Politically-charged Painting at Norman Rockwell Exhibition
The First Art Newspaper on the Net    Established in 1996 Friday, January 23, 2026


Politically-charged Painting at Norman Rockwell Exhibition



STOCKBRIDGE, MASS.- The Norman Rockwell Museum has added a rare, politically-charged painting by the artist Norman Rockwell to its current exhibition "Hometown Hero, Citizen of the World: Rockwell in Stockbridge. " "The Right to Know," a 1968 painting which presented critical commentary on the Vietnam War, will take its place alongside an equally insightful, often socially-conscious collection of work featured in the exhibition (on view through October 31, 2004).

 

According to exhibition curator Linda Pero, "’The Right to Know’ was a courageous work that revealed Rockwell’s humanitarian position on the war, risky at the time, and particularly for someone who had crafted his image almost as finely as his paintings. Additionally, the painting may be more relevant now than it was then in its message to the American people. The fact that it is an election year makes it an even more persuasive image."

 

The oil-on-canvas painting, commissioned to accompany an editorial for "Look" magazine, would be Rockwell’s last political work. The illustration, which featured a group of concerned citizens, was completed during a period in which the artist turned his attention from idealistic subject matter towards more realistic, often controversial themes. Growing dissent against the war in Vietnam in which 16,000 American soldiers had died, fueled the powerful political statement of Rockwell’s painting, on the right of American citizens to know the reasons behind its government’s actions. The text which accompanied the illustration read: "We are the governed, but we govern too. Assume our love of country, for it is only the simplest of self-love. Worry little about our strength, for we have our history to show for it. And because we are strong, there are others who have hope. But watch closely from now on, for those of us who stand here mean to watch those we put in the seats of power. And listen to us, you who lead, for we are listening harder for the truth that you have not always offered us. Your voice must be ours, and ours speaks of cities that are not safe, and of wars we do not want, of poor in a land of plenty, and of a world that will not take the shape our arms would give it. We are not fierce, and the truth will not frighten us. Trust us, for we have given you our trust. We are the governed, remember, but we govern too."

 

The painting is being loaned to the exhibition courtesy of Berry-Hill Galleries, New York City.











Today's News

January 23, 2026

Gagosian and Castelli revisit Jasper Johns' decade of abstraction

Morphy's announces massive three-day automobilia & petroliana auction for February

Luma Foundation presents Gerhard Richter's STRIP TOWER (962)

Wearable art meets swim: onewith x artist Claire Buckley Capsule Collection

La Brea Tar Pits to launch the Samuel Oschin Global Center for Ice Age Research

Jan Schmidt explores material and time at Galerie Anita Beckers

Jeppe Hein's playful outdoor sculptures pop up on North Terrace

410 million year old fossil which defies classification enters collection of National Museums Scotland

Jo-Lene Ong announced as new curator of Buro Stedelijk

Material from Concorde's first flight donated to the National Museum of Flight

Western Art Masterpiece Collection totals $84,122,305

Urban chronicles: Galleria Continua explores the city as a living archive

Pennsylvania Academy of the Fine Arts announces new President & CEO

Opposite Knots: Henna Vainio's ceramic sculptures deconstruct the deception of language

Historic Africa Hall in Addis Ababa awarded 2026 World Monuments Fund/Knoll Modernism Prize

Marinella Senatore brings participatory solo exhibition to Cavalese

Kunstmuseum Liechtenstein presents its 2026 exhibition programme

Shen Han captures the permeability of Mallorca in new exhibition at Kewenig

NYU's Grey Art Museum presents first U.S. survey of Australia's most iconic Aboriginal art movement

Paul Anthony Smith makes London solo debut at Timothy Taylor

Swiss Pavilion at the Venice Biennale presents The Unfinished Business of Living Together

Strong start to London Art Fair 2026 with Paul Nash, Gillian Ayres, and Young British Artists

Lucia Pietroiusti appointed curator of the sixth edition of the Autostrada Biennale




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 




Founder:
Ignacio Villarreal
(1941 - 2019)


Editor: Ofelia Zurbia Betancourt

Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org facundocabral-elfinal.org
Founder's Site. Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful