Politically-charged Painting at Norman Rockwell Exhibition
The First Art Newspaper on the Net    Established in 1996 Thursday, March 12, 2026


Politically-charged Painting at Norman Rockwell Exhibition



STOCKBRIDGE, MASS.- The Norman Rockwell Museum has added a rare, politically-charged painting by the artist Norman Rockwell to its current exhibition "Hometown Hero, Citizen of the World: Rockwell in Stockbridge. " "The Right to Know," a 1968 painting which presented critical commentary on the Vietnam War, will take its place alongside an equally insightful, often socially-conscious collection of work featured in the exhibition (on view through October 31, 2004).

 

According to exhibition curator Linda Pero, "’The Right to Know’ was a courageous work that revealed Rockwell’s humanitarian position on the war, risky at the time, and particularly for someone who had crafted his image almost as finely as his paintings. Additionally, the painting may be more relevant now than it was then in its message to the American people. The fact that it is an election year makes it an even more persuasive image."

 

The oil-on-canvas painting, commissioned to accompany an editorial for "Look" magazine, would be Rockwell’s last political work. The illustration, which featured a group of concerned citizens, was completed during a period in which the artist turned his attention from idealistic subject matter towards more realistic, often controversial themes. Growing dissent against the war in Vietnam in which 16,000 American soldiers had died, fueled the powerful political statement of Rockwell’s painting, on the right of American citizens to know the reasons behind its government’s actions. The text which accompanied the illustration read: "We are the governed, but we govern too. Assume our love of country, for it is only the simplest of self-love. Worry little about our strength, for we have our history to show for it. And because we are strong, there are others who have hope. But watch closely from now on, for those of us who stand here mean to watch those we put in the seats of power. And listen to us, you who lead, for we are listening harder for the truth that you have not always offered us. Your voice must be ours, and ours speaks of cities that are not safe, and of wars we do not want, of poor in a land of plenty, and of a world that will not take the shape our arms would give it. We are not fierce, and the truth will not frighten us. Trust us, for we have given you our trust. We are the governed, remember, but we govern too."

 

The painting is being loaned to the exhibition courtesy of Berry-Hill Galleries, New York City.











Today's News

March 12, 2026

James McQueen launches new solo show at Halcyon Gallery

Bertoia's Jan. 29-30 Holiday Antiques Auction rings up $1.2 million

China Institute Gallery presents The Dancing Goddess: Mei Lanfang in America

The Prado launches Canal Prado, a new digital hub for art videos and lectures

Serena Williams-Ellis's private collection headed to Christie's

V&A East Museum unveils monumental new work by Thomas J Price

Medieval Mindscapes now on view at the Walters

Serpentine launches second edition of the Reader

Caroline Kent translates 1950s cinema into operatic abstraction at Casey Kaplan

Bureaucratic formalism: Uri Aran's first Italian retrospective takes over Museo Madre

Independent announces details for the 17th edition

Contemporary Art Center, Vilnius unveils curators of 16th Baltic Triennial

Care Matters: Albertina explores the invisible labor that sustains society

Montreal Museum of Fine Arts Foundation announces transformational gift to shape future of permament collection

Daring to believe: Bonniers Konsthall turns 20

All About Photo presents 'Civilization' by Damien Aubin

A arte Invernizzi explores the power of vulnerability in Milan

National Gallery of Canada announces major donation of 24 artworks from Bob Rennie and the Rennie Family

Kiran Nadar Museum of Art commissions Nalini Malani for its Venice presentation

Guimi You joins Jessica Silverman

Art Brussels 2026 unveils a refocused, high-impact 42nd edition




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 




Founder:
Ignacio Villarreal
(1941 - 2019)


Editor: Ofelia Zurbia Betancourt

Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org facundocabral-elfinal.org
Founder's Site. Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful