LONDON.- Albany Arts Communications announced the publication of The People on the Street, a new book by the acclaimed photographer Nigel Shafran.

Known for his objective yet intimate approach to capturing the everyday, in this book Shafran reverses the direction of the camera, turning himself into its subject matter. Between 2016 and 2017 Shafran approached vulnerable people living on the street in London and Paris, and asked them to take his photograph. The resulting series is presented unedited, in a chronological sequence with a record of each person’s name and location.

This uncomfortable publication has been produced by Shafran in response to the current homelessness crisis: the number of rough sleepers in London has doubled since 2010, with official government data showing that on any given night in autumn last year, 4,571 people were recorded sleeping on the streets.

Often pictured in transient urban landscapes, the photographs reflect on the unacknowledged comings and goings of pedestrians and passers-by as seen from the view of the person taking the picture. Some of the images create poignant juxtapositions of poverty and extreme wealth, set against the backdrop of visible luxury commerce, such as in the images taken on The Strand, a street known historically as the home of rough sleepers and people down on their luck. Through this project, Shafran questions the condition of homelessness that is seen through the frame of the other, where often in photographs homeless people are shown as victims – breaking down the distance between ‘us’ and ‘them’.

Nigel Shafran: The People on the Street is available for £30 in an edition of 500 copies at www.nigelshafran.com

All proceeds from the sale of the book will go to homeless charities.

Shafran’s work has been included in exhibitions including How we are: Photographing Britain, Tate Britain; Observers: Photographers of the British scene from the 1930s to now, Galeria de Arte SESI Sao Paulo, Brazil; Island stories: Fifty Years of Photography in Britain, Victoria & Albert Museum; Reality Check, Photographer’s Gallery / British Council; Theatres of the Real, FotoMuseum, Antwerp; Today Everyday, The National Portrait Gallery; Tread Softly, Yorkshire Sculpture Park; also at Contemporary Art Society and Fig-1, both London. His publications include Ruthbook (1995), Dad's Office (1999), Edited Photographs 1992-2004 (2004), Flower’s for ___ (2008), Ruth on the Phone (2012), Teenage Precinct Shoppers (2013), Visitor Figures (2015), and Dark Rooms (2016).

Shafran’s work is held in several public collections, including the National Portrait Gallery, Simmonds and Simmonds, British Land, Arts Council, the Victoria & Albert Museum and Museum for Moderne Kunst, Frankfurt.