Politically-charged Painting at Norman Rockwell Exhibition
The First Art Newspaper on the Net    Established in 1996 Friday, February 6, 2026


Politically-charged Painting at Norman Rockwell Exhibition



STOCKBRIDGE, MASS.- The Norman Rockwell Museum has added a rare, politically-charged painting by the artist Norman Rockwell to its current exhibition "Hometown Hero, Citizen of the World: Rockwell in Stockbridge. " "The Right to Know," a 1968 painting which presented critical commentary on the Vietnam War, will take its place alongside an equally insightful, often socially-conscious collection of work featured in the exhibition (on view through October 31, 2004).

 

According to exhibition curator Linda Pero, "’The Right to Know’ was a courageous work that revealed Rockwell’s humanitarian position on the war, risky at the time, and particularly for someone who had crafted his image almost as finely as his paintings. Additionally, the painting may be more relevant now than it was then in its message to the American people. The fact that it is an election year makes it an even more persuasive image."

 

The oil-on-canvas painting, commissioned to accompany an editorial for "Look" magazine, would be Rockwell’s last political work. The illustration, which featured a group of concerned citizens, was completed during a period in which the artist turned his attention from idealistic subject matter towards more realistic, often controversial themes. Growing dissent against the war in Vietnam in which 16,000 American soldiers had died, fueled the powerful political statement of Rockwell’s painting, on the right of American citizens to know the reasons behind its government’s actions. The text which accompanied the illustration read: "We are the governed, but we govern too. Assume our love of country, for it is only the simplest of self-love. Worry little about our strength, for we have our history to show for it. And because we are strong, there are others who have hope. But watch closely from now on, for those of us who stand here mean to watch those we put in the seats of power. And listen to us, you who lead, for we are listening harder for the truth that you have not always offered us. Your voice must be ours, and ours speaks of cities that are not safe, and of wars we do not want, of poor in a land of plenty, and of a world that will not take the shape our arms would give it. We are not fierce, and the truth will not frighten us. Trust us, for we have given you our trust. We are the governed, remember, but we govern too."

 

The painting is being loaned to the exhibition courtesy of Berry-Hill Galleries, New York City.











Today's News

February 6, 2026

The Davis Museum at Wellesley College opens newly-reinstalled Modern & Contemporary Galleries

Hirshhorn announces expansive museum loan program placing its collection across the nation

Over 350 museum-quality antique lots to hit the block at Woody Auction on March 21

The Rollins Museum of Art acquires video work by Icelandic artist Ragnar Kjartansson

Maruani Mercier announces the European representation of the George Rickey Estate

Fontaine's to offer important Tiffany lamps & fine art Feb. 7

Velázquez's Pablo de Valladolid leaves the gallery for restoration at the Museo del Prado

12,000 years of connection: Göbeklitepe's ancient masterpieces debut in Berlin

A record-breaking sale: Two 10-cent comic books sell for $13 million

The original satirist: Albertina hosts first major Honoré Daumier exhibition in 90 years

The Neptune of Lyon arrives in Rome for a rare and monumental exhibition

Major retrospective of June Leaf on view at Allen Memorial Art Museum

David Aaron gallery to present rare Greek Stele of a Parthenos at TEFAF Maastricht

From missiles to melodies: Zhanna Kadyrova's Instrument debuts at Galleria Continua

Lahore Biennale Foundation announces next Curator

Old Masters meet modern fashion at Berlin's Gemäldegalerie

Eamonn Doyle's AS IF debuts at the International Centre for the Image

Towards Zero: Huang Dan's minimalist odyssey opens at Ora-Ora

A place of concealment: Ten artists explore the "irreducible surplus" of art

Heritage Auctions names Reyne Hirsch Vice President and Managing Director, Fine & Decorative Arts

Tom Seaver collection among landmark attractions in Heritage's Winter Platinum Night Sports Auction

Historic Harley-Davidson Serial No. 1 offered in 100% charity auction supporting women's cancer care

Schwarzman Centre for the Humanities opens April 25

Latvia unveils its vision for the 2026 Venice Biennale




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 




Founder:
Ignacio Villarreal
(1941 - 2019)


Editor: Ofelia Zurbia Betancourt

Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org facundocabral-elfinal.org
Founder's Site. Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful