signs and symbols opens a solo exhibition by Annabel Daou

The First Art Newspaper on the Net    Established in 1996 Friday, April 19, 2024


signs and symbols opens a solo exhibition by Annabel Daou
The work’s title and opening line is taken from the American Declaration of Independence of 1776.



NEW YORK, NY.- signs and symbols is presenting When in the Course of Human Events, a solo exhibition by Annabel Daou. The work was conceived during a six-month performance in residence at signs and symbols where Daou presented her ongoing project, FORTUNE. For this exhibition, Daou incorporates language, paper and recorded audio into a complex and performative visual object and sound installation.

The exhibition features a single scroll-like work that extends the length of the gallery. Daou conceives of the piece as an expansive edict or charter. Unfurled into the exhibition space, the black ink-dyed microfiber paper evokes both the street and the artist’s studio floor, which is imprinted across its surface. The text is written in white correction fluid that has been inked over and re-inscribed in places, suggesting a perpetually revised and amended palimpsest. Lines of language spill out over the slit surface of the piece, weaving and folding into one another, an entanglement of many voices.

The work’s title and opening line is taken from the American Declaration of Independence of 1776. Reappropriated by Daou, the words become a universal template for articulating the pivotal moment when one is moved to act. As in previous works by Daou, the subsequent phrases she uses shift between the personal and the political. Everyday expressions are interspersed with lines borrowed, stolen or gifted by artists, poets, writers and activists. Cumulatively these words express a sense of urgency in the face of global disturbances that have given the lie to the viability of the prevailing political economic order. DECLARATION, a sound piece created in collaboration with Miriam Schickler merges the voice of the artist reciting language drawn from the text of the scroll with sounds from city streets near and far.

annabel daou’s work takes place at the intersection of writing, speech, and nonverbal communication. Her paper-and-tape constructions, sound pieces, and performances explore the language of power and intimacy. Daou was born and raised in Beirut and lives in Brooklyn. She is currently a Pollock-Krasner resident at ISCP. Her book of fictional prose, The Autobiography of A, will be published in 2020. Daou is currently organizing The Lobby, a temporary public exhibition program. Daou’s work has been shown at The National Museum of Beirut; The Park Avenue Armory, New York; KW, Berlin; The Drawing Room, London; and The Irish Museum of Modern Art, Dublin. Public collections include: Baltimore Museum of Art; The Menil Collection; The Brooklyn Museum of Art; The Vehbi Koç Foundation, Istanbul; and The Yale University Art Gallery.










Today's News

January 11, 2020

Gold bar found in Mexico was Aztec treasure: study

Schantz Galleries presents works by Lino Tagliapietra at Palm Beach Modern + Contemporary

William Shakespeare's First Folio to be auctioned at Christie's

Jan Lievens masterpiece featuring Rembrandt as model to be offered at Sotheby's

The Museum of Modern Art launches free online course titled What Is Contemporary Art?

303 Gallery opens its second solo exhibition of new work by Kim Gordon

Neil Peart, drummer for Rush, dies at 67

Anne Mosseri-Marlio Galerie presents "Patterns": A group show

State Museum transfers ownership of cornplanter's pipe tomahawk to Seneca Nation of Indians

French court orders 52mn euro payout in 'Mona Lisa' Ferrari battle

'Elliot Norquist: Mail Room' opens at Charlotte Jackson Fine Art

Gagosian opens an exhibition of ceramic works by the late John Mason

Pinakothek der Moderne announces the death of Florian Hufnagl

A Director making his mark in more ways than one

Exhibition of new ceramic sculptures by Zachary Leener opens at Klaus Gallery

Not just crawling across the art world

Peru to plant one million trees around Machu Picchu

Trio of appointments strengthens Cheffins team

Philippe Cognée focuses on flowers in exhibition at Galerie Templon

Alasdair Gray, Scottish author of daring prose, dies at 85

Restored synagogue heralds new chapter for Egypt's Jews

signs and symbols opens a solo exhibition by Annabel Daou

24 years later, Roberto Alagna steps back into 'Bohème' at the Met

Mayor to name Paris street after David Bowie

Las señales que aseguran un juego seguro en los casinos online

Gaming Technology Predictions for 2020 and Beyond




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful