Delita Martin claims space for African American subjects with large-scale prints, drawing, sewing
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Delita Martin claims space for African American subjects with large-scale prints, drawing, sewing
Delita Martin, The Moon and the Little Bird, 2018; Acrylic, charcoal, gelatin printing, collagraph printing, relief printing, decorative papers, hand-stitching, and liquid gold leaf on paper, 79 x 102 in.; Courtesy of the artist and Galerie Myrtis; Photo by Joshua Asante. Photo: Joshua Asante.



WASHINGTON, DC.- Delita Martin (b. 1972, Conroe, Texas) creates large-scale prints onto which she draws, sews, collages, and paints. Martin claims space for her subjects, particularly black women, creating a powerful presence that simultaneously highlights the historical absence of black bodies in Western art.

Through her work, Martin aims to create a new iconography for African Americans based on African tradition, personal recollections, and physical materials. A recurring theme throughout Martin’s work is exploring interconnections between past and present generations. She conveys these connections through symbols such as circles, a shape representative of the moon and symbolic of the female, and birds, which represent the human spirit. Masks, inspired by the Sowei and Ife masks of West Africa, appear in many of Martin’s works, signifying transition between this world and the spirit world. Her use of color is also symbolic, particularly the color blue, which she associates with spirituality.

Additionally, Martin incorporates materials and imagery linked to her personal memory, and likens this process to quilting, a skill she learned from her grandmother. Expertly layering all of these elements, Martin visualizes the liminal space between the physical and spiritual worlds.

Delita Martin: Calling Down the Spirits showcases seven monumental works combining tradition with innovation. Through her rigorous and meticulously layered process, Martin creates striking images that bridge time and space between generations.

Delita Martin (b. 1972), currently based in Huffman, Texas, is a founding member of Black Women of Print and the owner of Black Box Studio. Martin’s work has been exhibited nationally and internationally including presentations at the Havana Biennial, State of the Arts at Crystal Bridges Museum, the David Driskell Center at the University of Maryland and Art Basel, Miami; and she has had several solo exhibitions throughout the southern U.S. She earned a BFA in drawing from Texas Southern University and an MFA in printmaking from Purdue University and has held positions at The Mint Museum UPTOWN, Charlotte, NC; the University of Arkansas at Little Rock, Department of Art and Design; and Purdue University, Department of Visual and Performing Arts.

Delita Martin: Calling Down the Spirits, presented in the Teresa Lozano Long Gallery of the National Museum of Women in the Arts, is organized by the museum.










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