Politically-charged Painting at Norman Rockwell Exhibition
The First Art Newspaper on the Net    Established in 1996 Monday, January 5, 2026


Politically-charged Painting at Norman Rockwell Exhibition



STOCKBRIDGE, MASS.- The Norman Rockwell Museum has added a rare, politically-charged painting by the artist Norman Rockwell to its current exhibition "Hometown Hero, Citizen of the World: Rockwell in Stockbridge. " "The Right to Know," a 1968 painting which presented critical commentary on the Vietnam War, will take its place alongside an equally insightful, often socially-conscious collection of work featured in the exhibition (on view through October 31, 2004).

 

According to exhibition curator Linda Pero, "’The Right to Know’ was a courageous work that revealed Rockwell’s humanitarian position on the war, risky at the time, and particularly for someone who had crafted his image almost as finely as his paintings. Additionally, the painting may be more relevant now than it was then in its message to the American people. The fact that it is an election year makes it an even more persuasive image."

 

The oil-on-canvas painting, commissioned to accompany an editorial for "Look" magazine, would be Rockwell’s last political work. The illustration, which featured a group of concerned citizens, was completed during a period in which the artist turned his attention from idealistic subject matter towards more realistic, often controversial themes. Growing dissent against the war in Vietnam in which 16,000 American soldiers had died, fueled the powerful political statement of Rockwell’s painting, on the right of American citizens to know the reasons behind its government’s actions. The text which accompanied the illustration read: "We are the governed, but we govern too. Assume our love of country, for it is only the simplest of self-love. Worry little about our strength, for we have our history to show for it. And because we are strong, there are others who have hope. But watch closely from now on, for those of us who stand here mean to watch those we put in the seats of power. And listen to us, you who lead, for we are listening harder for the truth that you have not always offered us. Your voice must be ours, and ours speaks of cities that are not safe, and of wars we do not want, of poor in a land of plenty, and of a world that will not take the shape our arms would give it. We are not fierce, and the truth will not frighten us. Trust us, for we have given you our trust. We are the governed, remember, but we govern too."

 

The painting is being loaned to the exhibition courtesy of Berry-Hill Galleries, New York City.











Today's News

January 5, 2026

New exhibitions explore Beverly Buchanan's vision of belonging

Faux and fabulous: A dazzling collection that celebrates the beauty and artistry of imitation gems

Pace will unveil the luminous final works of Richard Pousette-Dart

Vitra Design Museum unveils the century-long history of the fashion show

Michel Paysant reimagines Monet's Water Lilies at Musée de l'Orangerie

Sophie Taeuber-Arp's radical geometry arrives at Hauser & Wirth

Paul Reed retrospective at D. Wigmore Fine Art, Inc. traces the sixties' color revolution

Chez Matisse: A century of modernity invades CaixaForum Madrid

Footwear fantasy: Exclusive access to the shoe collection of The Museum at the Fashion Institute of Technology

Rare ritual bath found beneath Western Wall bearing witnesses to 70 CE destruction

Zimmerli unveils decades of "hidden" Armenian art

Display of Cubist art at The Met celebrates the collection and legacy of Leonard A. Lauder

The Icelandic Pavilion moves to a historic new venue

A striking pink dildo sculpture by Maja Malou Lyse is now on view at ARoS

PoMo unveils rapidly growing collection of global icons

A master of German absurdism makes his U.S. museum debut at Institute of Contemporary Art, Miami

Art : Concept launches new collaborative exhibition cycle

Painter, butcher, banker: Zhao Gang unmasks the identity of a post-global gentleman

First major retrospective for sculptor Emma Stebbins on view at the Heckscher Museum of Art

Storm King Art Center announces 2026 exhibitions by Anicka Yi and Saif Azzuz




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 




Founder:
Ignacio Villarreal
(1941 - 2019)


Editor: Ofelia Zurbia Betancourt

Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org facundocabral-elfinal.org
Founder's Site. Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful