The Davis Museum challenges the expected in 'Art_Latin_America: Against the Survey'

The First Art Newspaper on the Net    Established in 1996 Tuesday, March 5, 2024


The Davis Museum challenges the expected in 'Art_Latin_America: Against the Survey'
Olga Albizu, Untitled, 1959. Oil on canvas, 22 x 30 in. (55.9 cm x 76.2 cm) Museum purchase, The Dorothy Johnston Towne (Class of 1923) Fund, 2018.165 Artwork: Courtesy of the artist’s estate.



WELLESLEY, MASS.- The Davis Museum at Wellesley College presents Art_Latin_America: Against the Survey, an exhibition highlighting important works of modern and contemporary Latin American and Latinx art from the Museum’s extensive permanent collections. The show features 150 objects by nearly 100 artists— including 32 women—from Argentina, Bolivia, Brazil, Chile, Colombia, Cuba, Mexico, Puerto Rico, Uruguay, and Venezuela. Also represented are U.S. and European artists who worked in Latin America, as well as many of Latin American descent based in the United States. The exhibition, on view in the Camilla Chandler and Dorothy Buffum Chandler Gallery and Marjorie and Gerald Bronfman Gallery, runs from February 7 through June 9, 2019.

“Using the diversity of the Davis Museum collection as a case study—especially in terms of artists’ origins and interests—we are hoping to shake things up and break new ground for the way museums present ‘Latin American Art’,” said James Oles, Adjunct Curator of Latin American Art at the Davis Museum and Senior Lecturer in the Art Department at Wellesley College. “The selection of works will surprise both specialists and our broader public, and will hopefully serve as a springboard for debate, launching fresh ideas and innovative scholarship.”

Art_Latin_America emerged from the Davis Museum’s desire to bring its expansive collection of “Latin American art,” formed mainly over the past two decades, to public attention for the first time, and to align its presentation with recent historiographic and curatorial advances in the field. The checklist was shaped by expanding the parameters as broadly as possible, an approach signaled by the underscores in the title. On one side Art, from abstract paintings to photo-journalism; on the other America, understood broadly. Between them, “Latin” refers to that particular part of the hemisphere colonized by Spain and Portugal. The underscores of the title function as productive gaps for new meanings, suggesting rather than restricting what goes in between. The first —"Art_Latin” — means that we include art from Latin America, art of Latin America, art made in Latin America but also art about Latin America, or even simply related to Latin America. Crucially, this includes work by artists visiting the region from elsewhere, sometimes with profound impact on local artists (such as Edward Weston and Tina Modotti in 1920s Mexico) and by those who passed through relatively unremarked (Walker Evans in Cuba, Danny Lyon in Colombia, Ann Parker in Guatemala).

The second — “Latin_America” —questions where art was produced. Most survey exhibitions in the field follow the map, using the Rio Grande as a powerful dividing line. They include works produced outside of the region by artists born there, and by émigrés and exiles who moved to Latin America. However, they often exclude artists of Latin American descent born in the mainland U.S. and Puerto Rico. The gap between Latin and America in the title thus stands not so much for missing articles or verbs as for single characters: one is the hyphen, which ties together the words, but others — o, a, @, x — push them further apart, amplifying the pool to bring in works by Latinos and Latinas, as well as artists who seek gender neutrality though new terms like Latin@ and Latinx.

The exhibition is organized in eight thematic sections: Identity and Territory, War and Loss, Protest and Propaganda, Farmers and Workers, City and Country, Saints and Rituals, Models and Mothers, and Gesture and Geometry. Each includes works across media from different periods and locations, including the U.S., and juxtaposes the expected and unexpected.

For example, viewers will see intimate surrealist visions by María Izquierdo and Alice Rahon, abstract compositions by Lygia Pape and Fanny Sanín, and photographs by Manuel Álvarez Bravo and Grete Stern. Also included are major paintings by Roberto Matta, Francis Alÿs, and Liliana Porter, drawings by José Clemente Orozco and Joaquín Torres-García, prints by Diego Rivera and Rufino Tamayo, and sculptural works by Alfredo Jaar, Jesús Rafael Soto, and Ana Mendieta.

Many objects have been rarely seen or published, and some are by artists unfamiliar even to experts. These include political prints by Uruguayan artist Leandro Castellanos Balparda, as well as Sergio Sergi and Abraham Regino Vigo from Argentina, and several recent acquisitions, such as vibrant abstract paintings by Puerto-Rican artist Olga Albizu and Mexican artist Myra Landau.

Building the Collection
At Wellesley College, works of art from Latin America, or by Latin American and Latino artists, entered the museum sporadically beginning in the 1950s, but in the past two decades interest has intensified. The Davis Museum now houses over 550 works that can be connected to the region broadly known as “Latin America,” whether as site of production, place of origin, or point of reference. The holdings are a fundamental part of the curriculum in several academic departments at Wellesley, and also serve as a vital regional resource.

Catalogue & Contributors
The works included in Art__Latin__America are further explored in a fully-illustrated publication, designed by the award-winning firm of Stoltze Design. The catalogue includes an introductory essay by the curator, followed by 70 object entries of varying lengths commissioned from 40 leading artists, scholars, curators, and collectors from across the Americas. Providing new readings of both famous and overlooked artists and works, the catalogue will be a major resource, posing a challenge to canonical representations and overviews of Latin American art and reveling in discoveries as well as unresolved issues.










Today's News

February 9, 2019

Dinosaur that defended itself with spiny backbone found in Patagonia

Groundbreaking Artificial Intelligence artwork to be offered at auction for the first time

Exhibition at Museum Boijmans Van Beuningen presents over 800 Bauhaus objects

Christie's to offer The George Michael Collection

Exhibition at ARKEN features Patricia Piccinini's magical and thought-provoking works

Most comprehensive exhibition of works by Laure Prouvost opens at Museum of Contemporary Art Antwerp

'Angry Young Man' actor Albert Finney dies aged 82

Smithsonian's National Air and Space Museum receives SpaceShipTwo rocket motor from Virgin Galactic

Works spanning Robert Mangold's career from 1967 to 2017 on view at Galerie Greta Meert

Superman and Wonder Woman have landed at Crystal Bridges Museum of American Art

Art Museum of West Virginia University names new Director

The Davis Museum challenges the expected in 'Art_Latin_America: Against the Survey'

First major retrospective of George Shaw's work opens at the Holburne Museum

MIT List Visual Arts Center opens two new solo exhibitions

Quartz Studio opens the first solo show in Italy by the Swedish artist Astrid Svangren

Andréhn-Schiptjenko opens new gallery space with exhibition of works by Tony Matelli

Inaugural Connect Art Fair impresses as friendly fair with steady flow of sales

The Poster Prize for Illustration 2019 winners announced

At last, an exhibition about landscape architecture!

James Freeman Gallery opens a solo exhibition with new work by British artist James Mortimer

FACTION Art Projects opens annual exhibition celebrating the local talent of Harlem

Kunstverein München opens a solo exhibition of new sculptures and installations by Eva Fàbregas

National Museum of the American Indian opens "Section 14: The Other Palm Springs, California"




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful