LONDON.- The Art of Warez is a short film about the virtually unknown world of the ANSI art scene, to be released on 31 July, 2019.
There was a time before the internet, in the late 1980s and early 90s, when computer users would communicate through the telephone lines by leaving messages for one another on Bulletin Board Systems or BBSs.
This would become a very early form of file sharing as Hackers and Pirates would use BBSs to illegally distribute cracked software, known as Warez, and all sorts of other illegal materials.
The graphical display of BBSs was called an ANSI.
ANSI art was the visual component to the BBS scene and the subculture of hackers, software pirates and computer game crackers.
These were simple pictures made from coloured blocks, created by using the keyboard. Before long ANSI art took on a life of its own and an underground art movement was born.
During this time, there was an explosion of output as ANSI artists formed crews and competed to release the best ANSIs.
The arrival of the internet and the changes to computers it introduced killed the ANSI scene and the majority of the artworks were lost in the process.
This is the story of PRE INTERNET HACKER GRAFFITI, copyright theft, stolen long-distance phone calls, and pictures of fantasy warriors, comic book monsters, naked ladies and graffiti B-Boys.
Oliver is an artist-filmmaker, represented by Herald St Gallery, London and Gavin Brown Enterprise, New York.
He has shown work at the Whitney Museum of American Art, New York and The Hammer Museum, Los Angeles. His work in collaboration with Nick Relph received the Golden Lion award at the 43rd edition of the Venice Biennale and has shown at the Serpentine Gallery (2000), the Institute of Contemporary Arts (2001) and is included in the permanent collections of the Tate Britain in London, the Museum of Modern Art in New York, Centre Georges Pompidou in Paris.
He has made films for various skate brands, including films for Supreme, as well as a thought provoking film for Cav Empt which premiered on Nowness.