdma.










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