Politically-charged Painting at Norman Rockwell Exhibition
The First Art Newspaper on the Net    Established in 1996 Saturday, February 28, 2026


Politically-charged Painting at Norman Rockwell Exhibition



STOCKBRIDGE, MASS.- The Norman Rockwell Museum has added a rare, politically-charged painting by the artist Norman Rockwell to its current exhibition "Hometown Hero, Citizen of the World: Rockwell in Stockbridge. " "The Right to Know," a 1968 painting which presented critical commentary on the Vietnam War, will take its place alongside an equally insightful, often socially-conscious collection of work featured in the exhibition (on view through October 31, 2004).

 

According to exhibition curator Linda Pero, "’The Right to Know’ was a courageous work that revealed Rockwell’s humanitarian position on the war, risky at the time, and particularly for someone who had crafted his image almost as finely as his paintings. Additionally, the painting may be more relevant now than it was then in its message to the American people. The fact that it is an election year makes it an even more persuasive image."

 

The oil-on-canvas painting, commissioned to accompany an editorial for "Look" magazine, would be Rockwell’s last political work. The illustration, which featured a group of concerned citizens, was completed during a period in which the artist turned his attention from idealistic subject matter towards more realistic, often controversial themes. Growing dissent against the war in Vietnam in which 16,000 American soldiers had died, fueled the powerful political statement of Rockwell’s painting, on the right of American citizens to know the reasons behind its government’s actions. The text which accompanied the illustration read: "We are the governed, but we govern too. Assume our love of country, for it is only the simplest of self-love. Worry little about our strength, for we have our history to show for it. And because we are strong, there are others who have hope. But watch closely from now on, for those of us who stand here mean to watch those we put in the seats of power. And listen to us, you who lead, for we are listening harder for the truth that you have not always offered us. Your voice must be ours, and ours speaks of cities that are not safe, and of wars we do not want, of poor in a land of plenty, and of a world that will not take the shape our arms would give it. We are not fierce, and the truth will not frighten us. Trust us, for we have given you our trust. We are the governed, remember, but we govern too."

 

The painting is being loaned to the exhibition courtesy of Berry-Hill Galleries, New York City.











Today's News

February 28, 2026

Beyond the canvas: How the 1950s galleries shaped the meaning of Antoni Tàpies

Seeing red: Ordovas explores art's most symbolic hue from Miró to Moyer

Christie's Post-War to Present totals $32,023,889

Christie's Asian Art Week bridges centuries of tradition

After Attention: Marina Abramović and Márta Kucsora meet at Helvetika 1575

MOCA acquires Kara Walker's Unmanned Drone, announces 158 acquisitions in 2025

Northern Star: Exploring the brilliance, ambition, and timeless impact of a true innovator

Surface Tension: William Turner Gallery celebrates the sensory depth of LA art

Heritage celebrates Pokémon 30th anniversary with opportunity to catch PSA Mint 9 Pikachu Illustrator

The Benaki Museum unveils landmark Alexis Akrithakis retrospective

Deichtorhallen Hamburg publishes catalogue for Into the Unseen: The Walther Collection

National Postal Museum launches new short-form video series

Black gold, deep time: Alexandra Karakashian's oil-based inquiry at Sabrina Amrani

Raised by Mountains: Silverlens exhibits works by John Frank Sabado & Leonardo Aguinaldo

Bruno Zhu. Belas Artes opens at Centro de Arte Moderna Gulbenkian's Project Space

Bradley Kerl explores memory and movement at Ivester Contemporary

Matt Mullican dismantles the encyclopedia at Peter Freeman, Inc.

Édouard Glissant's personal art collection makes US debut

The Middle of the Flower: Jess Cochrane reclaims her roots at Sullivan+Strumpf

Xu Tiantian unveiled as 2026 MECCA x NGV Women in Design Commission recipient

Galleri Nicolai Wallner now representing Man Yau

Timor-Leste Pavilion at the 2026 Venice Biennale presents Across Words

Museum Folkwang unveils a century of photobooks for children




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 




Founder:
Ignacio Villarreal
(1941 - 2019)


Editor: Ofelia Zurbia Betancourt

Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org facundocabral-elfinal.org
Founder's Site. Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful