Politically-charged Painting at Norman Rockwell Exhibition
The First Art Newspaper on the Net    Established in 1996 Saturday, October 17, 2026


Politically-charged Painting at Norman Rockwell Exhibition



STOCKBRIDGE, MASS.- The Norman Rockwell Museum has added a rare, politically-charged painting by the artist Norman Rockwell to its current exhibition "Hometown Hero, Citizen of the World: Rockwell in Stockbridge. " "The Right to Know," a 1968 painting which presented critical commentary on the Vietnam War, will take its place alongside an equally insightful, often socially-conscious collection of work featured in the exhibition (on view through October 31, 2004).

 

According to exhibition curator Linda Pero, "’The Right to Know’ was a courageous work that revealed Rockwell’s humanitarian position on the war, risky at the time, and particularly for someone who had crafted his image almost as finely as his paintings. Additionally, the painting may be more relevant now than it was then in its message to the American people. The fact that it is an election year makes it an even more persuasive image."

 

The oil-on-canvas painting, commissioned to accompany an editorial for "Look" magazine, would be Rockwell’s last political work. The illustration, which featured a group of concerned citizens, was completed during a period in which the artist turned his attention from idealistic subject matter towards more realistic, often controversial themes. Growing dissent against the war in Vietnam in which 16,000 American soldiers had died, fueled the powerful political statement of Rockwell’s painting, on the right of American citizens to know the reasons behind its government’s actions. The text which accompanied the illustration read: "We are the governed, but we govern too. Assume our love of country, for it is only the simplest of self-love. Worry little about our strength, for we have our history to show for it. And because we are strong, there are others who have hope. But watch closely from now on, for those of us who stand here mean to watch those we put in the seats of power. And listen to us, you who lead, for we are listening harder for the truth that you have not always offered us. Your voice must be ours, and ours speaks of cities that are not safe, and of wars we do not want, of poor in a land of plenty, and of a world that will not take the shape our arms would give it. We are not fierce, and the truth will not frighten us. Trust us, for we have given you our trust. We are the governed, remember, but we govern too."

 

The painting is being loaned to the exhibition courtesy of Berry-Hill Galleries, New York City.



Today's News

October 17, 2026

Philadelphia-area native Steve Tobin brings his art to the region for the first time

Christie's Classic Week returns to Paris with rediscovered Boucher and Fragonard masterpieces

Joseph Bellows Gallery presents Roger Vail's historic hot rod photography series 'Rod & Custom'

Christie's Hong Kong Watches presents two dedicated auctions of exceptional horological masterpieces

Laing Art Gallery presents major exhibition exploring the literary roots of Pre-Raphaelite art

AGO reveals highlights from its collection of historical picture frames

TASCHEN releases expansive 1,356-page visual history of National Geographic photography

First edition Harry Potter brings $400,000 at Heritage Auctions

1959 Gibson Les Paul Brings $781,250 at Heritage

Exceptional British Modernist artworks saved by Art Fund for South West museums

Hudson River Museum acquires Maya Lin's "The Hudson Bight" for permanent collection

Éléonore False transforms Les Tanneries into a nocturnal landscape for "Sœur de nuit"

Landmark show includes more than 100 artworks and new scholarship by Edie McKee Harper

Smithsonian National Museum of African Art announces transformative Jack Faxon bequest

Smithsonian's Lemelson Center appoints Joanna K. Garner as New Director

Palestine £50 from Fady Nassif Collection brings record $170,800 at Heritage

National Center for Art Research presents JUMP program artists in Sydney, Lisbon and Los Angeles

Kate Newby transforms gallery architecture in new solo exhibition 'Can't find water'

Van Abbemuseum reimagines its original 1936 architecture in 'Museum as Sundial'

From Gothic Futurism to armed letters: Museion hosts first Italian retrospective dedicated to RAMMELLZEE

Kunsthuis Syb presents 'Family Album', a group survey on queer kinship and chosen family

Hasenkamp opens new art storage facility in the Frankfurt area

Three major exhibitions advance the mission of the Centre for Global Asias




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 




Founder:
Ignacio Villarreal
(1941 - 2019)


Editor: Ofelia Zurbia Betancourt

Art Director: Juan José Sepúlveda Ramírez


Royalville Communications, Inc
produces:

ignaciovillarreal facundocabral-elfinal.org
Founder's Site. Hommage
       
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful