New England Impressionist Hilda Neily unveils new 2018 summer series in Provincetown
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New England Impressionist Hilda Neily unveils new 2018 summer series in Provincetown
Ruby Lane, oil on board, 14 X 11 inches.



PROVINCETOWN, MASS.- Highly-acclaimed Provincetown, MA based plein air Impressionist artist Hilda Neily debuted her latest series of paintings, “2018 Summer Streetscapes in Provincetown” on exhibit from Friday, August 3rd at the Hilda Neily Gallery at 364 Commercial Street in Provincetown’s East End Gallery District.

The extraordinary new works, oil on board plein air paintings of the cottages and gardens, boats, bays and dunes of the area, keep the Provincetown mystique alive with her signature vibrant landscapes, seascapes and still lifes; all reminiscent of the great French Impressionists. Neily’s contemporary works are a soulful culmination of light and color, which have been and continue to be her inspiration.

The stunning new “2018 Summer Streetscapes in Provincetown” series, all oil on board, features paintings including Glow 48” x 36”, Radiant Garden Path 20” x 16”, Sunset Over Provincetown 7” x 5”, Old Provincetown Lane 14” x 18”, Glorious Afternoon 16” x 20”, Home from the Storm 11” x 14”, Morning Light Atwood Ave 16” x 20”, Pure Beauty 12” x 12”, Rose Garden 12” x 12”, Rose Walk 14” x 11”, Ruby Lane 14” x 18”, Cottages in Twilight 30” x 40”, Long Point Light View 20” x 16” and Red Boat Provincetown Harbor 9” x 12”.

Hilda Neily has been living and creating in Provincetown, the oldest continuous artist colony in the U.S., for over 40 years. She started painting with American master impressionist Henry Hensche at The Cape School of Art in Provincetown in the early 1970's. Hensche founded The Cape School of Art in 1933, carrying on and developing the ideas of his own teacher and mentor, Charles Hawthorne, who started the Cape Cod School of Art in Provincetown in 1899, paving the way for the town to become one of America's preeminent art communities. Hensche embraced the Hawthorne "color note" approach to painting.

Neily worked intensely with Henry Hensche for over 15 years, maintaining a close relationship with Hensche attending daily classes studying light and color. Now, after more than forty years, she continues to carry on the legacy of Hawthorne and Hensche, while also teaching in this important historic tradition at The Cape School of Art, which she and a group of former Hensche students reorganized as a nonprofit in 2010.

Hilda Neily is considered to be one of the Cape School's most adept practitioners and her position in the community was celebrated in 2015 when she was honored with a two month long mid-career retrospective of her work by The Provincetown Art Association and Museum.

She grew up in Vermont, a short distance from the homes of Maxfield Parrish and Beaux-Arts sculptor Augustus St. Gaudens’ home, and loved hearing stories about the Cornish Art Colony. Neily spent many hours studying the paintings of Parrish who was not only present there, but would hang his paintings in public places in town for people to enjoy.

She considers herself blessed to have studied the remarkable color and majestic quality of these original Parrish paintings throughout her early years. Neily remembers going into the town’s State Street Bank when she was very small, holding her mother’s hand and looking up at what was probably the first original painting she had ever seen; a Maxfield Parrish. As she stared up at a beautiful portrayal of an oak tree before a magnificent sunset sky, it is possible that her life spent following her passion for painting was decided in that moment.

Neily started showing professionally in 1969. Since then her collector base has grown extensively. She has shown throughout New England, New York, across the U.S. and in the U.K. She continues to study color in the natural light working outdoors on location and studying still life in the north light indoors. She also explores various mediums in her work and is currently teaching at The Cape School of Art workshops on light and color.










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