Italian women artists celebrated in groundbreaking exhibition at the Wadsworth Atheneum
The First Art Newspaper on the Net    Established in 1996 Sunday, December 22, 2024


Italian women artists celebrated in groundbreaking exhibition at the Wadsworth Atheneum
Elisabetta Sirani, Portia Wounding her Thigh, 1664. Oil on canvas. Museo della Città di Bologna, Bologna, Italy. Collezioni d’Arte e di Storia della Fondazione Cassa di Risparmio in Bologna.



HARTFORD, CONN.- The first exhibition solely dedicated to Italian women artists at the Wadsworth Atheneum Museum of Art, By Her ­Hand: Artemisia Gentileschi and Women Artists in Italy, 1500–1800 explores how women succeeded in the male-dominated art world of the time. From the group of eighteen artists presented, Artemisia Gentileschi (1593–1654 or later), takes center stage with outstanding portraits and images of heroines. This exhibition recognizes and celebrates the vital contributions of women to the history of art in Italy through rarely seen works, recent scholarship, and introductions to virtually unknown artists. By Her Hand will be on view September 30, 2021–January 9, 2022 at the Wadsworth.

“Sofonisba Anguissola, Artemisia Gentileschi, and Rosalba Carriera, among others, created pathbreaking works of art, simultaneously subverting expectations and challenging norms,” said Oliver Tostmann, Susan Morse Hilles Curator of European Art at the Wadsworth. “Their works and careers are often distinguished by alternative choices and idiosyncratic methods employed within the context of the male dominated art world of the time. By Her Hand brings together a wide spectrum of works by these artists—many on view for the first time—inviting visitors to explore, reassess, and celebrate the achievements of Italian women artists.”

The exhibition features a wide array of paintings, miniatures, and works on paper from institutional and private collections in the United States, Canada, and Europe. The artists take on a range of subjects from portraiture and still life, to historical and religious stories. Many works are being shown publicly for the first time or are making their U.S. debut such as Artemisia Gentileschi’s ravishing Mary Magdalene. By Her Hand reweaves history by examining women artists’ work and careers from the 1550s to the 1750s. Despite the fundamental differences and challenges women artists faced, some achieved notable success in their lifetime. The accomplishments of this diverse and dynamic group are introduced, discussed, and reassessed. Until recently, many of these Italian women artists were overlooked by critics, scholars, collectors, and institutions alike.




Artemisia Gentileschi is arguably the best-known artist included in the exhibition. Gentileschi’s talents were widely recognized by her contemporaries, many elite patrons of her day knew of and desired her work. Important works by Gentileschi highlight her innovative ideas, use of sensuous colors, and command of the brush. The Wadsworth’s Self-Portrait as a Lute Player is compared with the recently discovered Self-Portrait as Saint Catherine of Alexandria from the National Gallery, London, as well as Portrait of Saint Catherine from the Uffizi Galleries, Florence. This will be the first opportunity to see these three celebrated paintings side by side in the United States. Additional examples of Gentileschi’s pioneering depictions of strong women, such as Judith and Her Maidservant with the Head of Holofernes from the Detroit Institute of Arts, will also be on view.

The compelling works of art on view in By Her Hand coupled with stories of their pioneering makers reveals a nuanced picture of the role Italian women artists played from the Renaissance to the Rococo. By Her Hand celebrates their long-overlooked contributions, and aims to inspire continued reexaminations of the role women artists have played throughout the history of art.

"Never before in its long history has the Wadsworth devoted an exhibition to the work of professional women artists in sixteenth through eighteenth-century Italy, despite the fame of our Italian Baroque painting collection” said Jeffrey N. Brown, Interim Director & CEO of the Wadsworth Atheneum. “By Her Hand is the first exhibition in any encyclopedic museum in the United States to focus on this subject. This ground-breaking exhibition provides our audiences with a chance to encounter the outstanding art produced by these women artists in early modern Italy and to appreciate the far-reaching consequences of Artemisia Gentileschi’s illustrious career."

By Her Hand is a collaboration between the Wadsworth and the Detroit Institute of Arts. Curated by Eve Straussman-Pflanzer former curator at the Detroit Institute of Arts now Curator and Head of Italian and Spanish paintings at The National Gallery of Art, Washington and Oliver Tostmann, Susan Morse Hilles Curator of European Art at the Wadsworth. After its debut at the Wadsworth, it will travel to Detroit where it will be on view February 6–May 29, 2022.










Today's News

September 30, 2021

Turner Prize 2021 exhibition opens at the Herbert Art Gallery and Museum

Danish artist loaned $84,000 by museum keeps cash, says it's art

The world's deadliest bird was raised by people 18,000 years ago

The Royal Academy's Summer Exhibition celebrates the joy of creating art

National Academy of Design elects eight artists and architects as National Academicians in 2021

Christie's Asian Art Week totals $43.7 million

Italian women artists celebrated in groundbreaking exhibition at the Wadsworth Atheneum

Tarzan, Frankenstein and H.P. Lovecraft star in auction of horror, science fiction and fantasy literature firsts

Fairfield University Art Museum fall exhibitions focus on racial and social justice

Jem Finer illuminates London's only lighthouse for first time in 150 years

Christo Nature/Environments on view at Galerie Gmurzynska

Ayyam Gallery opens a solo exhibition of works by Abdul Karim Majdal Al-Beik

Laguna Art Museum announces Victoria Gerard as Deputy Director

Dr. Constance Rice elected Board Chair of Seattle Art Museum

Early Printed Books at Swann Galleries October 14

Weatherspoon Art Museum welcomes Destiny Hemphill as Coordinating Curator of Community Engagement

Vintage film poster auction stars Bond... James Bond

The Green-Wood Cemetery presents a participatory art installation by Candy Chang and James A. Reeves

Japan manga artist Takao Saito, 'Golgo 13' creator, dies aged 84

China clamps down on pop culture in bid to 'control' youth

A pristine portfolio containing Andy Warhol's Endangered Species to be offered at auction

Bob Moore, an architect of the Nashville Sound, dies at 88

Sue Thompson, who sang of 'Norman' and 'Sad Movies,' dies at 96

Exhibition presents U.S. debut of The Critical Dictionary of Southeast Asia by Ho Tzu Nyen

International group exhibits collaborative works by 28 artists across multiple disciplines

Online Divorce in Iowa │ How to File?

Tips to Customising a Used Office Desk - get Yourself an Exclusive Desk on a Dime

Eliminate Contaminants with RO+UV/UF Purification System

How RO Water System Make Your Life Easy In Less Funding




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful