LONDON.- Prototyping in Tokyo: Illustrating Design-Led Innovation is the latest exhibition coming to
Japan House London in January 2019. Showcasing the innovative designs created by world-renowned design engineer and University of Tokyo professor Yamanaka Shunji, the exhibition will explore the potential of prototypes to act as a link between cutting-edge technology and society, offering us a glimpse into the future.
Forget Alexa, Siri and driverless vacuum cleaners, Prototyping in Tokyo: Illustrating Design-Led Innovation will bring to London prototypes such as Ready to Crawl, a series of robots which are 'born' fully formed just like a living thing, with all of their parts created at the same time, fully assembled, and with form and movement closely mirroring living things.
Visitors will learn the stories behind the prototypes. They will be able to touch and interact with select displays, offering a glimpse of the structures and textures of the future. The three core exhibit themes include:
Additive Manufacturing: Taking prototyping to the next level with 3D-printing which has allowed engineers and designers to create infinitely more complex prototypes with textures and the feeling of the future.
Bio-Likeness Robots: Beyond metal and motors, Japanese researchers explore adding life-like motion and behaviour to robots, giving the impression of intelligence; for example, the robot Apostroph examines the mechanisms that allow living organisms to stand.
Prosthetics: Various interpretations of the expanded human body.
The exhibition will run for the first time in the UK from 16 January to 17 March 2019. Following the exhibitions knock-out success at Japan House Los Angeles, it is on display in the UK for the first time in January 2019.
Commenting on Prototyping in Tokyo Professor Yamanaka Shunji, world-renowned design engineer and University of Tokyo professor: When I design products for the market or prototypes for research, I don't intentionally draw on Japanese aesthetics for inspiration. However, outside Japan, my works are often described as resembling 'Japanese style'. An art director from France once told me that the attitude of cherishing a basic element and adding nothing conveys the sense of Japan. An architect from Italy said that my design is minimal and rich, and that that is 'Japanese style'. A professor from the USA described his understanding of 'Japanese style' to me as the fusion of organic and machine-made. Although what I am doing is simply searching for the common ground between science and beauty, people tend to find various interpretations of Japanese aesthetics in my designs. I look forward to seeing how people in the UK feel about my works.