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World's largest medicine galleries open at the Science Museum
The ‘bug van’ used to transport domestic material for fumigation during slum clearances, 1925-35 © Science Museum Group.



LONDON.- We all have our own history of medicine. From birth and broken bones in our adventurous youth to routine trips to the dentist, doctor and optician, visits to loved ones in hospital and experiences of loss. We are deeply invested in our own health and that of friends and family. Medicine: The Wellcome Galleries creates a magnificent new home for the most significant medical collections in the world, providing a rich historical context for our experience of medicine today and featuring moving personal stories from patients and practitioners.

Designed by WilkinsonEyre, the vast galleries cover more than 3000m², an area equivalent to 1,500 hospital beds. The five new galleries reveal how the quest to better understand the human body has transformed medicine. They examine treatments that save, improve and sometimes harm lives, highlight the health challenges faced by populations and uncover our hopes and fears about health.

Over three thousand medical artefacts from the extraordinary collections of Henry Wellcome and the Science Museum Group are on public display in the world’s largest medical galleries. Visitors will see ground-breaking objects from the history of medicine, including two hundred year old wax anatomical models, the very first stethoscope, lancets used by Edward Jenner in his smallpox vaccinations, medicine chests used on expeditions to Mount Everest and Antarctica, an intricate model of a 1930s hospital, a rare iron lung used by patients with polio and the world’s first MRI scanner, protein model and paramedic bicycle. Within the galleries, visitors can step inside a real Victorian pharmacy, brought to life through an immersive digital experience, discover what it takes to perform heart transplant surgery and treat a critically ill patient in an interactive game.

The faces, voices and stories of patients and practitioners are featured throughout the galleries in films, displays, interactive experiences and portraits. Visitors can listen to stories from therapists and their clients, see objects selected by staff and patients representing their experience of the NHS today and hear rehabilitation stories from people affected by brain injuries. The galleries also explore the experiences of patients with mental health issues through films and audio recordings produced by a group with extensive experience of mental health services in the UK. Stories from individuals impacted by how medicine defines ‘normal’ also encourage discussion, with visitors able to listen to their stories next to life-size portraits by award-winning photographer Siân Davey.

Davey’s portraits are one of four commissioned artworks in Medicine: The Wellcome Galleries which act as powerful visual interventions into the galleries’ themes and give visitors a different way to connect with the objects and stories on display. The artworks include 'Self-Conscious Gene' by Marc Quinn, inspired by the tattooed body of model Rick Genest this monumental bronze sculpture greets visitors as they enter the galleries; 'Bloom' by Studio Roso, an aerial sculpture which represents the spread of diseases through populations using a large network of propellers that spin, glow and change colour; 'Santa Medicina' by Eleanor Crook, a beautiful and intriguing bronze sculpture of a figure that is both surgeon and saint which encourages visitors to contemplate their relationship with mortality.

Sir Ian Blatchford, Director of the Science Museum Group said: ‘Medicine: The Wellcome Galleries are intellectually adventurous, rich in personal stories and at times incredibly moving. Covering more than 3000m2—an entire museum within a museum—the scale and ambition of these five vast galleries is unprecedented. Over three million visitors a year, each with their own personal experiences of medicine, can now uncover remarkable stories about our health in the world's largest medical galleries.

These five vast and visually stunning new galleries are at the very heart of the Science Museum. They complete our ambitious Masterplan project which has transformed more than half of the museum since 2010, creating aesthetically and intellectually stimulating new spaces for our visitors.’

Featuring significant objects in the history of medicine from the first stethoscope to the first model of a protein, the Medicine and Bodies gallery explores how the quest to better understand the human body has transformed medicine. Studying the dead has expanded our knowledge of the body, inspiring the creation of dramatic anatomical models, with early X-ray apparatus and the world’s first MRI machine revolutionising our ability to see inside ourselves. The gallery also reveals attempts to measure and understand the body and examines our understanding of medicine on the microscopic scale. Visitors can get hands on through a series of interactive exhibits in the gallery, trying out surgical instruments used to examine the oesophagus, listening through a model of an early stethoscope and treating a patient in a critical condition. A simplified microscope reveals different cells in the body, while visitors can discover how imaging the body has transformed over time using a large touchscreen display.

At the heart of Medicine: The Wellcome Galleries is a spectacular and sculptural object-rich gallery, Exploring Medicine. A thousand medical artefacts are on display, celebrating the scale, diversity and significance of the Science Museum Group and Sir Henry Wellcome's museum collections. These objects are extraordinary and familiar, globally significant and deeply personal, representing humanity’s experience of medicine across time and place. Visitors will see a medicine chest used on an Antarctic expedition, a Sioux cradleboard, a Javanese Merman, a prosthetic arm worn in 1906 for a concert at the Royal Albert Hall and the first paramedic bicycle, developed by a former BMX champion and member of the London Ambulance Service. Mass displays of religious figures and memento mori are included next to key health innovations like spectacles, toothpaste, hearing aids and early contraceptives.

Medicine and Treatments: The GSK Gallery examines the core purpose of medicine, treating people. With a focus on personal experiences, this gallery reveals a range of treatments that save, alter and extend lives, exploring their capacity to harm as well as heal. Visitors can investigate three major areas of treatment—surgery, therapies and drugs—meeting the people who develop, deliver and experience them. The gallery explores how the role of a surgeon has transformed, from the ancient practice of trepanning skulls to blood transfusions in the trenches and features the equipment used in the UK’s first robotic surgery. Visitors can step inside Gibson’s Victorian pharmacy, which has been brought back to life through an immersive digital experience. This gallery also explores how the discovery of penicillin transformed modern medicine and includes stories from people affected by thalidomide. Visitors will see personal items, such as Ed Freeman’s prosthetic legs and the wedding suit worn by Kevin Donnellon and can watch a film produced with the Thalidomide Society that explores the drug’s impact on everyday lives.

Natasha McEnroe, Keeper of Medicine at the Science Museum, said: ‘The rich human stories embedded in these galleries illustrate our enduring fascination with the human body and how it functions. Three thousand incredible medical artefacts are on display, many for the first time, enabling visitors to examine the skills and technologies of medical breakthroughs throughout time and explore the emotional impact of treatment on both patients and practitioners. The universal experience of medicine makes it accessible to all, and I am delighted this complex subject now has the significant space it deserves in the Science Museum.’

Stepping back from our personal experience of medicine, Medicine and Communities examines health challenges faced by groups, cities and populations, from deadly epidemics to the provision of health services. Visitors will discover the medical challenges of living in an increasingly urbanised world, the impact of infectious diseases and how our behaviour can affect our health. After studying objects related to the history of vaccination, visitors can attempt to control the spread of a pandemic disease in an interactive game or gaze upwards at Bloom by Studio Roso, a kinetic aerial sculpture which represents the spread of disease. Visitors will encounter a stunningly intricate scale model of a 1930s hospital and can also explore the global impact of infectious diseases. Significant objects on display include a lancet used by Edward Jenner for the first smallpox vaccinations, a rare Iron lung used by patients with polio and protective clothing worn during the 2014 Ebola epidemic. Visitors can also see the impact of leprosy on the human body. The 600-year-old skeleton of a Danish woman who lived with leprosy for decades is on display, with the effects of the disease clearly visible on her skull, shoulders and feet.

The contemplative Faith, Hope and Fear gallery explores the trust we place in medicine and features cultural and religious items that represent hopes and fears about our health. Spanning centuries and continents, the mass displays of religious statues, amulets and anatomical votives showcase the wealth of cultures represented in the medical collections. Visitors can see artist Tabitha Moses’ embroidered hospital gown and hear Tabitha describe her experience of infertility and IVF. Tabitha was awarded the 2013 Liverpool Art Prize for her series of artworks exploring infertility and this is the first acquisition of Tabitha’s work by a national museum. This gallery also features sculptor Eleanor Crook’s 'Santa Medicina'. This beautiful and intriguing bronze sculpture of a surgeon and saint encourages visitors to contemplate their relationship with their body and mortality.










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