Germany pledges to speed return of colonial-era loot
The First Art Newspaper on the Net    Established in 1996 Thursday, December 19, 2024


Germany pledges to speed return of colonial-era loot
Germany has agreed to speed up the return of human remains and artifacts from its former African colonies. AFP Photo/John MACDOUGALL.



BERLIN (AFP).- Germany has agreed to speed up the return of human remains and artwork from former African colonies where the country carried out brutal massacres and pillaged indigenous heritage.

The German culture and foreign ministries as well as regional and local cultural authorities signed a pledge late Wednesday committing museums and scientific institutions to completing an inventory on their "ethnology, natural history, art and cultural history holdings" from the colonial era.

The aim is to determine which "were acquired in a way that legally or ethnically would no longer be acceptable today" and work toward their restitution.

"The priority in this work are the human remains dating from the colonial period" in the late 19th and early 20th centuries, the signatories said.

The commitment comes after a study commissioned by French President Emmanuel Macron in November 2018 recommended returning African treasures held by French museums -- a radical policy shift seen as putting pressure on other former colonial powers.

Germany is unique among the powers in having large holdings of African human remains at museums, universities and in private collections that were used in pseudo-scientific studies.

"Research" carried out by German professor Eugen Fischer on the skulls and bones resulted in theories later used by the Nazis to justify the murder of Jews.

Germany has on several occasions repatriated human remains to Namibia, where it slaughtered of tens of thousands of indigenous Herero and Nama people between 1904 and 1908.

The German government announced in 2016 that it planned to issue an official apology for the atrocities committed by German imperial troops.

But it has repeatedly refused to pay direct reparations, citing millions of euros in development aid given to the Namibian government.

Beyond German South West Africa (present-day Namibia), the German empire held colonies from Togoland (now Togo) and what was then Kamerun (Cameroon) in the west, across to the far slopes of Mount Kilimanjaro in Tanganyika (Tanzania) in the east, as well as Pacific islands.

Germany this year earmarked 1.9 million euros ($2.2 million) to research the provenance of holdings acquired by museums during the colonial period.

The project will be spearheaded by the German Lost Art Foundation, which also studies the provenance of art suspected of having been looted by the Nazis.

© Agence France-Presse










Today's News

March 15, 2019

Major exhibition at the Scuderie del Quirinale celebrates Leonardo da Vinci

Italy police fool thieves with Brueghel masterpiece copy

Austria collects ideas for future of 'Hitler's balcony'

Getty and University of Arizona partner to conserve long lost Willem de Kooning painting

Oklahoma City Museum of Art acquires "An Italian Autumn" by Thomas Cole

Germany pledges to speed return of colonial-era loot

The George Michael Evening Auction totals $12,302,590

Gladstone Gallery opens a new exhibition by Philippe Parreno spanning across its New York galleries

Lou Reed's guitars take New Yorkers to church

Christie's to offer English & European 18th & 19th century furniture, ceramics, silver & works of art

Laura Allred Hurtado appointed Executive Director of the Utah Museum of Contemporary Art

Keith Sonnier retrospective explores the influence of Louisiana art and culture

Sotheby's S│2 celebrates Hong Kong Arts Month with first major exhibition in Hong Kong of works by Alex Katz

An American Brilliant Cut Glass auction will be held by Woody Auction

Stephen Friedman Gallery opens its fifth solo exhibition of works by Wayne Gonzales

Saatchi Gallery opens a new exhibition featuring the work of 9 artists working across a variety of mediums

Recently acquired panorama goes on display for the first time at the Museum of London

Sharjah Art Foundation announces winners of Sharjah Biennial Prize: Otobong Nkanga and Emeka Ogboh

Valerio Spada's first exhibition with Benrubi Gallery opens in New York

Ponti Art Gallery presents Italian and European masterpieces from 18th century to 20th century

The Lumiere Brothers Center for Photography opens an exhibition of works by Tamara Stoffers

Lark Mason Associates Asia Week New York pre-sale exhibition now on view

Tom Venditti joins Heather James Fine Art as Director for New Montecito gallery

Illuminated manuscripts lead Early Printed Books at Swann




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful