Hidden for 21 years, Ethiopian crown set to return home
The First Art Newspaper on the Net    Established in 1996 Thursday, November 28, 2024


Hidden for 21 years, Ethiopian crown set to return home
In this photograph taken on September 27, 2019, Dutch-Ethiopian Sirak Asfaw (L) and Dutch art detective Arthur Brand pose with an 18th-century Ethiopian crown at an undisclosed high-security storage facility in the Netherlands. A priceless 18th-century Ethiopian crown is set to be returned from the Netherlands to Addis Ababa after a one-time refugee found it in a suitcase and hid it in his apartment for two decades. The ornate gilded copper headgear, which features images of Jesus Christ and the Twelve Apostles, was unearthed after refugee-turned-Dutch-citizen Sirak Asfaw contacted Dutch 'art detective' Arthur Brand. Jan HENNOP / AFP.

by Jan Hennop



ROTTERDAM (AFP).- A priceless 18th-century Ethiopian crown is set to be returned from the Netherlands to Addis Ababa after a one-time refugee found it in a suitcase and hid it in his apartment for two decades.

The ornate gilded copper headgear, featuring images of Christ and the Twelve Apostles, was unearthed after refugee-turned-Dutch-citizen Sirak Asfaw contacted Dutch 'art detective' Arthur Brand.

Brand, dubbed the "Indiana Jones of the art world" for his discoveries of missing works, said the crown, which is currently being held in a secure location, would soon be handed to the Ethiopian authorities.

Speaking at his apartment in the Dutch port city of Rotterdam, Sirak told AFP the remarkable story of how he came into possession of the crown -- which experts say belongs to a series of some of Ethiopia's most important cultural artefacts.

Sirak, a former Ethiopian refugee who today works as a management consultant for the Dutch government, fled the country during the late 1970s during the so-called "Red Terror" purges.

Once settled in the Netherlands, Sirak used to receive a stream of Ethiopians including pilots and diplomats, along with people who had fled a continuous cycle of hardship in Africa's most ancient country.

Then, in April 1998, while looking for a document, Sirak stumbled upon the crown in a suitcase left behind by one of his visitors.

"I looked into the suitcase and saw something really amazing and I thought 'this is not right. This has been stolen. This should not be here. This belongs to Ethiopia'," he said.

'It would just disappear'
Sirak said he confronted the suitcase's owner -- whom he did not identify -- and told him that the crown "will not leave my house unless it goes back to Ethiopia".

Shortly afterwards Sirak posted a message on an Ethiopian chat group on the internet -- still a new phenomena back in 1998 -- asking what people thought he should do with "an Ethiopian artefact".

But he did not get a satisfactory answer "and I did not want to return it to the same regime that had made it possible for the crown to get stolen," he said.

The former refugee decided to become the crown's de facto guardian "until such time it could go back".

For 21 years the crown was hidden in his apartment as Ethiopia continued to be ruled by an iron-fisted one-party government.

During that time, Sirak was pressured by Ethiopians who knew he had the crown and wanted to force him to give it back.

"But I knew if I gave it back, it would just disappear again," he said.

Sirak said however that when Prime Minister Abiy Ahmed took office last year, he felt that things had changed sufficiently in Ethiopia to finally give the crown back.

Brand said Sirak had contacted him and "told me he was in possession of an Ethiopian artefact of great cultural importance.

"It turns out that Sirak Asfaw had been the custodian of a rare 18th-century Ethiopian crown for the past 21 years and wants to give it back," said Brand.

"It was a story straight from a crime thriller," said the art sleuth, who became world famous in 2015 after finding two bronze statues of horses made by Hitler's favourite sculptor Joseph Thorak.

The Dutch government too confirmed to AFP that Brand had told them about the crown's existence saying "its authenticity will now have to be established in close cooperation with Ethiopian authorities," before the next steps will be taken.

'This is Ethiopia's identity'
The artefact is currently being stored at a high-security facility in the Netherlands, where it was seen by an AFP correspondent.

Jacopo Gnisci, a research associate at Oxford University who also examined the artefact and confirmed its authenticity, said there were less than two dozen of these crowns, called "zewd", in existence.

"These crowns are of great cultural and symbolic significance in Ethiopia, as they are usually donated by high-ranking officials to churches in a practice that reaches as far back as the Late Antiquity," he told AFP.

This crown has an inscription dating to 1633-34, but Gnisci said it was more likely to have been made a century later and was commissioned by one of Ethiopia's most powerful warlords, "ras" Welde Sellase.

Gnisci, who is currently writing a book about medieval Ethiopian manuscripts, said Welde Sellase likely donated the crown to a church in a village called Cheleqot near the modern-day city of Mekelle in northern Ethiopia.

The last time the crown was seen in public, it was worn by a priest in a photograph taken in 1993 before it disappeared, said Gnisci. An investigation was launched at the time but the culprits were never found.

"These crowns are of priceless symbolic value and it is important that they be retuned to Ethiopia," said Gnisci.

"This is Ethiopian cultural heritage, this is Ethiopia's identity and finally it feels good to give it back," said Sirak.


© Agence France-Presse










Today's News

October 3, 2019

Iran displays 300 ancient clay tablets returned by US

Artist Banksy opens pop-up shop in trademark dispute

Hidden for 21 years, Ethiopian crown set to return home

Hiroshi Sugimoto has hard thoughts and a soft focus

Iris van Herpen designs for nature

Exhibition explores the relationship between three renegades of the European and American avant-garde

Terra Foundation acquires Chicago Imagist Roger Brown "Disasters" series painting and other major works

Brutalism springs eternal in Morocco

'Sinatra of the East' Karel Gott dies at 80

Tate acquires new works at Frieze thanks to fund supported by Endeavor

Christie's to offer The Ron and Diane Disney Miller Collection

Minneapolis Institute of Art appoints Katherine Crawford Luber as Director and President

Embattled opera star Placido Domingo resigns from LA Opera

Freeman's announces highlights included in the auction of Modern & Contemporary Art

Bowers Museum showcases the iconic work of two extraordinary modern masters

Figge Art Museum selects new Executive Director

Designs to last

Bonhams announces partnership with Invaluable and thesaleroom.com

Magnificent Assyrian palace reliefs on view at the Getty Villa

Cadogan Contemporary opens a solo exhibition featuring new works by artist Elise Ansel

€1 million expected for Bible from Gutenberg press

Christie's to offer Ed Ruscha masterpiece from the Collection of Joan Quinn

Winner of the 2019 Camden Arts Centre Emerging Artist Prize announced at Frieze




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful