The Final Cut: The ASU Art Museum opens the first solo exhibition of José Clemente Orozco in Arizona
The First Art Newspaper on the Net    Established in 1996 Wednesday, November 13, 2024


The Final Cut: The ASU Art Museum opens the first solo exhibition of José Clemente Orozco in Arizona
José Clemente Orozco, “40....and with great shouts and screams....,” 1947, Opaque watercolor, 14 1/2 x 11 1/2 inches, image courtesy of the Orozco Family.



TEMPE, AZ.- The ASU Art Museum presents “José Clemente Orozco: The Final Cut” the first solo exhibition of this important artist in Arizona. José Clemente Orozco (1883–1949) was a pioneering artist who is known as one of Los Tres Grandes (The Three Greats) of Mexican 20th century art. “The Final Cut” focuses on Orozco’s later years and presents several artworks never before seen in the United States.

The exhibition’s curator Julio César Morales worked in close collaboration with the Orozco family in Guadalajara, Mexico. “I have been working directly with the artist’s family for years,” said Morales, curator at ASU Art Museum, “and the exhibition considers the last five years of his life. This is a focus that no other exhibition on Orozco has ever presented.” Orozco was most well-known for his large, public murals, arguably the most complex of Los Tres Grandes, which prominently featured universal themes of the human experience and modernization. Many of the artworks in this exhibition were made in the 1940s and illustrate the artist’s lifelong, continued interests in history and politics and his exploration of surrealism, symbolism, abstraction and the human form. Morales believes that this work continues to resonate in today’s cultural climate. “As we begin a new year in the aftermath of a pandemic and social uprisings, I see his work being in line with issues related to social justice, resistance and documentation for underrepresented peoples,” said Morales.

A catalog published by Temblores Publicaciones accompanies this exhibition with new scholarship written about his final years.

"José Clemente Orozco: The Final Cut" is co-curated by Julio César Morales, curator at ASU Art Museum, and Heather Sealy Lineberry, curator emeritus at ASU Art Museum, with support from Hannah Ziesmann, Windgate curatorial intern. The exhibition is supported by the Diane and Bruce Halle Foundation and is sponsored by the Andrew B. Kim & Wan Kyun Rha Kim Family Foundation and Armstrong-Prior, Inc. with additional partners including the Consulate General of Mexico in Phoenix. This exhibition is dedicated to José Clemente Orozco Farías (1960–2021).

Founded in 1950, the ASU Art Museum was named "the single most impressive venue for contemporary art in Arizona" by Art in America magazine. The ASU Art Museum is an integral part of the ASU Herberger Institute for Design and the Arts at Arizona State University. Inspired by the New American University, the ASU Art Museum strives to be relevant and accessible, and to be a meeting point for the exchange of new ideas, perspectives and experiences among artists, students and the public through our exhibitions, residencies, collections and programs. For more information about the ASU Art Museum, visit asuartmuseum.asu.edu.










Today's News

February 21, 2021

THE QASHQAI WEAVERS, SPIRITED NOMADS (PART 1)

Scrapped plans for London concert hall sour mood for U.K. musicians

The Museum of Fine Arts, Houston, presents 'Hockney-Van Gogh: The Joy of Nature'

The Morgan celebrates esteemed collectors Richard and Mary Gray's remarkable collection of drawings

Tang Teaching Museum receives expansive gift from Michael and Sirje Gold

Lindisfarne Gospels to go on display in the North East in 2022

Arturo Di Modica, sculptor of the Wall Street Charging Bull, dies

New book from Paul Holberton Publishing tells the fascinating story of Titian's Rape of Europa

The best and brightest urban artists from around the globe hit the streets at Heritage Auctions

Norissa Bailey to join Art Institute of Chicago as Senior Vice President People and Culture

The Final Cut: The ASU Art Museum opens the first solo exhibition of José Clemente Orozco in Arizona

Esther Woerdehoff Gallery presents a new selection of works by the Spanish duo Albarrán Cabrera

Praz-Delavallade opens its first solo show of works by Maude Maris

Heritage Auctions records more than $873 million in total 2020 sales

British Library appoints Dr Xerxes Mazda as Head of Collections and Curation

Ora-Ora presents Liu Qi and Pan Wenxun in double exhibition 'Winter Romance'

Exhibition explores the solitary experience in the context of the post-pandemic world

Crocodile Cradle launches at PEER London

Cape Ann Museum pays tribute to local pandemic victims with new COVID-19 Memorial

U-Roy, whose 'toasting' transformed Jamaican music, dies at 78

St. John's University opens two art exhibitions about 2020's unprecedented challenges

The Guggenheim Museum Bilbao exhibits three recent works by Alex Reynolds

MLB 2021: WHAT YOU SHOULD KNOW ABOUT THE UPCOMING BASEBALL SEASON

Fractions and its Types

Careerdigitized.com: Launch Your Work-at-Home Career

Careerdigitized: Become Better Within 10 weeks




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful