The First Art Newspaper on the Net    Established in 1996 Saturday, October 16, 2021


Tommy Kirk, young star of 'Old Yeller,' is dead at 79
For a time, he was a Disney regular, seen in movies like “Swiss Family Robinson” and “The Shaggy Dog.” But his career derailed.

by Neil Genzlinger



NEW YORK, NY.- Tommy Kirk, who was a busy star in the Disney universe as a child and young man, appearing in “Old Yeller,” “The Shaggy Dog,” “Swiss Family Robinson” and other movies in the late 1950s and early ’60s, but whose career was derailed when his homosexuality became too widely known and when drugs and alcohol got the better of him, died Tuesday at his home in Las Vegas. He was 79.

The Walt Disney Co. announced his death in a statement, which did not give a cause.

Kirk got into show business by accident. An older brother was auditioning for a part in Eugene O’Neill’s “Ah, Wilderness!” at the Pasadena Playhouse in California and took Tommy, then 12, along; the brother didn’t get cast, but Tommy did (although not in the part his brother auditioned for).

“An agent came backstage and introduced himself and gave me his card and said, ‘Would you have your folks call me?’” Kirk recalled in an interview with film magazine Scarlet Street in 1993. “My mom and dad did, and I ended up signed with a Beverly Hills agency.”

He started getting television roles almost immediately, many of them on the live one-hour dramas that were ubiquitous in TV’s early days. Then he was cast as Joe, the younger of the two crime-solving Hardy brothers (Tim Considine played the other, Frank), in two “Hardy Boys” serial adventures broadcast on “The Mickey Mouse Club” beginning in 1956.

The next year Disney signed him to a seven-year contract and cast him as Travis, the boy who befriends the canine title character in the classic family movie “Old Yeller,” famed for its no-nonsense ending, in which Travis has to shoot his beloved pet because the dog was exposed to rabies.

“I really cried,” Kirk said of his work in that scene. “You can’t fake it; you’ve gotta cry. You can’t just make a face.”

The Library of Congress added “Old Yeller” to the National Film Registry in 2019.

Beverly Washburn, who played a neighbor girl in the film and is now its last surviving cast member, recalled Kirk as “a brilliant child actor.”

“He was so gifted and he was adorable,” she said in a phone interview. They became lifelong friends.

The emotional ending to “Old Yeller” shocked many young viewers, but, she said, Kirk had a particular view about the movie.

“Tommy’s philosophy on it was, it’s about love and loss,” Washburn said. “Life throws us some curves sometimes. Not everything is a white picket fence.”

That was certainly the case for Kirk. He appeared in a number of other Disney films over the next seven years, many of them silly, successful comedies like “The Shaggy Dog” (1959), in which his character turned into a sheepdog, and “The Absent Minded Professor” (1961) and “Son of Flubber” (1963), which both starred Fred MacMurray as a man who invents a rubbery substance with fantastic properties.

Kirk was also in “Swiss Family Robinson” (1960), “Old Yeller” sequel “Savage Sam” (1963) and a few other Disney efforts, but by the end of his contract he was trying the studio’s patience. One incident, he said, caused the company not to renew his contract.

“I was caught having sex with a boy at a public pool in Burbank,” he said, as quoted in a Liz Smith column in 1992. “We were both young, and the boy’s mother went to Walt.”




By then he was drinking heavily and using drugs.

“I was high all the time,” he told Scarlet Street. “It was a terrible period in my life. So I can understand the studio letting me go.”

It was a period when being identified as gay was particularly damaging to a career, and a 1964 marijuana arrest — Kirk was one of nine people charged when police raided a Hollywood party — didn’t help his marketability.

He made a few more movies over the next decade, but they had titles like “The Ghost in the Invisible Bikini” (1966) and “Blood of Ghastly Horror” (1967). There was also “It’s Alive” (1969), which, in a 1990 interview with The Lexington Herald-Leader of Kentucky, Kirk described as “a monster movie so cheap that the monster wore a scuba suit and had Ping-Pong balls for eyes.”

By the mid-1970s he had given up acting. He quit drugs and found strength in Christianity, which he said helped him with “purging myself of resentment and bitterness.” He founded a carpet and upholstery cleaning business. He made a few more movies in the 1990s and early 2000s, but for the most part he limited his show business activities to autograph conventions.

In 2006, Disney named him a Disney Legend, an honor recognizing extraordinary contributions to the company.

“I don’t blame Disney for firing me,” Kirk told Scarlet Street. “I was on drugs, and I was fooling around in ways totally incompatible with a family-oriented studio. I’ve accepted it. I’ve accepted the fact that my career was ruined by my behavior and no one and nothing else.”

Kirk was born Dec. 10, 1941, in Louisville, Kentucky. His parents moved the family to California in 1944 so that his father could work in an airplane factory during the World War II boom years.

Despite his troubles while under contract to Disney, Kirk had a fond memory of Walt Disney himself that he often related. Still a child actor, he ran into him at a Beverly Hills hotel.

“He was with Hedda Hopper, the legendary columnist,” Kirk told The Orlando Sentinel in 1991. “He put his arm around me, and he said, ‘This is my good luck piece here’ to Hedda Hopper. I never forgot that.”

Information on his survivors was not immediately available.

Washburn, his “Old Yeller” co-star, who lived near him in Las Vegas, would see him often. He would always bring a box of chocolates when he came to dinner, she said. And they worked autograph conventions together. She remembered that whenever someone in uniform — police, military or other — would come up to buy an autograph, Kirk would refuse their money.

“He’d always say, ‘They’re our heroes, and I’ll always give them a free picture,’” she said.

Washburn recalled one appearance with Kirk in which she mentioned that the two were friends, and a perplexed girl in the crowd piped up.

“He’s the one who shot Old Yeller,” the girl said. “How can you still be friends with him?”

This article originally appeared in The New York Times.










Today's News

October 3, 2021

The Academy Museum finds good intentions in messy film history

Christie's France announces highlights included in its Modern Art auction

The Courtauld announces acquisition of 8 metalpoint drawings by artist Susan Schwalb

New-York Historical Society opens exhibition honoring the late Ruth Bader Ginsburg

Eli Klein Gallery opens Taiwanese abstraction master Ho Kan's first ever solo exhibition in the U.S.

Christie's to offer a selection of Fabergé masterpieces from The Harry Woolf Collection

Major touring retrospective of paintings by seminal British artist Leon Kossoff opens in London

KOMERICAN, featuring Korean-in-Wisconsin artists, opens at the Lynden Sculpture Garden

South Street Seaport Museum announces expanded digital galleries in Collections Online Portal

The Cotswold Art & Antiques Dealers' Association Fair to open at a new venue - Compton Verney

Peter Doig's Swamped will highlight Christie's 21st Century Art Evening Sale in New York

Rare Julian Onderdonk landscape among top draws in October Texas Art auction

First exhibition of Katie Van Scherpenberg's work in the UK opens at Cecilia Brunson Projects

Iconic Moon landing image rockets past previous records in September auction

Norman Rockwell's 1945 masterwork Home for Thanksgiving makes its auction debut

The small Rolls-Royce design that princes covetted in the 1930s for sale with H&H Classics at Buxton

New traveling exhibition celebrates Indigenous art through skateboard, snowboard, and surf culture in Canada

Summers Place Auctions to sell historically important Winnie-the-Pooh bridge

Artist Janet Zweig asks "What Do We Have in Common?" in new public art installation in Boston

First solo museum exhibition for Naudline Pierre now open at Dallas Museum of Art

Enescu, an underplayed composer, is still a star in Romania

Tommy Kirk, young star of 'Old Yeller,' is dead at 79

Review: The costume dramas of New York City Ballet

Review: In 'Persuasion,' how to lose lovers and influence people

The Philharmonic is out of its hall this year. It doesn't pack light.

A year in the life: Who gets a master's degree in the Beatles?

Lookah seahorse ceramic coils

How to Promote Your Property: Online and Offline Marketing Tools?

Best Make up filters on Instagram

Mistakes to Avoid When Buying a Mattress

9 Online Tools To Generate A Professional Logo




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org avemariasound.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful