The First Art Newspaper on the Net    Established in 1996 Wednesday, June 29, 2022


Exhibition presents works made by Francesca Woodman in New York from 1979-80
Francesca Woodman, Untitled, New York, 1979. Estate digital c-print, 20.3 x 25.4 cm. 8 x 10 in © Woodman Family Foundation. Courtesy Woodman Family Foundation and Victoria Miro.



VENICE.- Victoria Miro is presenting an exhibition of works made in New York from 1979–80, focusing on a rare series of colour photographs by Francesca Woodman staged in her New York apartment.

In her short career Francesca Woodman (1958–1981) produced an extraordinary body of work acclaimed for its singularity of style and range of innovative techniques. From the beginning, her focus was on the relationship with her body as both the object of the gaze and the active subject behind the camera.




Following the gallery’s 2018 exhibition of works made in Italy in 1977–1978, the works in this exhibition centre on a rare series of colour photographs that Woodman staged in her New York apartment in 1979. In these images, and black-and- white photographs also made in New York during the same period, Woodman contorts and inserts her body into space and architecture, at times even ‘performing’ classical sculpture in ways likely influenced by her year abroad in Rome while a student at the Rhode Island School of Design. One of the key influences of Italian art on Woodman’s work was in her precise use of composition, which became more sophisticated during her time in Rome. She explored perspective and consciously used formal strategies learnt from her study of Florentine masters, particularly Giotto and Piero della Francesca, and classical sculpture. As she wrote from New York in 1980 to Edith Schloss, Rome-based friend, painter and critic: ‘It’s funny how while I was living in Italy the culture there didn’t affect me that much and now I have all this fascination with the architecture, etc.’

While Italian and classical influences are certainly present in Woodman’s earlier photographs, they achieve a new articulation in works made in New York, culminating in her monumental diazotype collage Blueprint for a Temple, in the collection of the Metropolitan Museum of Art in New York, and its attendant Caryatids, which are also included in this exhibition. As critic Isabella Pedicini points out: ‘Along with her ongoing work with antique statuary, the recurring framing of the acephalous torso recalls the salient characteristics of an antique sculpture. It frequently comes to us in fragments. In any case, her interest in sculpture is focused in particular on the specimen itself, the fragmentary form which survives...Temple Project (1980), in which we see models as caryatids on the side of a Greek temple, also reveals direct classical influences.’

Born in 1958 in Denver, Colorado, Francesca Woodman lived and worked in New York and Italy until her death in 1981. Since 1986, with exhibitions presented at Wellesley College Museum, Wellesley, Massachusetts and Hunter College Art Gallery, New York City and seminal essays written by Rosalind Krauss and Abigail Solomon-Godeau, Woodman’s work has been exhibited widely and has been the subject of extensive critical study in the United States and Europe. Significant recent solo museum exhibitions include On Being An Angel, C/O Berlin Foundation, Berlin, Germany (2020) and Fundación Canal, Madrid, Spain (2019), organised by and first presented at Moderna Museet, Stockholm (2015); Francesca Woodman, San Francisco Museum of Modern Art, California (2011–2012), touring to Solomon R. Guggenheim Museum, New York (2012) and Artist Rooms, Tate Modern, London (2007), touring to Scottish National Gallery of Modern Art, Edinburgh (2009); Ferens Art Gallery, Hull, England (2011); Bodelwyddan Castle, Denbighshire, Wales (2014); and Oriel Davies Gallery, Newtown, Wales (2014). Woodman’s photographs are included in major museum collections including Metropolitan Museum of Art, New York; Whitney Museum of American Art, New York; Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; San Francisco Museum of Modern Art; Tate, London; National Gallery of Scotland, Edinburgh; Centre Pompidou, Musée national d’art moderne, Paris; Louisiana Museum of Modern Art, Humlebaek, Denmark; and Moderna Museet, Stockholm.

Francesca Woodman: New York Works is presented in collaboration with the Woodman Family Foundation.










Today's News

October 31, 2020

Exhibition commemorates the 250th anniversary of Giambattista Tiepolo's death

Remarkable records of Joni Mitchell's changes

Geta Brătescu is celebrated in two special presentations in Zurich this autumn

Christie's unveils the collection of Barbara Allen de Kwiatkowski, muse to Andy Warhol

Hindman's Western Paintings and Sculpture auction sets multiple new world auction records

Explore the incredible breadth of The Met's photography collection through three exhibitions now on view

Exhibition presents works made by Francesca Woodman in New York from 1979-80

Enzo Mari, industrial designer who kept things simple, dies at 88

Heritage Auctions announces the first-ever sale of 'Game of Thrones' storyboards and conceptual paintings

Rijksmuseum opens major exhibition of leading Dutch photographer Ed van der Elsken

Galerie Max Hetzler exhibits new and recent paintings, drawings and sculptures by Glenn Brown

Aperture announces Zora J Murff as the recipient of the inaugural Next Step Award

Jan Van Imschoot presents a new series of restyled still lifes at Galerie Templon

Fontaine's Auction Gallery to be across-the-board sale Nov. 14

Yes, we liked the Berkshires shows. Here's $2 million.

Center for Maine Contemporary Art appoints new Executive Director + Chief Curator

With morbid humour, Viennese look death in the eye

Socially distanced samba seeks to revive lost bliss in Brazil

The San Francisco Symphony plunges into a new world

Taft Museum of Art announces $10.7 million capital campaign

Norway's National Museum stores a copy of its entire collection in the permafrost in arctic Svalbard

The Western Wall, Salvador Dalí's only rendition of a holy site, heads to auction

Six U.S. museums receive Art Dealers Association of America Foundation grants

London's Pax Romana presents fine antiquities, ancient art, jewellery and weaponry, Nov. 8 & 15

The Benefits of Learning About Plumbers Toronto Midtown

Why Kids Love to Learn to Paint & Draw with Online Art Classes

Apron Front vs. Farmhouse Sinks




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful