ELMHURST, ILL.- Elmhurst Art Museum
is presenting the interactive exhibition, Could Be Architecture: McCormick AfterParti, by Chicago-based design practice Could Be Architecture, directed by Joseph Altshuler and Zack Morrison, who create playful interventions throughout the Museums historic McCormick House using its original 1952 floorplan. The exhibition, on view January 25 April 12, 2020, invites movement, light, activity, conversation, and more, much like a home.
Visitors to Could Be Architecture: McCormick AfterParti are invited to explore the home in its original configuration by ducking through rounded portholes into various rooms, relaxing on pull-out seating in the living room, enjoying culinary delights on shapely kitchen cabinets during exhibition-related events, while younger visitors play with an interactive puppet theatre in the dedicated playroom space.
The McCormick House is full of continual reinterpretation, (inter)activity, and life, said John McKinnon, the Museums Executive Director. The way Joseph and Zack animate the architectural space creates an incredibly fun and collaborative experience for our visitors of all ages.
Could Be Architectures clever wordplay sets the tone for the show; parti refers to the basic diagrammatic concept layout for an architectural design. This installation celebrates Mies van der Rohes original floor plan with interventions and events in conversation with artistic elements placed along the locations of the McCormick Houses original wall partitions.
During the exhibition, the house will be the site of numerous events and audience interactions, highlighting the space as one of continual inspiration, while also having open discussions about past and future preservation efforts.
Could Be Architecture is a Chicago-based design practice directed by Joseph Altshuler and Zack Morrison that designs seriously playful spaces, things, and happenings that celebrate what our world could be. They work across scales, including designs for buildings, interiors, installations, scenographies, exhibits, furniture, costumes, and publications. As practitioners and academics, their work is equally invested in built pragmatics and speculative research. As citizens and artists, their work is committed at once to public engagement and aesthetic ambitions. They aim to create architecture that tells stories, builds audiences, resonates with peoples emotions, and instigates enthusiasm around the activities and imagery that it stages. Their work positions architecture as an active character in the world, enacting a future full of wonder, humor, color, and delight. Could Be Architecture also publishes SOILED, a mashup of a literary journal and design magazine that narrates a playfully sincere and seriously humorous exploration of oft-overlooked dimensions of our built environment.
In 1952, the renowned modern architect Mies van der Rohe (1886-1969) designed a home for Robert Hall McCormick III, a member of Chicagos most prominent families, and his wife, the poet Isabella Gardner. The house was later lived in by families of Arthur and Marilyn Sladek, Ray and Mary Ann Fick, and then purchased by the Elmhurst Art Museum for a new arts complex. The house is a rare and important example of Mies van der Rohes mature style, incorporating elements of his celebrated designs for the Farnsworth House (1951) and 860-880 Lake Shore Drive (1951). The McCormick Houseone of only three single-family homes designed by Mies in the United Statesoriginally served two purposes: it was a home for the McCormick family and a prototype for a proposed group of smaller, affordable mass-produced modular homes in the western Chicago suburbs that McCormick and co-developer Herbert S. Greenwald were hoping to build. However, the cutting-edge, high-end buildings were not met with enough buyers to begin construction. The house became part of the Elmhurst Art Museums campus in 1994, and important restoration efforts have been recently undertaken. In 2018, the McCormick Houses façade and Mies van der Rohes original carport design were revealed for the first time in nearly twenty-five years.