Politically-charged Painting at Norman Rockwell Exhibition
The First Art Newspaper on the Net    Established in 1996 Saturday, September 12, 2026


Politically-charged Painting at Norman Rockwell Exhibition



STOCKBRIDGE, MASS.- The Norman Rockwell Museum has added a rare, politically-charged painting by the artist Norman Rockwell to its current exhibition "Hometown Hero, Citizen of the World: Rockwell in Stockbridge. " "The Right to Know," a 1968 painting which presented critical commentary on the Vietnam War, will take its place alongside an equally insightful, often socially-conscious collection of work featured in the exhibition (on view through October 31, 2004).

 

According to exhibition curator Linda Pero, "The Right to Know was a courageous work that revealed Rockwells humanitarian position on the war, risky at the time, and particularly for someone who had crafted his image almost as finely as his paintings. Additionally, the painting may be more relevant now than it was then in its message to the American people. The fact that it is an election year makes it an even more persuasive image."

 

The oil-on-canvas painting, commissioned to accompany an editorial for "Look" magazine, would be Rockwells last political work. The illustration, which featured a group of concerned citizens, was completed during a period in which the artist turned his attention from idealistic subject matter towards more realistic, often controversial themes. Growing dissent against the war in Vietnam in which 16,000 American soldiers had died, fueled the powerful political statement of Rockwells painting, on the right of American citizens to know the reasons behind its governments actions. The text which accompanied the illustration read: "We are the governed, but we govern too. Assume our love of country, for it is only the simplest of self-love. Worry little about our strength, for we have our history to show for it. And because we are strong, there are others who have hope. But watch closely from now on, for those of us who stand here mean to watch those we put in the seats of power. And listen to us, you who lead, for we are listening harder for the truth that you have not always offered us. Your voice must be ours, and ours speaks of cities that are not safe, and of wars we do not want, of poor in a land of plenty, and of a world that will not take the shape our arms would give it. We are not fierce, and the truth will not frighten us. Trust us, for we have given you our trust. We are the governed, remember, but we govern too."

 

The painting is being loaned to the exhibition courtesy of Berry-Hill Galleries, New York City.



Today's News

September 12, 2026

Muse Jacquemart-Andr opens Tintoretto's first career-spanning survey in France

Bertoia Auctions announces September 25 Mechanical Banks & Cast-Iron Toys auction

Design Week Lagos presents new generation Nigerian design talent at Paris Design Week 2026

Sohn Fine Art presents group exhibition Sanctuary of Petals

A history of knowledge: The best infographics from the National Geographic archives

Irish Museum of Modern Art opens major European exhibition on the concept of peace

Monumental Medici bronzes shine again after conservation at Florence's Chapel of the Princes

Yale University Art Gallery opens the first exhibition devoted to the art of the Nguni diaspora

New exhibition exploring 70 Years of The Cavern Club's musical legacy coming to Museum of Liverpool

Maurizio Cattelan opens major solo exhibition NIGHT at Neue Nationalgalerie in Berlin

Supercars and blue-chip classics head to RM Sotheby's Zurich Sale

Esther Schipper hosts David Claerbout's second solo exhibition in Berlin

Eugenio Viola appointed director of Madre Museum

A new gallery is opening its doors in Brussels to kick off the new art season

Everyone is talking about Greenland. Eight artists speak for themselves

Joana Hadjithomas and Khalil Joreige present research-based exhibition with MAMCO

Cirkeline turns 70 as Nivaagaards Malerisamling revisits Hanne Hastrup's beloved little elf

Paris exhibition explores collective creation and intellectual disability in Art Brut

New Museum elects new members to Board of Trustees

Art Gallery of New South Wales opens Dobell Australian Drawing Biennial 2026

Major Kunsthaus Zrich show brings Monet, Picasso, and Tinguely into new dialogues

New York State Museum marks 25th anniversary of 9/11 with new exhibition, artifacts & programs

REDCAT presents Flesh Witness examining militarism across Asia and the Pacific

Markus Saile debuts large-scale abstract paintings in solo show at Mai 36




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 




Founder:
Ignacio Villarreal
(1941 - 2019)


Editor: Ofelia Zurbia Betancourt

Art Director: Juan José Sepúlveda Ramírez


Royalville Communications, Inc
produces:

ignaciovillarreal facundocabral-elfinal.org
Founder's Site. Hommage
       
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful