US Supreme Court hears case on art trove bought by Nazi Germany

The First Art Newspaper on the Net    Established in 1996 Thursday, April 25, 2024


US Supreme Court hears case on art trove bought by Nazi Germany
A gem-studded golden crucifix dated 11th century that belongs to the so-called Guelph Treasure or "Welfenschatz", a vast medieval church art collection that was sold by their Jewish former owners in a deal with the Prussian state during the Nazi era. AFP PHOTO / Stiftung Preußischer Kulturbesitz / Kunstgewerbemuseum, SMB / ARNE PSILLE.

by Charlotte Plantive



WASHINGTON (AFP).- The US Supreme Court will hear Monday a case involving an important medieval art collection that Nazi Germany acquired from Jewish dealers.

The clash centers on gold crosses, jewels and other religious works from the 11th to the 14th centuries that are now on exhibit in a museum in Berlin.

"This case has everything to do with restitution (and) remedying a forced sale, which has major financial implications. But at the heart of it is something that's far more important, which is justice," said Jed Leiber, a musician in California who has sued the German government on behalf of his grandfather.

The latter, Saemy Rosenberg, was an art dealer in Frankfurt in the 1920s.

Shortly before the stock market crash of 1929, Rosenberg and other Jewish colleagues bought the art trove from the duke of Brunswick, a descendant of a European dynasty known as the House of Guelph.

After the market tanked, the dealers managed to sell half of the pieces to American collectors in 1932. The rest they stored in safes in the Netherlands.

In 1935, two years after Hitler came to power, they sold the collection at a low price to Prussia, a centuries-old European state which still existed and was then run by Hermann Goring, who founded the Gestapo.

"It was simply not possible in 1935 for any Jewish business, least of all dealers who are in possession of the German national treasure, to get a fair deal with perhaps the greatest, most notorious art thief of all time," said Leiber.

'Forced sale'?

Germany does not see it this way.

"The Guelph Treasure's sale in 1935 was not a forced sale due to Nazi persecution," said The Prussian Cultural Heritage Foundation, which runs several museums including the one where the disputed collection is held.

Germany bases its argument on the conclusion of a consultative committee that received a restitution request for the trove in 2014.

This committee said that the price paid for the artworks reflected the market at the time and that there was no evidence of pressure from the Nazis for a cut-rate price.




After this opinion was issued, descendants of several Jewish art dealers turned to the US courts to recover the treasure, which they say is worth at least $250 million.

They cite a US law which bars civil suits against a foreign government except when “rights in property taken in violation of international law are in issue."

The case eventually made its way to the US Supreme Court.

The nine judges will examine the case Monday by telephone and issue a ruling by June 2021, which will only address the issue of whether US courts have jurisdiction in this matter.

Legal consequences

In a brief filed before the session, the German government said it takes such claims seriously.

"The German government has provided roughly $100 billion (in today’s dollars) to compensate Holocaust survivors and other victims of the Nazi era," the brief states.

But it argued that the sale took place between Germans on German soil and that only the German courts can rule in this case.

To decide otherwise, it said, "will have grave foreign policy consequences, inviting a host of lawsuits against foreign sovereigns for their domestic, sovereign acts -- and may prompt other nations to reciprocate, forcing the United States to defend similar actions."

The US government supports Germany in the case.

Lawyers for the plaintiffs counter that "Germany seeks nothing less than sovereign immunity for property taken as part of the Holocaust -- not for this case, but for every case... The Holocaust was not a domestic matter."

"My grandfather was a very proud German citizen," Leiber wrote. "And he was deprived of his citizenship. It was no longer German after Hitler came to power.

"I know there are many legal arguments that will be presented, but just on a human level it doesn't sound like justice. And it sounds like the kind of thing that leads to a denial of Holocaust reality," Leiber said.


© Agence France-Presse










Today's News

December 7, 2020

US Supreme Court hears case on art trove bought by Nazi Germany

Artcurial will offer an exceptional body of work by Balthus

Sotheby's shares highlights from cross-category Impressionist, Modern & Contemporary Art Evening Sale

Galerie Thaddaeus Ropac unveils a three-part transformative exhibition with works by over 60 artists

First major survey of the work of British artist Lynette Yiadom-Boakye opens at Tate Britain

David L. Lander, Squiggy on 'Laverne & Shirley,' dies at 73

Frick announces two curatorial appointments

Museum Tinguely opens the first solo exhibition in Switzerland by Katja Aufleger

William S. Morris III, Morris Museum of Art founder & chairman, receives 2020 Governor's Award

BCKJ Architects named winners of the 2020 RA Dorfman Award for Architecture

Reflex Amsterdam exhibits a set of recent works by Daniel Firman

Isabella Stewart Gardner Museum opens new Shen Wei Painting In Motion exhibition

Tobias Pils now represented by David Kordansky Gallery

Charles Phillips donates $1M to mark appointment as Chairman of Apollo Theater's board

Who was the star? In this dance film, It was the camera

Warren Berlinger, film and television character actor, dies at 83

Lights, camera, construction!

NewArtProjects opens three new exhibitions

ASU Art Museum opens a new exhibition by boredomresearch

Meet me at the green screen

St Nicholas tradition triumphs over Covid in Prague

Cooking Sections present their new project 'Salmon: A Red Herring' at Tate Britain

Taymour Grahne Projects reopens with a continuation of 'The New York Times Drawings 1996-1998'

Being, not seeing, 'The Nutcracker'




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful