"A Thousand Hounds: A Walk with the Dogs"

The First Art Newspaper on the Net    Established in 1996 Monday, July 8, 2024


"A Thousand Hounds: A Walk with the Dogs"



WEST PALM BEACH, FLORIDA.- The Norton Museum of Art presents "A Thousand Hounds: A Walk with the Dogs through the History of Photography," on view through September 1, 2002. Photography has offered a means of documentation and expression for more than 160 years now. Focusing on a seemingly obscure subject, curators Raymond Merritt and Miles Barth have unearthed a delightful and varied array of images in which the dog’s presence serves as a central trope in the history of the medium. A Thousand Hounds: A Walk with the Dogs Through the History of Photography is based in part on The Cygnet Foundation’s popular and critically acclaimed book of the same title, which, when it was released by Taschen in 2000, was announced as "a completely original history of photography told through images of canines."



The exhibition celebrates the endearing and enduring partnership between man and dog in well over 150 photographs and 2 photographic sculptures, which date from 1840 to the current day and have been created by both masters of the medium and lesser-known practitioners. Among the noted artists included from the nineteenth century are Thomas Eakins, Roger Fenton, Gustav Le Gray, and Edward Muybridge, and from the twentieth century, Diane Arbus, Bill Brandt, Henri Cartier-Bresson, André Kertész, Jacques-Henri Lartigue, Man Ray, Robert Mapplethorpe, Paul Strand, and Weegee. Also prominently featured are works by contemporary artists, including William Wegman, Elliott Erwitt, and Keith Carter, all renowned for their images of dogs, as well as by Roger Ballen, Larry Clark, Gregory Crewdson, Robert Frank, Ralph Gibson, Sally Mann, Vik Muniz, and Sandy Skoglund. The exhibition is serious and scholarly in its considered presentation of the dog’s place in momentous historical and cultural events of the past century and a half, ranging from polar expeditions to the Great Depression to the World Wars. It is also light-hearted and engaging in its celebration of photographers’ longstanding artistic interest in the canine as model, muse, and metaphor.











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