Amy Meyers Named New Director of Yale Center

The First Art Newspaper on the Net    Established in 1996 Monday, June 17, 2024


Amy Meyers Named New Director of Yale Center



NEW HAVEN, CONNECTICUT.- Yale Center for British Art President Richard C. Levin has named Amy Meyers, curator of American Art at the Henry E. Huntington Library, Art Collections, and Botanical Gardens in San Marino, California, as director of the Yale Center for British Art and adjunct professor of the History of Art. Meyers will serve as director for a term of five years, beginning September 1, 2002.



"It gives me the greatest pleasure to announce the appointment of Amy Meyers," said Levin. "She has distinguished herself as an outstanding and imaginative leader in the field of research and a singularly adept administrator at some of the nation’s prominent museums, galleries and research centers. Her experience developing collections in all media and her involvement with the building of collaborative programs, not only regionally, but also nationally and internationally, auger well for her tenure here."





Meyers’ appointment will be a homecoming. After receiving her B.A. from the University of Chicago, she did the graduate work for her 1985 Ph.D. in American Studies at Yale, where professors Howard Lamar, Jules Prown and Bryan Wolf advised her dissertation on Anglo-American and English Naturalists. Since then she has spent most of her time at research institutes, first as a graduate fellow at Dumbarton Oaks, then at the Center for Advanced Study in the Visual Arts at the National Gallery, and for the past 13 years at the Huntington. At the latter she has been responsible for running the Virginia Steele Scott Gallery of American Art, a museum that also serves as a centerpiece for one of the most active research programs in the history of Anglo-American culture. She has helped to build up collections of art from the colonial period through the twentieth century, and she has been instrumental in formulating programs on the history of American art and material culture.



In concert with her colleagues, Meyers has encouraged cross-institutional dialogue about the history of trans-Atlantic culture that has extended to the faculty and student body of the California Institute of Technology, where she is an adjunct faculty member, and to other area colleges, universities, museums and research centers with which the Huntington has ongoing relationships. She was the Huntington’s representative in the Association of Research Institutes in the History of Art, for which she served as Vice Chair from 1995-2000.



The new director is a leading expert on naturalist illustrators, and her scholarship has focused on British interpreters of America. Among her publications are "Imposing Order on the Wilderness: Natural History Illustrations and Landscape Portrayal," in "Views and Visions: American Landscape Painting, 1790-1830," by Edward Nygren (The Corcoran Gallery, 1986); "The Perfecting of Natural History: Mark Catesby’s Drawings of North American Flora and Fauna in the Royal Library, Windsor Castle," in Mark Catesby’s "Natural History of America: The Watercolors from the Royal Library, Windsor Castle, by Henrietta McBurney" (Museum of Fine Arts, Houston, 1997); and "Picturing a World in Flux: Mark Catesby’s Response to Environmental Interchange and Colonial Expansion," in "Empire’s Nature: Mark Catesby’s New World Vision," Amy Meyers and Margaret Pritchard eds. (Colonial Williamsburg and The Omohundro Institute of Early American History and Culture, 1999). She is co-editor with Jennifer Watts of "A Life’s Work: Edward Weston’s Guggenheim Collection" (The Huntington), a catalogue in preparation for 2003, and of "Nexus of Exchange: Philadelphia and the Visual Culture of Natural History, 1740-1840" (The Huntington) to be published.



Among other publications to which Meyers has contributed are the Journal of American History, the New England Quarterly and the Chronicle of Higher Education. She has a lifelong interest in photography, and with Alan Trachtenberg, the Neil Gray, Jr., Professor of English at Yale, edited "Classic Essays on Photography" (Leete’s Island Books, 1980). Meyers will be joined in New Haven by her husband, Jack Meyers, who also is a Yale alumnus, and their daughter, Rachel. Mr. Meyers is the Deputy Director of the Getty Grant Program at the J. Paul Getty Trust.



The search committee was headed by Linda Peterson and included Yale faculty members and administrators: Tim Barringer, Richard Benson, Ned Cooke, Diana Kleiner, Jules Prown, Jock Reynolds, and Keith Wrightson. In making the announcement of the appointment, Levin also acknowledged with deep appreciation the help the committee had received from Constance Clement, acting director of the Center for British Art, and Malcolm Warner, curator of paintings and sculpture at the Center.











Today's News

June 17, 2024

The National Gallery displays Caravaggio's last painting, not seen in the UK for nearly twenty years

Fairfield University Art Museum presents 'Peter Anton: Just Desserts'

Ben Vautier, artist whose specialty was provocation, dies at 88

Galerie Jeanne Bucher Jaeger presents Susumu Shingu's 'The Breath of Here - The Water Beyond'

Overlooked no more: Lorenza Böttner, transgender artist who found beauty in disability

The Montreal Museum of Fine Arts showcases a new body of incandescent work from Wanda Koop

MACRO - Museum of Contemporary Art of Rome presents an exhibition of works by Elisabetta Benassi

Carbon 12 opens group exhibition curated by salasi

Last chance to see: The Third Line's Khalid 'Jauffer : Looking, dwelling, leaving'

William Turner Gallery presents an exhibition marking the first solo show of photographs by Melanie Pullen

Bristol Photo Festival Second Edition - The World on a Wave - to open in autumn

A metaphorical garden fills ACE's gallery floor for the 2024 Porter Street Commission exhibition

Columbia Museum of Art presents (Un)Settled: The Landscape in American Art

Modern Art opens an exhibition of works by Sanya Kantarovsky

A Met Orchestra of mixed quality returns to Carnegie Hall

Discover ancient Egypt for kids at NGV International

Heide Museum of Modern Art unveils major new exhibition exploring the significance of hair in contemporary culture

Globus and Fondation Beyeler announce public art project: Julian Charrière Calls for Action

Lawrie Shabibi opens the first-ever solo exhibition of works by Dima Srouji

The wife who survived Henry VIII finally gets her big-screen due

"On Water, Flow and Warped Time" opens at Vleeshal

'Say Less' by Greg Gulbransen to be published August 2024

Hosfelt Gallery opens Rina Banerjee's fourth solo exhibition with the gallery

MCA Chicago announces 'Virginia Jaramillo: Principle of Equivalence'




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful