Politically-charged Painting at Norman Rockwell Exhibition
The First Art Newspaper on the Net    Established in 1996 Tuesday, January 13, 2026


Politically-charged Painting at Norman Rockwell Exhibition



STOCKBRIDGE, MASS.- The Norman Rockwell Museum has added a rare, politically-charged painting by the artist Norman Rockwell to its current exhibition "Hometown Hero, Citizen of the World: Rockwell in Stockbridge. " "The Right to Know," a 1968 painting which presented critical commentary on the Vietnam War, will take its place alongside an equally insightful, often socially-conscious collection of work featured in the exhibition (on view through October 31, 2004).

 

According to exhibition curator Linda Pero, "’The Right to Know’ was a courageous work that revealed Rockwell’s humanitarian position on the war, risky at the time, and particularly for someone who had crafted his image almost as finely as his paintings. Additionally, the painting may be more relevant now than it was then in its message to the American people. The fact that it is an election year makes it an even more persuasive image."

 

The oil-on-canvas painting, commissioned to accompany an editorial for "Look" magazine, would be Rockwell’s last political work. The illustration, which featured a group of concerned citizens, was completed during a period in which the artist turned his attention from idealistic subject matter towards more realistic, often controversial themes. Growing dissent against the war in Vietnam in which 16,000 American soldiers had died, fueled the powerful political statement of Rockwell’s painting, on the right of American citizens to know the reasons behind its government’s actions. The text which accompanied the illustration read: "We are the governed, but we govern too. Assume our love of country, for it is only the simplest of self-love. Worry little about our strength, for we have our history to show for it. And because we are strong, there are others who have hope. But watch closely from now on, for those of us who stand here mean to watch those we put in the seats of power. And listen to us, you who lead, for we are listening harder for the truth that you have not always offered us. Your voice must be ours, and ours speaks of cities that are not safe, and of wars we do not want, of poor in a land of plenty, and of a world that will not take the shape our arms would give it. We are not fierce, and the truth will not frighten us. Trust us, for we have given you our trust. We are the governed, remember, but we govern too."

 

The painting is being loaned to the exhibition courtesy of Berry-Hill Galleries, New York City.











Today's News

January 13, 2026

The Raclin Murphy Museum of Art announces new Teaching Gallery installation for spring semester 2026

Frogmore House restoration masterpiece returns to public display following English Heritage conservation project

A global artist and activist: The seminal Ai Weiwei monograph updated and enlarged

Tools at play: The Hechinger Collection comes to auction at Heritage

The quintessential California Modernist: Richard Neutra and his search for modern architecture

Gutai master Takesada Matsutani returns to London after a decade

Fondazione Prada announces its 2026 program in Milan and Venice

Catinca Tabacaru Gallery now representing Andrei Nițu

Four Lionel Messi Argentine final shirts for auction as one collection at BUDSS

Devan Shimoyama reimagines the Tarot at Rowan University Art Gallery & Museum

documenta Institut presents The China Moment

Juanita McNeely's revolutionary feminist oeuvre makes London debut

Sibyl Montague, Vaari Claffey, and Jenny Brady at Kunstverein Aughrim

Asia Society announces appointment of the Hon. Kevin Rudd as President and CEO

Museum of Northwest Art announces Spring 2026 exhibitions

Spray cans and ceramics: Six street artists reimagine Delft Blue heritage

Stephan Reusse explores the visible and invisible at Parrotta Contemporary

Sophia Al-Maria reclaims the Toyota Hilux at Art Basel Qatar

Kunstmuseen Krefeld present their 2026 exhibition highlights

Laura J. Padgett navigates the estrangement and intimacy of the natural world at Galerie-Pete-Sillem

Bryony Rose debuts immersive ceramic installation in London

The architecture of rebellion: Daniel Nuñez makes his New York solo debut at GR Gallery

Peter Doroshenko announces departure from The Ukrainian Museum New York

Tanoto Art Foundation to unveil major inaugural exhibition in Singapore




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 




Founder:
Ignacio Villarreal
(1941 - 2019)


Editor: Ofelia Zurbia Betancourt

Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org facundocabral-elfinal.org
Founder's Site. Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful