Politically-charged Painting at Norman Rockwell Exhibition
The First Art Newspaper on the Net    Established in 1996 Monday, June 1, 2026


Politically-charged Painting at Norman Rockwell Exhibition



STOCKBRIDGE, MASS.- The Norman Rockwell Museum has added a rare, politically-charged painting by the artist Norman Rockwell to its current exhibition "Hometown Hero, Citizen of the World: Rockwell in Stockbridge. " "The Right to Know," a 1968 painting which presented critical commentary on the Vietnam War, will take its place alongside an equally insightful, often socially-conscious collection of work featured in the exhibition (on view through October 31, 2004).

 

According to exhibition curator Linda Pero, "’The Right to Know’ was a courageous work that revealed Rockwell’s humanitarian position on the war, risky at the time, and particularly for someone who had crafted his image almost as finely as his paintings. Additionally, the painting may be more relevant now than it was then in its message to the American people. The fact that it is an election year makes it an even more persuasive image."

 

The oil-on-canvas painting, commissioned to accompany an editorial for "Look" magazine, would be Rockwell’s last political work. The illustration, which featured a group of concerned citizens, was completed during a period in which the artist turned his attention from idealistic subject matter towards more realistic, often controversial themes. Growing dissent against the war in Vietnam in which 16,000 American soldiers had died, fueled the powerful political statement of Rockwell’s painting, on the right of American citizens to know the reasons behind its government’s actions. The text which accompanied the illustration read: "We are the governed, but we govern too. Assume our love of country, for it is only the simplest of self-love. Worry little about our strength, for we have our history to show for it. And because we are strong, there are others who have hope. But watch closely from now on, for those of us who stand here mean to watch those we put in the seats of power. And listen to us, you who lead, for we are listening harder for the truth that you have not always offered us. Your voice must be ours, and ours speaks of cities that are not safe, and of wars we do not want, of poor in a land of plenty, and of a world that will not take the shape our arms would give it. We are not fierce, and the truth will not frighten us. Trust us, for we have given you our trust. We are the governed, remember, but we govern too."

 

The painting is being loaned to the exhibition courtesy of Berry-Hill Galleries, New York City.











Today's News

June 1, 2026

Fontaine's Auction Gallery announces two-day Fine, Decorative Arts sale June 6-7

Dusti Bongé Art Foundation announces summer exhibition Coming Home: Becoming an Artist

Magnus Tempus 360° opens Mediterranean Arts Programme with Elena Adamou's first Italian solo exhibition

Almine Rech Paris reunites the founding trio of group ZERO to explore light and space

New book reveals the lasting creative legacy of Betsy James Wyeth

Hauser & Wirth hosts West Coast solo debut of Chinese master Zhang Enli

Alte Nationalgalerie celebrates 150 years with tribute to legendary art dealer Paul Cassirer

Museum of Contemporary Photography to imagine an 85-year life for Emmett Till

Lucian Freud's Sleeping by the Lion Carpet heads to auction for the first time

Museum of Arts and Design opens first solo museum exhibition for artist Jessica Lichtenstein

Lisa Jahovic's Soft Interruptions on view at Flowers Gallery in London

Inside Archives revisits Leni Riefenstahl's Nuba photographs through contemporary artistic interventions

Berlin's Gemäldegalerie makes lost masterpieces visible again through historic glass negatives

Mexican artist duo bring nocturnal architectural series to Zander Galerie

Pace presents New York solo debut of celebrated Aboriginal artist Emily Kam Kngwarray

The Ringling opens first museum survey of Ojibwe artist Andrea Carlson

Masako Miki's first solo show in Texas brings folklore into a present-day focus

Cecilia Vicuña opens her first major Nordic exhibition at Kunstnernes Hus

Daniel Malarkey presents Sylvia Sleigh's The Bridge in landmark London exhibition

Diana Markosian's 'Father' makes U.S. debut at Armenian Museum of America

Lenape artist Holly Wilson commissioned for a site-specific installation exploring Native Futurism

Lily van der Stokker opens satirical 'male art' exhibition at kaufmann repetto

Harry Ransom Center explores daily life in ancient Egypt through rare papyrus exhibition




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



The OnlineCasinosSpelen editors have years of experience with everything related to online gambling providers and reliable online casinos Nederland. If you have any questions about casino bonuses and, please contact the team directly.


sports betting sites not on GamStop

Truck Accident Attorneys



Founder:
Ignacio Villarreal
(1941 - 2019)


Editor: Ofelia Zurbia Betancourt

Art Director: Juan José Sepúlveda Ramírez


Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful