The First Art Newspaper on the Net    Established in 1996 Tuesday, September 21, 2021


Miami-based artist's most comprehensive show to date on view at Pérez Art Museum Miami
Lynne Golob Gelfman in her Miami studio. Photo courtesy of Gelfman Studio.



MIAMI, FLA.- Pérez Art Museum Miami presents Grids: A Selection of Paintings by Lynne Golob Gelfman, a collection of approximately 25 paintings by Miami-based artist Lynne Golob Gelfman. The most comprehensive show by Gelfman to date, the exhibition showcases paintings the artist has produced over the last two decades, as well as examples of early works from the late 1960s and early 70s—the majority of which have never been seen publicly before. Interested in exploring various forms of mark-making and patterning techniques, Gelfman produces in series, using oil, acrylic and flash paint on both canvas and wood. Examples from five of her series are on view as part of the exhibition through April 21, 2019.

One of Miami’s most esteemed abstract artists, Gelfman utilizes methods that play with surfaces in diverse ways, with certain series involving staining into the canvas, others creating reflections in gold and silver, others channeling drips of paint in angular lines down the front of her paintings. A self-described trickster, Gelfman is trained in traditional modernist aesthetics, which she honors in her work but consistently subverts with the intention to disobey rules and conventions. The most visible example of this is her decision to paint the backs of her canvases. This allows the established grid pattern she creates to become disrupted—distorted —as the paint bleeds through fabric and appears on the front of the canvas.

Gelfman credits her move to Miami in 1972 as the motivation for this technique. Longing for New York City, she came to the realization that the dark, urban settings of her previous paintings felt out of place in the tropical light of Miami. Following a fortuitous accident upon which she looked at the back of a grid painting and observed a resulting “bleached-out light” effect—an effect much more in line with her new Miami surroundings—Gelfman began consciously turning the back to the front.

Since then Miami's unique environment has continually influenced Gelfman's work: the patterns and details of its tropical flora and fauna, the textures of the sea and bleaching effects of sunlight, and in several series elements taken from its urban infrastructure and architecture. For example, her oil and sand series references the curling, linear metal work used in many working-class neighborhoods in Miami to secure windows and gates. Meanwhile, her between paintings transform the grid of chain-link fences, often used to aggressively divide urban spaces into shimmering, transparent patterns that recall the movement of sunlight on the sea.

Gelfman’s work is also reflective of her time spent in Colombia, where she has lived and worked periodically throughout her career, and during where she has investigated indigenous textile and basket weaving techniques. Series that evidence these influences include lines, where invisible horizontal markings interact with applications of dripping paint that move vertically down the surface, creating a patterning that recalls the irregular grids of textiles. The thru series additionally recalls weaving patterns, through its use of repeating triangle and square forms. She began this series in the 1970s but has returned to it in recent years, producing works at varying scales and formats.

Gelfman’s alterations of the grid show this geometric and rational form as quite vulnerable, as easily susceptible to dissolution and manipulation. The artist has described this aspect of her work as referencing the rapid disintegrations and manipulations of values and ethics within our contemporary society.
A Miami resident since 1972, Gelfman has had more than 40 solo shows. Her first solo show was a prize awarded by Miami’s Metropolitan Museum and Art Center in 1974, then under the leadership of Arnold Lehman. Since then, Gelfman has exhibited nationally and internationally in galleries and museums. Her work is also a part of many public and private collections, including Pérez Art Museum Miami. For the last 15 years, she has developed art projects with inner-city children at the Barnyard, Coconut Grove.

Grids: A Selection of Paintings by Lynne Golob Gelfman is organized by PAMM Chief Curator Tobias Ostrander.










Today's News

December 27, 2018

Exhibition offers an opportunity to admire more than 150 works by Marc Chagall

Art Institute of Chicago presents Ukiyo-e masterpieces from the Weston Collection

Gothic Beauty: Victorian notions of love, loss and spirituality explored in exhibition at Bendigo Art Gallery

TEFAF Maastricht: Recalibrated fair announces exhibitor list for 2019

Exhibition presents highlights from The Huntington's Southern California Architecture Collection

Museum of the City of New York offers a fascinating look at New York's battle against infectious disease

Exhibition emphasises Julian Trevelyan's extensive contribution to mid-20th century British art

Skating is theme of exhibition at the National Heritage Centre for Horseracing and Sporting Art

Liz Collins investigates the intersection between painting and fiber art in new installation

De La Warr Pavilion presents the first major presentation of Pailthorpe and Mednikoff's art in 20 years

Art Rotterdam 2019: Twentieth edition of renowned art fair will be held in Van Nelle Factory

The Institute of Contemporary Art, Los Angeles exhibits the work of Nina Chanel Abney

Gallery list announced for Taipei Dangdai's inaugural edition

Exhibition focuses on the relationship between the archive and the formation of history

Art Fair Tokyo 2019 announcing theme: Art Life

Miami-based artist's most comprehensive show to date on view at Pérez Art Museum Miami

Crow Museum of Asian Art presents 'Jacob Hashimoto: Clouds and Chaos' in newly renovated facility

Exhibition explores the pivotal role of architecture and urban planning in human health

Montreal Museum of Fine Arts presents the North American premiere of Liminals by Jeremy Shaw

Heide Museum of Modern Art presents the work exhibited at Sweeney Reed's two gallery ventures

The Winter Show announces exhibitors for 2019 edition

Exhibition presents photographs that interact with ceramic surfaces

The National Gallery of Victoria presents the Australian premiere of Hito Steyerl's "Factory of the Sun"




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org avemariasound.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful