Bethlehem church mosaics sparkle in time for Christmas
The First Art Newspaper on the Net    Established in 1996 Sunday, April 27, 2025


Bethlehem church mosaics sparkle in time for Christmas
Italian artists clean and restore pebble mosaics at the nave of the Church of the Nativity in the occupied West Bank biblical city of Bethlehem on November 30, 2018. The Italian government and the Palestinian Authority have been working in a joint effort to restore the Church of the Nativity since 2013.It is one of the first Christian Churches, associated to the birthplace of Jesus. The cost of the Nativity renovation is around 18 million euros ($20.5 million),funded by the Palestinian Authority, the Vatican and other governments according to authority. THOMAS COEX / AFP.

by Clothilde Mraffko



BETHLEHEM (AFP).- Masked for centuries by the soot of candles and lately by scaffolding, the mosaics of Bethlehem's Church of the Nativity have been restored to their Crusader-era splendour in time for Christmas.

Over the past 15 months, experts have cleaned and repaired surviving fragments of the 12th century masterworks, preserving 1,345 square feet (125 square metres) of what was once 21,528 square feet (2,000 square metres) of glittering gold and glass.

The rest has been eaten away by wear, humidity, wars and earthquakes.

Now the restored remains shine against the white walls above the heads of visitors to the church in the Israeli-occupied West Bank city of Bethlehem that marks the traditional birthplace of Jesus.

Overlooking the nave are seven angels framed in gold who appear to have landed on a carpet of vivid green grass.

Each is placed between windows symbolising divine light. One of the angels was discovered during the restoration work beneath a layer of plaster.

"These mosaics are made of gold leaf placed between two glass plates," Marcello Piacenti, who supervises the work on behalf of his Italian family restoration firm Piacenti, told AFP.

"Only faces and limbs are drawn with small pieces of stone."

One of the partially destroyed angel figures was restored using different materials to the original so as not to mislead future archaeologists.

Ibrahim Abed Rabbo, a Palestinian Authority (PA) engineer said the transformation caused by the restoration is striking.

"When you entered the church before, you could not even make out that there were mosaics, it was so black," he said.

Spiritually exalted
In a rarity for the period, the works were signed by the craftsmen responsible, Abed Rabbo said.

In the choir of the church, the visitor can now see an image of Saint Thomas, incredulous at the resurrection, poking his finger into Christ's wound from his crucifixion.

Elsewhere there is the triumphal entry of Jesus into Jerusalem on Palm Sunday.

"It's meticulously detailed, it gives the impression of being brand new," said Patricia Lieby, 44, a French tourist visiting the church for the first time.

"I have never seen a mosaic like this outside Jerusalem, it's sublime."

Father Asbed Balian is the senior cleric of the Armenian church at the basilica, where property rights are shared with the Roman Catholic and Greek Orthodox faiths.

After seeing the completed restoration, he said, he was "stunned".

"Spiritually, we feel more exalted," he added.

On the nave walls, the restorers also gave renewed life to paintings dating from 1127 and the end of the 12th century when wealthy pilgrims commissioned artists to paint their family or home region saints, for display in the holy site.

"These portraits were barely distinguishable, blackened by the years," Piacenti said.

Now their silhouettes stand out against the church's reddish columns, although the faces were erased after the Muslim conquest, in keeping with the Islamic ban on portrayal of the human form.

The first Church of the Nativity was built in the fourth century by Roman Emperor Constantine and his mother Helene.

That original structure was believed to have been destroyed by fire but Piacenti said no trace of burning was found during the restoration work, leading him to think an earthquake was a more likely cause.

The Byzantines rebuilt the basilica in the sixth century and the Crusaders later added to it.

'Persuade more locals to stay'
Due to disagreements between the three faiths responsible for the site, the building had gone unrepaired since the middle of the 19th century.

In 2002, bullet holes pocked the front of the church after a five-week Israeli army siege when some 100 Palestinians took refuge inside.

When the Palestinian Authority began renovations in 2013, "the basilica was in danger", PA restoration consultant Afif Tweme said.

Scaffolding remains in part of the choir stalls as restorers work, inch by inch, on floor mosaics, hidden from public view by plywood screens.

"It's very special, because of the location," said Piacenti. "Sometimes I have to force them (workers) to leave" at the end of the day.

Tweme said the restoration would "influence tourism for sure".

He hopes the economic benefits will "persuade more of Bethlehem's dwindling local Christian population to stay in the city rather than move away".


© Agence France-Presse










Today's News

December 17, 2018

'Utrecht, Caravaggio and Europe' presents 70 masterpieces at the Centraal Museum

Kunsthaus Zürich stages Oskar Kokoschka retrospective

Bethlehem church mosaics sparkle in time for Christmas

French luxury dynasty in court battle over 'Mona Lisa' of Ferraris

Dutch court dismisses Chinese plea for mummy's return

Iraq lays cornerstone to rebuild iconic Mosul mosque

Ai Weiwei launches new Zodiac (2018) LEGO portrait series

'Ink, Paper, Silk: One Hundred Years of Collecting Japanese Art' opens at BAMPFA

Skira publishes 'Contemporary Voices From The Asian And Islamic Art Worlds'

Exhibition on Screen's new film, Young Picasso, will be in cinemas in February 2019

Curitiba: Brazil's once model city, now frozen in the past

Exhibition places emphasis on the intricacy of Jonas Burgert's character studies in black and white

Exhibition of photographs by Bhupendra Karia on view at sepiaEYE

PDNB Gallery exhibits photographs by Delilah Montoya

National Gallery of Victoria presents the work of M. C. Escher in dialogue with works by nendo

New book honours the deep impact of refugees from Nazi-occupied Europe on British culture

Exhibition at the Moscow Museum of Modern Art focuses on the 'May revolution'

Art Cologne announces 2019 exhibitor list

Rarely seen drawings by Brett Whiteley on view at the Art Gallery of New South Wales

Afterimage Gallery exhibits the Venice work of Sarah Hadley

'Kota Ezawa: The Crime of Art' travels to the Museum of Contemporary Art Santa Barbara

Photographer Nigel Shafran publishes book in response to the current homelessness crisis

Phytovision opens at Space p11 in the Chicago Pedway

The Currier Museum of Art launches a new program for those affected by the opioid crisis




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful