COLUMBUS, OH.- The Wexner Center for the Arts at The Ohio State University complements its exhibition of John Waters: Indecent Exposure with Peter Hujar: Speed of Life. The exhibition of 140 photographs by the enormously influential late artist was organized by the Morgan Library and Museum in New York and Fundación MAPFRE, Madrid, and is making its only Midwest appearance at the Wex.

“Hujar’s commitment to his artistic vision made everything else secondary— commercial success, mainstream recognition, personal relationships,” explains Curator at Large Bill Horrigan, who organized the exhibition’s presentation at the Wex. “It’s only now, with the perspective of three decades, that he’s recognized as having given form and face to a certain place and time within late 20th-century America.”

Drawn from the holdings of the Morgan and nine other institutions, the show reveals the full scope of Hujar’s career, from his beginnings in the mid-1950s to his central role among the artists, musicians, and drag performers in the East Village art scene three decades later, until his death in 1987 at the age of 53 from AIDS-related complications.

Shown in a single-gallery installation that reflects Hujar’s own thoughts on the presentation of his varied bodies of work and the feeling of intimacy captured in each, the superb black-and-white photographs illustrate the sensitivity and piercing insight Hujar brought to a range of subject matter.

Speed of Life features extraordinary studies of the nude form and Hujar’s best-known works of portraiture. These include his 1969 poster of LGBT activists arm-in-arm for the Gay Liberation Front, images from the 1970s of John Waters and writers Susan Sontag and Fran Lebowitz in languid reclining poses, and a luminous shot of Warhol superstar Candy Darling in her hospital bed shortly before her death in 1974 The quiet, guileless sense of grandeur in his portraiture also colors his images of the skyscrapers and abandoned buildings of New York City and ever-changing bodies of water like the Hudson River. Hujar’s portraits and cityscapes are accompanied by his photographs of domestic and farm animals, each image exuding the empathy of the artist and the dignity of his subject.

In Hujar’s words, he made “uncomplicated, direct photographs of complicated and difficult subjects.” The exhibition reflects his unparalleled success with that approach, but also his innate ability to identify and immortalize important moments, creatures, and subcultures as they passed at the speed of life.

Peter Hujar: Speed of Life is organized by the Morgan Library & Museum, New York, and Fundación MAPFRE, Madrid. The exhibition is curated by Joel Smith, Richard L. Menschel Curator and Department Head at the Morgan Library & Museum. The Wexner Center for the Arts presentation is organized by Bill Horrigan, curator at large.