NEW YORK (NYT NEWS SERVICE).-
As two singers rising through the close-knit world of Philadelphias most acclaimed conservatories, Steven LaBrie and Jarrett Ott knew each other in passing. But on one raucous night in 2009, when Ott joined the celebration of LaBries 21st birthday an evening of tequila, dancing and after-hours pizza their friendship was sealed.
Both baritones, LaBrie, now 32, and Ott, 33, stayed close as their opera careers began to blossom. They and their partners lived near each other in Astoria, Queens, for a time, and LaBrie and Ott worked out at the same gym. In 2018, with fellow baritone Tobias Greenhalgh, they released Remember, an album of songs by American composers.
That year, their paths split. Ott started a full-time job in the ensemble at the respected opera house in Stuttgart, Germany. LaBrie remained based in New York, a freelance artist with a growing reputation.
This divergence made all the difference when the coronavirus hit. With performances canceled around the world, LaBries income fell to nothing; he hasnt had health insurance for years. But across the Atlantic, support from the German government meant that Otts position was safe, his pay almost unchanged and his benefits secure.
In separate interviews, they spoke about the impact of the pandemic and political responses to it on their lives and future plans. These are edited excerpts from the conversations.
I started when I was a teenager as a mariachi singer. My mother is Mexican, and she encouraged it. We would drive around Dallas to all these restaurants, and there were bands you could go up and sing with. And once I became a professional singer, I loved the lifestyle. I loved traveling; I loved being different places with different colleagues.
A year ago, in December 2019, I was making my European debut. (I had sung in Paris, but on tour with New York City Ballet, so Im not counting that.) I had gone on a German audition tour, and the head of the Erl Festival in Austria hired me to sing the Hunter and Innkeeper in Rusalka at the end of 2019.
At the opening night party, I was immediately rehired for an obscure opera by Offenbach that hadnt been performed since its premiere in Austria. It was a huge role, a huge thing for me. But since COVID happened, they decided that because of budgetary reasons they were cutting the show. And my hope for my singing career in Europe dwindled away. I was going to make my debut on the main stage at Carnegie Hall, and that flew away, too. A career is built one milestone at a time, so what now? I streamed a video performance, but I found its really difficult to get people to commit to watching any self-produced online content.
Ive been a lucky person in some ways. I have a partner, whos also a musician but has a steady income as a coach at Juilliard, a pianist on the Mets music staff and a recitalist. And losing my income most years I probably made about $50,000 before expenses and paying my manager wasnt as much of a blow as some people who have a house they own, or children. I qualified for pandemic relief, and got the $1,200 stimulus.
I dont feel like the government has ever supported the arts. I pay high taxes, because Im a self-employed person. That comes with many expenses and its difficult to get ahead financially when there are so many people a singer needs to employ to help him succeed. Since the beginning of my career, Ive been told that the opera industry has been facing hardships and that fees have gone down, which makes me wonder if opera at some point will just be a hobby for people who already have a safety net.
I kept thinking, what can I do with this time? I went straight to the Academy of Vocal Arts after high school; Ive only ever known singing. What can I do with no degree? What the coronavirus has shown is that were not confined to staying put in one location anymore. We can do anything from anywhere in the world. I read a lot about people who made a career transition into tech. And I began looking into software engineering. I started learning a coding language, and did that the entire summer.
Now Im what they call a resident at a software engineering immersive program called Codesmith. Its an intensive program for three months that takes you up to being hired at a high level, mid to senior.
Im not leaving singing. Im preparing myself for having a skill set in an industry with a lot of opportunities and straddling both worlds. This idea people have, that youre either a singer or not a singer, its just not the truth. And now, more than ever, it cant be the truth.
I really do believe Im coming out of this feeling so much more empowered. Im relying on myself to invent my future, as opposed to feeling Im the victim of a system. Im not saying Im always at the computer with glee. I have shed a tear or two for my life and career. But at the same time, you have to keep moving forward. My dream has always been, and will always be, to be a singer. But now I have more than one dream.
The main thing when youre in an ensemble is to get so many roles under your belt. You can be singing three at the same time. No matter what training you get in the United States, nothing prepares you to be a full-time singer at a single company. A freelancer can hop among companies, but youre never rehearsing one show in the afternoon, going into another show at night and in the morning a third. One time, someone got to perform in another house, so I was asked to do two Marcellos in the same day in La Bohème. Its not always ideal circumstances, but its such a life-changing experience.
Its a full-time position, salary based. Full health benefits. Singers in Europe can afford to live off this salary, but its assumed that youre also going to have some contracts at other opera houses. But this year, I watched my American engagements go in a dumpster, and I was still able to completely put food on the table and pay my bills. After taxes about half is taken out I earn about 2,500 euros ($3,050) a month.
I did my first performance ever of the Count in Mozarts Le Nozze di Figaro on March 8. Our next performance was going to be the 13th, and we were locked down on the 11th. I didnt know what to do. I didnt want to be locked down away from my husband and my dog, in New York City, so I flew there on the 13th and did the initial lockdown there.
I got the call, I think it was in the middle of May: Would you want to come back and do a recital? And at that point I was going crazy in a New York apartment, so it was: Dear God, yes. I arrived on June 1 and did a very strict 14-day quarantine. June 15 I could leave that, and the recital was June 19, in front of 100 people. It wasnt even in the opera house; they didnt have that figured out yet. It was at the Liederhalle, another performance space which the opera sometimes uses for concerts.
Mine was one of the very first recitals. I think three or four other people got to do it, and then they started reducing the audience again slowly. And they did two almost-productions here before another lockdown started in the fall. We thought we might be able to do concert versions of Madama Butterfly in December; obviously that went away. Were hoping to do them in mid-February, but that is also not looking like a possibility right now.
But through this uncertainty, we are all paid by the opera house, but also by the state. None of our benefits have gone away. For two months, were on whats called Kurzarbeit short work when the government pays about 80% of our wages and then the opera makes up a various amount for each individual. Im making 98% even during Kurzarbeit. I canceled my American health insurance in June. Ive been going to the doctors here whenever Ive needed. And I dont have to pay extra for that; there are no copays or after bills.
Its hard to see my colleagues in the United States not have hope for the spring. Here we luckily still do. And a lot of my friends are doing what Steven is: They havent jumped shipped completely, but theyre in the tech world right now, while I havent had to really re-evaluate my career.
Could I use some extra income? Sure. There was a lot of money lost last year. But I am so incredibly grateful to have this position here. Its a lot of work, but man, is it worth it.
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