Two exceptional private collections lead Bonhams Modern British and Irish Art sale
The First Art Newspaper on the Net    Established in 1996 Wednesday, November 13, 2024


Two exceptional private collections lead Bonhams Modern British and Irish Art sale
John Luke (Irish, 1906-1975), Mountain Composition. Photo: Bonhams.



LONDON.- A strong selection of works from two exceptional private collections leads Bonhams Modern British and Irish Art Sale in London on Wednesday 24 November. It includes Four Pears by William Scott (1913-1989) estimated at £150,000-250,000, and In the Park by William Roberts (1895-1980) estimated at £70,000-100,000.

Four Pears was painted in 1976 and, with its two companion works Three Pears and Five Pears, was extensively exhibited in South America in the late 1970s. It was inspired by a pear tree growing outside the artist's studio at Coleford in Gloucestershire. The painting has not been seen in public since it was exhibited at Irish Art in the Seventies: The International Connection in 1980.

Bonhams Director of Modern British and Irish Art, Matthew Bradbury, said: “The two collections which form the backbone of the sale were put together with an impeccable eye for quality. The works represent a wide range of genres and artists but are united by their emphasis on excellence. We are expecting a great deal of interest from collectors.”

From the same private collection as Four Pears come:

• Gainsford End Farm by Keith Vaughan (1912-1977). In 1964, Vaughan bought and renovated a row of derelict cottages on the outskirts of the village of Toppesfield in Essex, creating a weekend home complete with studio. The nearby small village of Gainsford End inspired six oil paintings over the course of a decade including Gainsford End Farm painted in 1976. It depicts a close-knit group of farm buildings contained within a tightly arranged composition and is typical of the artist’s late style. Estimate: £50,000-80,000.

• Key Torso by William Turnbull (1922-2012). During the mid-1950s William Turnbull created a sculptural group of large semi-abstract female figures, known as his Idol series. Using new titles, he returned to the theme again in the late 1970s and early 1980s as in Key Torso conceived in 1981 where Turnbull has taken an everyday object and turned it into a human form. Estimate: £50,000-80,000.

• Two works by Ivon Hitchens (1893-1979). Autumn Woods painted around 1948 and Summer Nude No. 2 painted in 1950. They are each estimated at £50,000-80,000.

The second collection consist of works which belonged to the late Lady Dugdale. These include:

• In the Park by William Roberts. Painted around 1925, the work is among a group of pictures from the first half of the 1920s that can be said to have connections to the artist’s own life. On his return in 1918 from war service in France both as a combatant and later a War Artist, Roberts settled down with his long-term girl-friend Susan Kramar. A child was born in 1919, followed by marriage in 1922. Families began to appear in his work – The Poor Family (1921-22, for example, and Happy Family of 1924. Although In the Park reflects other park scenes in his oeuvre it does feels very personal – the little boy with the football, for example, is about the age his own son would have been at the time. Last year, Bonhams sold Roberts’s Munitions Factory, also from Lady Dugdale’s collection, for £200,250. It had been estimated at £70,000-100,000.

• Hampton Court by Christopher Nevinson (1889-1946). Nevinson’s most recognisable works date from his time as an Official War Artist during the First World War. For most of his career, however, his output dwelt on more peaceful themes. Hampton Court is a typical example of what the artist called his ‘peace’ works. It celebrates the leisure pursuits of the British public in the immediate years of the interwar period and the canvas throngs with the lively hubbub of the summer regatta. Estimate: £50,000-80,000.

• Lilies of the Valley by Sir William Nicholson (1872-1949). The work was painted in 1927 and critics have noted its atypical ‘radiant sweetness’ as well as the boldness of the brushstrokes and the layering of tones. Estimate: £60,000-80,000.

• Portrait of an Old Man (Old Cretan) by John Craxton (1922-2009). Dated 1948, the drawing was first owned by Lady Peter Norton, the gallerist and friend and supporter of the artist. Estimate: £12,000-18,000.










Today's News

November 13, 2021

Lucy Lacoste Gallery celebrates Suzuki Goro's 80th anniversary with exhibition

Getty Museum acquires Gustave Caillebotte's iconic Young Man at His Window

Van Gogh, Caillebotte set records at NY Impressionist sale

Christopher Walken destroys Banksy painting on BBC comedy show

Hindman achieves highest sale total in its history for a various owner Books & Manuscript auction

Exhibition presents highly energized circle, square, and diamond shaped paintings by Gary Lang

Excellent results for early American furniture, silver, flags, and more at Freeman's

Columbus Museum of Art exhibition uncovers Vincent van Gogh's creative process

Exhibition presents ten new paintings and nine new works on paper by Brice Marden

World record price for Luigi Querena

Two exceptional private collections lead Bonhams Modern British and Irish Art sale

The Winter Show announces exhibitors for 2022 fair returning in-person to Park Avenue Armory

Yale University Art Gallery and Yale Center for British Art co-acquire painting by Kehinde Wiley

Egyptian artist Ahmed Morsi opens first solo show at Salon 94

Young Concert Artists is back, with a superb pianist

Zadie Smith's first play brings Chaucer to her beloved northwest London

Art on the Underground presents 5 more minutes, a new commission by Joy Labinjo at Brixton Underground station

1925 Bentley 3 Litre Dual Cowl Tourer for sale with H&H Classics

Koller Auctions to offer a wide range of attractive modern & contemporary works

'Ugly history': Battle to restore iconic Japan brothel building

Menil Drawing Institute presents Marcia Kure Wall Drawing

Juilliard stages an Orpheus rarity from opera's early days

In 'Nollywood Dreams,' a star and an industry are born

'Like queens': Divisive legacy of Senegal's women traders

How To Choose The Right Card Game For You At A Casino

Best Blog Writing Services

11 DIY Arts & Crafts Idea for Home Decoration in a Budget

How to Look Fabulous in Crossover Leggings!

The best fashion finds for your body on the go!

Tips for Shopping for Plus Size leggings and Joggers

Monumental Achiever, Sylvia Rossouw, has made an Incredible Mark in Fine Art and Architecture, Locally and Abroad

What Is CBN And What Are Its Effects

Choosing the Best Tabletop Material for Your Standing Desk

The Importance of Hiring an Auto Accident Lawyer

Possibility for Americans to Take Out Instant Loans for Bad Credit




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful