'Savor: A Revolution in Food Culture' investigates radical changes in the history of dining

The First Art Newspaper on the Net    Established in 1996 Friday, April 19, 2024


'Savor: A Revolution in Food Culture' investigates radical changes in the history of dining
Installation view.



HARTFORD, CONN.- What many of us eat, the way food is cooked, and how we dine continue to be influenced by radical changes that took place in France and England between 1650 and 1789, the start of the French Revolution. Savor: A Revolution in Food Culture explores the details and events behind this transformation. Centuries before our time, light, flavorful cuisine was promoted by intellectuals and prepared by cooks and connoisseurs. The changing food culture inspired the invention of ceramic and silver ware vessels designed to serve the latest dishes. Replete with rare objects, from tureens in the forms of cauliflowers and chickens, to early cookbooks and gardening manuals, Savor reveals fascinating histories and stories about advances in horticulture, surprisingly modern philosophies on healthy eating, and a shift to more informal dining. Savor will be on view at the Wadsworth Atheneum Museum of Art from February 29 through May 25, 2020.

“We have become obsessed with food and dining—modern foodies reflect the passion for gastronomy that consumed gourmets 350 years ago when even princes and members of the nobility tried their hands as amateur cooks,” said exhibition curator Meredith Chilton, Curator Emerita, at the Gardiner Museum, Toronto. “Savor is a delectable exploration of the eighteenth-century’s fascination with food. It brings the profound transformations of the time to life through fascinating objects, delicious recipes, and amusing stories.”

The exhibition begins, as did the eighteenth-century meal, in the fertile soil of the kitchen garden. There, gardeners experimented with horticulture and expanded the growing seasons of fruits and vegetables. French cooks used this bounty to introduce more refined and healthier cooking, which gained popularity throughout Europe. At the same time, French and English philosophers developed food theories that sound startlingly modern, promoting locally grown products and the appeal of vegetarianism. These developments transpired against a backdrop of social change that brought about a desire among European elites for informality and privacy, dining at later hours, and enjoying meals by candlelight.

The exhibition is organized around different themes, including the garden, farm, hunt, and marketplace; the kitchen and cooks; and the pantry and dining table. Drawn from major museums and private collections the ceramics, silver, glass, rare books and paintings, joined by the Wadsworth’s outstanding holdings, are a feast for the eyes. A rare sculpture of children shelling peas, made at the Chelsea porcelain factory in England, shows how the French learned to cultivate peas out of season to satisfy King Louis XIV’s obsession with this tasty vegetable. A tureen in the form of a life-size and realistic boar’s head might have come alive on the table as steam from a robust game stew escaped through its nostrils. A pink and green pierced basket made by the famous French royal porcelain manufactory at Sèvres would have held marrons glacés (roasted or candied chestnuts). Porcelain was the ideal material to present this extravagant sweet treat with the holes in the basket enabling the air to circulate keeping the candied chestnuts from oozing syrup. Mingling among the exceptional eighteenth-century works of decorative art are historical cookbooks and works of contemporary art, including ceramics by British artist Kate Malone and whimsical knitted objects by Madame Tricot (Dominique Kaehler Schweizer).

“Savor offers an exciting opportunity to explore the historical phenomenon of this revolution in food culture. It sheds new light on the remarkable works of art made for dining,” said Linda Roth, Senior Curator and Charles C. and Eleanor Lamont Cunningham Curator of European Decorative Arts at the Wadsworth. Through a partnership with Auerfarm in Bloomfield, CT the fountain in Avery Court will be transformed into a period inspired culinary and sensory herb garden, while the center courtyard outside will be planted with spring edibles, available to our museum café, Untitled Bistro. “Through collaborations with local chefs, farmers, gardeners, and designers, we are bringing the excitement around the universal topic of food into the museum,” said Roth.

Savor: A Revolution in Food Culture is organized by the Gardiner Museum, Toronto, and curated by Meredith Chilton, C. M., Curator Emerita at the Gardiner Museum. This presentation of the exhibition is a collaboration between the Wadsworth Atheneum Museum of Art and the Gardiner Museum. It is accompanied by the fully illustrated cookbook, The King’s Peas: Delectable Recipes and Their Stories from the Age of Enlightenment.










Today's News

February 29, 2020

Glyptotek tells the story of Denmark's enigmatic collector - Helge Jacobsen

Hitler's operatic efforts go on display in Austria

Met announces acquisition of monumental sculptural relief by Charles Ray and 2021 exhibition

Degas is having a moment, again

Trustee who funds climate change skeptics leaves Natural History Board

Which art fair is for you? Let our critic be your guide

A Frank Lloyd Wright design will have a new life in London

For TEFAF, a new year brings a new approach

There's a new artist in town. The name is Biden.

Switzerland suspends all major events to combat virus

Museum-quality text messages

Lost painting by Cecilia Beaux finds new home in Georgia

BAMPFA announces passing of former Director Kevin Consey

New board member appointment at Grounds For Sculpture

The American Swedish Institute celebrates its 90th anniversary with the exhibition extra/ordinary

New-York Historical Society leaps into election year with exhibitions

Linda Wolfe, 87, dies; Wrote of 'preppie murder' and other crimes

The Lumiere Brothers Center for Photography presents a retrospective exhibition of Guy Bourdin

me Collectors Room Berlin celebrates its 10th anniversary with exhibition

Exhibition of works from the collection of Gino Di Maggio opens in Toulouse

A retrospective of the weird and wonderful Nancy Fouts opens at Hang Up Gallery

'Savor: A Revolution in Food Culture' investigates radical changes in the history of dining

The Freud Museum presents the drawings of American artist Ida Applebroog

Kunstmuseum Luzern opens Marion Baruch Retrospektive - innenausseninnen

The Best Way to Write an Essay Fast

What Makes Roulette the Most Popular Casino Game?

Things You Need to Know about Cheap Piano Keyboards




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful