The First Art Newspaper on the Net   Established in 1996 Thursday, August 6, 2020


White Cube opens an online exhibition of new work by Tracey Emin
Made in her London home, these intimate paintings capture this time of solitude and reflection, whilst offering a glimpse into the sanctuary that is her domestic environment. © Tracey Emin.



LONDON.- White Cube presents an online exhibition of new work by Tracey Emin, created during the UK’s recent months in lockdown.

During a period of isolation in her London home, Tracey Emin made a series of works that offer insight into the sanctuary of the domestic realm. Focusing on a range of intimate interior spaces, these small paintings are concise studies that, for Emin, represent a ‘transference of emotions and place’.

After twenty years living in the same house, the artist is on the brink of leaving it for a new home. The memories and her sense of belonging, coupled with feelings of anticipation and the prospect of adventure, coalesce in these works. A glimpsed domestic object, such as a chair or bed, takes shape like an elusive recollection, while the bath, a familiar trope in art history, provides the private setting for intimate reflection. An air of stillness and tranquillity pervade the scenes, embodied by the figure reclining contentedly in the quietude.

Testament to her emotional connection to the house, Emin refers to the works as a ‘thumbprint of my time being here’. They encapsulate not only the anticipation of physical relocation, but also a psychological repositioning, through which she can envisage a new destiny. By allowing herself the freedom to embrace change, there is renewed purpose and determination in her outlook. In this sense, these works represent a subliminal shift from one state of being to another: ‘The paintings move from one house to the next, like a channel through my mind.’

The intimate scale of the paintings determines the concentrated intensity of the compositions, with a controlled energy of spirit. Content to be in secret seclusion, the reposed figure in the works appears at peace, with itself and its past. The exhibition’s title hints at this equanimity, rejecting the stigma normally associated with being alone and in silence. In solitude, there is also the opportunity to think, recollect and dream. For Emin, these works mark the transition into a resolutely optimistic future – one in which to flourish and grow.

Tracey Emin was born in 1963 in London. She currently lives and works between London, the South of France, and Margate, UK. She has exhibited extensively including solo exhibitions in Europe, the US, South America and Australia. Emin represented Great Britain at the 52nd Venice Biennale in 2007 and was appointed Professor of Drawing at the Royal Academy of Arts, London in 2011. She was awarded the honour of Commander of the Most Excellent Order of the British Empire for her contributions to the visual arts in 2012.

In November 2020, a major solo exhibition entitled The Loneliness of the Soul, will open at the Royal Academy of Arts in London. The exhibition will tour to the Munch Museum in Oslo in spring 2021, followed by the unveiling of The Mother, her permanent public commission for Oslo’s Museum Island.










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