Sotheby's and Christie's look to luxury as a coronavirus antidote
The First Art Newspaper on the Net    Established in 1996 Tuesday, December 24, 2024


Sotheby's and Christie's look to luxury as a coronavirus antidote
A pedestrian peers through the window of the Sotheby's gallery in East Hampton, N.Y., July 4, 2020. The world’s two biggest auction houses are selling more watches, jewelry and handbags, but art’s still where the money is. Karsten Moran/The New York Times.

by Scott Reyburn



LONDON (NYT NEWS SERVICE).- Twenty years ago, Sotheby’s and Christie’s made money by auctioning art. And that was about it. Now, in a process fast-forwarded by the coronavirus pandemic, technology is transforming these venerable names into very different-looking businesses. Luxury is making that difference.

Sotheby’s, under the tech-savvy ownership of French-Israeli telecom magnate Patrick Drahi, who last year borrowed $1.1 billion to finance the acquisition, said in December that it would restructure itself into two “equally important” global divisions: one for fine arts and another for luxury, art and objects. Items such as watches and jewelry were identified as “key growth areas.”

Sotheby’s has had to catch up on its rival Christie’s, which has been playing at the luxury game since the early 2010s. Owned by French billionaire art collector François Pinault, who also founded luxury goods group Kering, Christie’s introduced online-only sales of designer handbags in 2012, and these particularly appealed to Asian buyers.

When the coronavirus pandemic shut down live auctions, Sotheby’s swung into digital overdrive. So far this year, the company has held some 320 online sales of art and luxury items, more than three times the number held during the equivalent period in 2019. These have raised $425 million, compared with $60 million for the same period last year.

In 2019, worldwide auction sales of art and antiques raised $17.9 billion, down 7% from 2018. The global market for secondhand luxury goods like jewelry and watches was valued at about 21 billion euros, or about $23 billion, growing at 8% a year.

But there is another, more compelling reason that luxury has such a hold over auction house executives’ thinking.

“Art and luxury can coexist and complement each other very nicely,” said Josh Pullan, managing director of Sotheby’s global luxury division. “Luxury is a great entry point,” he added. Buyers were “opening their minds to a broader range of collecting categories,” but the 276 year-old auction house was not about to become a luxury superstore. “Fine art is what Sotheby’s is best known for, and that’s not going to change,” he said.

© 2020 The New York Times Company










Today's News

November 29, 2020

Did John McCracken make that monolith in Utah?

Sotheby's and Christie's look to luxury as a coronavirus antidote

Pedophile scandal can't crack the closed circles of literary France

Israel's pick to head Holocaust Memorial stirs international uproar

Phillips announces additional highlights from the December sales of 20th Century & Contemporary Art

A second sudden exit for a hard-charging artistic director

New provenance researcher for the Leopold Museum

Copenhagen offers ceramics that are as appealing as its cuisine

Mehdi Ghadyanloo presents recent work at Almine Rech's project space in Paris

Phillips in association with Bacs & Russo announces additional highlights from Racing Pulse

An Ethiopian boutique showcasing artisanal design

First digital Vienna Art Week draws record visitor numbers

The Museum of the Home will reopen in spring 2021 following a major £18.1 million renovation

The Henry Moore Foundation announces 2021 programme

Oklahoma City Museum of Art's 75th anniversary celebrated in new installation

Shapero launches Emporium with incredible objects, from Raphael to Warhol, from renowned dealers

TarraWarra Museum of Art reopens with 'Looking Glass: Judy Watson and Yhonnie Scarce'

Winners of 5th annual Ingram Prize announced

Ronnie Wood releases new set of signed Faces 50th anniversary limited edition prints

The museums of Paris: A source for gifts inspired by the past

Discovering vintage Madrid

How an opera can fit in a mailbox

Her antenna is tuned to the quietest voices

10 French movies that can transport you to Paris

The Mastermind of Photography of the 1900s

3 Tips On Buying The Right CBD Treats For Your Cat




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful