Politically-charged Painting at Norman Rockwell Exhibition
The First Art Newspaper on the Net    Established in 1996 Sunday, March 15, 2026


Politically-charged Painting at Norman Rockwell Exhibition



STOCKBRIDGE, MASS.- The Norman Rockwell Museum has added a rare, politically-charged painting by the artist Norman Rockwell to its current exhibition "Hometown Hero, Citizen of the World: Rockwell in Stockbridge. " "The Right to Know," a 1968 painting which presented critical commentary on the Vietnam War, will take its place alongside an equally insightful, often socially-conscious collection of work featured in the exhibition (on view through October 31, 2004).

 

According to exhibition curator Linda Pero, "’The Right to Know’ was a courageous work that revealed Rockwell’s humanitarian position on the war, risky at the time, and particularly for someone who had crafted his image almost as finely as his paintings. Additionally, the painting may be more relevant now than it was then in its message to the American people. The fact that it is an election year makes it an even more persuasive image."

 

The oil-on-canvas painting, commissioned to accompany an editorial for "Look" magazine, would be Rockwell’s last political work. The illustration, which featured a group of concerned citizens, was completed during a period in which the artist turned his attention from idealistic subject matter towards more realistic, often controversial themes. Growing dissent against the war in Vietnam in which 16,000 American soldiers had died, fueled the powerful political statement of Rockwell’s painting, on the right of American citizens to know the reasons behind its government’s actions. The text which accompanied the illustration read: "We are the governed, but we govern too. Assume our love of country, for it is only the simplest of self-love. Worry little about our strength, for we have our history to show for it. And because we are strong, there are others who have hope. But watch closely from now on, for those of us who stand here mean to watch those we put in the seats of power. And listen to us, you who lead, for we are listening harder for the truth that you have not always offered us. Your voice must be ours, and ours speaks of cities that are not safe, and of wars we do not want, of poor in a land of plenty, and of a world that will not take the shape our arms would give it. We are not fierce, and the truth will not frighten us. Trust us, for we have given you our trust. We are the governed, remember, but we govern too."

 

The painting is being loaned to the exhibition courtesy of Berry-Hill Galleries, New York City.











Today's News

March 15, 2026

Heather Gaudio Fine Art unveils new multi-media exhibition

Kimbell Art Museum unveils royal treasures of the Holy Sepulcher

The texture of survival: Youngju Joung's new works at Almine Rech Tribeca

The Leiden Collection announces acquisition at TEFAF of major painting by Willem Drost

Kiang Malingue at Art Basel Hong Kong 2026

Zak Kitnick "Paintings for Children" opens at Nino Mier Gallery

Rare oversized William Eggleston dyes debut at Zander Galerie Paris

Laurent Proux opens second solo exhibition with GNYP Gallery

São José slave ship artifacts to depart Smithsonian for South Africa

The Ringling presents In the Flesh: The Nude in Modern Japan

Paola Pivi transforms Perrotin Paris into a space of political wonder

Andreas Kocks activates light and space at Winston Wächter Fine Art

Tibor de Nagy celebrates the vibrant vision of Nell Blaine

National Air and Space Museum welcomes James Webb Space Telescope's Pathfinder and Parker Solar Probe to collection

Important nationally touring exhibition at Monterey Museum of Art closes April 19

Unresolved histories: Renee Royale and Binh Danh examine colonial power at ROSEGALLERY

Donatella Spaziani bridges Italian and Chinese traditions at Sichuan Fine Arts Institute

TEFAF Maastricht opening day: David Aaron sells stele to US museum

Kunsthalle Friart Fribourg presents a study of material instability

Exhibition at Bluerider ART explores the fluidity of organic time and space

Castlefield Gallery opens an exhibition about power, protest, memory and survival

Compton Verney exhibits exceptional works by Dutch and Flemish Old Masters




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 




Founder:
Ignacio Villarreal
(1941 - 2019)


Editor: Ofelia Zurbia Betancourt

Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org facundocabral-elfinal.org
Founder's Site. Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful