LACMA opens 'Teresa Hubbard / Alexander Birchler: Flora'

The First Art Newspaper on the Net    Established in 1996 Friday, April 26, 2024


LACMA opens 'Teresa Hubbard / Alexander Birchler: Flora'
Teresa Hubbard / Alexander Birchler, Flora, 2017, synchronized double-sided film installation with shared soundtrack, 30 min, loop. Installation view, Teresa Hubbard / Alexander Birchler: Flora, Los Angeles County Museum of Art, January 20–April 7, 2019. Los Angeles County Museum of Art, promised gift of Suzanne Deal Booth, © Teresa Hubbard / Alexander Birchler, photo © Museum Associates/LACMA.



LOS ANGELES, CA.- The Los Angeles County Museum of Art presents Teresa Hubbard / Alexander Birchler: Flora, the U.S. premiere of the artists’ film installation and the accompanying work, Bust. The work is based on the artist duo Teresa Hubbard / Alexander Birchler’s discoveries about the unknown American artist Flora Mayo, with whom the Swiss sculptor Alberto Giacometti had a love affair in Paris in the 1920s. While Giacometti is one of the most celebrated artists of the 20th century, Mayo’s oeuvre has been destroyed and her biography was relegated to a footnote in Giacometti scholarship. Hubbard / Birchler reframe this history, using a feminist perspective to bring Mayo’s compelling biography to life through a hybrid form of storytelling that weaves together reconstruction, reenactment, and documentary.

Flora is a double-sided film installation, with each side revealing a different story while sharing the same soundtrack. The work is conceived as a conversation between Mayo and her son, David, whom the artists found living near Los Angeles after an exhaustive international search. Flora generates a multifaceted dialogue—between mother and son, Mayo and Giacometti, Paris and Los Angeles, and past and present. The exhibition also features Bust, inspired by a lost photograph showing Mayo and Giacometti flanking a portrait bust she made of him. Bust comprises a photographic reproduction and reconstruction of Mayo’s no-longer-extant sculpture. Bust and Flora can now be seen in dialogue with LACMA’s remarkable group of nine sculptures and one painting by Giacometti, which occupy a dedicated permanent collection gallery on Level 2 of the Ahmanson Building.

Flora and Bust premiered at the Swiss Pavilion of the 57th Venice Biennale in 2017. LACMA’s presentation marks their American debut.

The exhibition is curated by Stephanie Barron, senior curator and department head of Modern Art at LACMA. She states, “Beyond its captivating narrative and visualization, Flora challenges those canonized in art history by recovering the history of this overlooked artist.”

Teresa Hubbard (Swiss, Irish, American, b. 1965 in Dublin, Ireland) and Alexander Birchler (Swiss, b. 1962 in Baden, Switzerland) have been working collaboratively in film, photography, and sculpture since 1990. They live and work in Austin, Texas and Berlin, Germany. In 2017 they represented Switzerland in the Swiss Pavilion at the 57th Venice Biennale in the exhibition curated by Philipp Kaiser, Women of Venice.

Hubbard / Birchler’s work is held in numerous public collections including the Museum of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden at the Smithsonian, Washington D.C.; Kunsthaus Zurich, Switzerland; Kunstmuseum Basel, Switzerland; Modern Art Museum of Fort Worth, Texas; Museum of Fine Arts Houston, Texas; National Museum of Art Osaka, Japan; and the Pinakothek der Moderne, Munich, Germany. Their exhibition history includes venues such as the 48th and 57th Venice Biennale; the Tate Museum Liverpool; Whitney Museum of American Art, New York; Museum of Contemporary Art Chicago; Reina Sofia Museum Madrid; Kunsthaus Graz; Mori Museum Tokyo; Hamburger Bahnhof, Museum für Gegenwart, Berlin; and the Irish Museum of Modern Art, Dublin. Their exhibitions are regularly reviewed in The New York Times, Artforum, Art in America, Frieze, and Parkett; and their work has been prominently featured on the PBS Art21’s Peabody Award-winning series, “Art in the Twenty-First Century.” Forthcoming 2019 solo exhibitions include the Giacometti Institute, Paris; the Goetz Collection, Munich; and the Museum of Contemporary Art, Denver.

Hubbard grew up in Australia and later attended the Skowhegan School of Painting and Sculpture, Maine, as well as the graduate sculpture program at Yale University School of Art, New Haven, Connecticut. Birchler grew up in Switzerland and studied at the Academy of Art and Design Basel and the University of Art and Design, Helsinki, Finland. They began collaborating as artists-in-residence at the Banff Centre for the Arts, Canada and later completed graduate degrees at the Nova Scotia College of Art and Design in Halifax, Canada. Hubbard / Birchler are both faculty members in the Department of Art and Art History at the University of Texas at Austin, where Birchler is an Associate Professor of Practice and Hubbard holds the William and Bettye Nowlin Endowed Professorship in Photography. In April 2017, they were each awarded an honorary Doctorate of Fine Arts in recognition of their outstanding achievements to art and culture by the Nova Scotia College of Art and Design University in Halifax, Canada.










Today's News

January 20, 2019

Bauhaus design turns 100 as disputes over its legacy churn

Tacoma Art Museum's new Benaroya Wing designed by award winning architects Olson Kundig opens to the public

Tomás Saraceno's first-ever solo exhibition in Los Angeles on view at Tanya Bonakdar Gallery

Pioneering female artists to highlight Sotheby's Sale of 19th Century European Art in New York

Marc Newson's first exhibition of limited-edition furniture pieces in more than a decade opens at Gagosian

Kayne Griffin Corcoran opens an exhibition of works made between 1958-1967 by Beverly Pepper

Solo exhibition of new work by Nicolas Deshayes on view at Modern Art

Outsider Art Fair opens 27th edition with strong sales & attendance

Exhibition centers on a group of rarely or never-before-seen works by Richard Artschwager

Salon du Dessin to put the spotlight on drawing 27th March- 1st April in Paris

Exhibition presents a new sound installation and sculptural works by Oliver Beer

Marianne Boesky Gallery opens Atlanta-based artist Paul Stephen Benjamin's first solo exhibition in New York

Italy's Matera in cultural limelight after slum 'shame'

Carpenters Workshop Gallery opens a solo exhibition of works by Vincenzo de Cotiis

The Museum of Arts and Design appoints Andrew Blauvelt & John Underkoffler as Curators-at-Large

Northern Gallery for Contemporary Art presents Dan Holdsworth's digital sculptures

Collection of works by celebrated woodturner on view this winter at the Beaverbrook Art Gallery

Exhibition comprises new sculptures, shaped canvas paintings and a film by Philippe Decrauzat

Laguna Art Museum opens an exhibition of prints from the large Self-Help Graphics collection

Exhibition presents works by artists who are known for their strong, lyrical, expressive brushstrokes

Galerie Fons Welters exhibits works by Tom Claasen, Job Koelewijn, Maria Roosen, and Berend Strik

LACMA opens 'Teresa Hubbard / Alexander Birchler: Flora'

Maureen Paley hosts Felix Gaudlitz for Condo 2019

La Criée centre for contemporary art opens first solo show in France of works by David Horvitz




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful