National Galleries of Scotland acquire rare late 18-century watercolour by Scottish painter David Allan

The First Art Newspaper on the Net    Established in 1996 Thursday, March 28, 2024


National Galleries of Scotland acquire rare late 18-century watercolour by Scottish painter David Allan
Edinburgh Milkmaid with Butter Churn, by David Allan, c. 1780 – 1790.



EDINBURGH.- One of the earliest known images of a Black person by a Scottish artist has been acquired by the National Galleries of Scotland.

Edinburgh Milkmaid with Butter Churn by David Allan (1744-1796) is a beautifully painted watercolour which is both exceptionally rare and striking. It depicts a Black woman alone and centre stage at a time when Black sitters more often appeared as marginal or subservient figures in group portraits.

Looking directly at the viewer, she is shown in working dress, going about her daily duties and set against the backdrop of an elegant Edinburgh street. Her name and life story is unknown, but it is likely that she was a servant, a milkmaid, as suggested by the large vessel or butter churn shown beside her.

Modest in scale, the image is dated to the mid-1780s to early 1790s, a period when Allan created evocative drawings of ordinary people going about their daily lives in Edinburgh, such as soldiers, coalmen, fishwives, sedan chair porters, firemen and officers of the city guard. These works, known as Allan’s ‘Edinburgh Characters’, suggest a background context for Edinburgh Milkmaid with Butter Churn, but they are generally sketched in a summary way, intended to capture character types, rather than specific personalities, and were often copied and duplicated.




The Edinburgh Milkmaid, however, is highly detailed, precisely painted and clearly a portrait of a specific person. It is hoped that further research may reveal more about the connection between the artist and the young woman and shed some light on her identity.

Director of European and Scottish Art at the National Galleries of Scotland, Christopher Baker, commented: “We are so pleased to bring this remarkable, rare and extraordinary watercolour into Scotland’s national collection. It is an incredibly striking and special work, one which we believe will be enjoyed by many and, we hope, lead to new research on its background and most importantly the story of the woman depicted.”

Born in Alloa, David Allan was arguably the first Scottish artist to take contemporary life and customs from across the social hierarchy as a subject worthy of art. With the support of his patrons, Lord and Lady Cathcart of Shaw Park, near Alloa, he travelled to Italy around 1767 and remained there for a decade, painting historical pictures and portraits. He became interested in drawing scenes of street life, inspired by the popular print tradition of depicting street criers who called out to advertise their produce or trades. He sketched street vendors, aristocrats on the Grand Tour, coffee house scenes, dances, carnivals and local costume in Rome and Naples and on a visit to the islands of Procida, Ischia and Minorca.

These experiences led Allan to take a similar approach after his return to Scotland in 1779. He drew his subject matter from contemporary life, ranging from specific events such as The Ceremony of Laying the Foundation Stone of the New College of Edinburgh (1789) to timeless traditions and customs, such as A Highland Dance and The Penny Wedding. In 1786 Allan was appointed to a teaching post as Master of the Trustees’ Academy and he settled permanently in Edinburgh. The city and its inhabitants became a particular focus for this work. From about 1788 he developed the series of over twenty drawings of workers and traders; often referred to as his ‘Edinburgh Characters’, they typically show an individual or pair of figures with the tools of their trade, set against a simple architectural or rural background.

Allan’s subjects range from higher status figures, such as a Highland officer in uniform and officers of the Town Guard, to those who did the city’s heavy labour, such as the coalmen, chimney sweeps, porters and water carriers. Female workers are represented by a fishwife, a salt vendor and a lacemaker. The figures are drawn with strong outlines in ink to enable them to be traced easily, as Allan made multiple versions of his character drawings, several of which are held in the National Galleries of Scotland collection. He also reproduced his Edinburgh characters on a smaller scale as the cast that populate his landscape views of the Royal Mile, such as High Street from the Netherbow, made in 1793. Seen as a group, Allan’s street characters give a broad and fascinating insight into late 1780s Edinburgh as a living, working city.

Edinburgh Milkmaid with Butter Churn is one of several notable acquisitions highlighted in the recently published NGS Annual Review, covering the years 2019-2021. The painting will go on display at a later date following some conservation work which is currently being prepared. With much still unknown about the painting, the Galleries would welcome information, comments or feedback about it.










Today's News

January 3, 2022

A Vatican library shortens the distance between its works and its scholars

Boldface names give Los Angeles a new cultural center

The Fundació Joan Miró presents "The Point of Sculpture"

High Museum of Art touring exhibition to explore the rise of self-taught artists in America

Venice gets a grip on a star architect's slippery bridge

Imogen Cunningham retrospective debuts at Seattle Art Museum

National Galleries of Scotland acquire rare late 18-century watercolour by Scottish painter David Allan

Pirelli HangarBicocca unveils its 2022-2023 exhibition program

"Unfinished Moon" turns $400 1971 coin into $63,000 discovery

Exhibition featuring new works responds to and engages with museum's permanent collection

Museum brings back 'Millions: Migrants and Millionaires aboard the Great Liners, 1900-1914' exhibition

New works and different aspects of Julia Bondesson's artistry on view at Moderna Museet Malmo

A conductor considers her future

Haeju Kim appointed artistic director of Busan Biennale

New Zealand Pavilion at the 59th Venice Biennale to present Yuki Kihara: Paradise Camp

National Museum of Modern and Contemporary Art, Korea opens a solo exhibition of works by Ai Weiwei

The Kunstsammlung Nordrhein-Westfalen opens Lynette Yiadom-Boakye's first exhibition in Germany

New bird book from Phaidon Press

The Rose Art Museum presents "re: collections, Six at the Rose Art Museum"

Towner Eastbourne presents new work by Melissa Gordon

The Neon Museum receives highest national recognition with accreditation from the American Alliance of Museums

"A Beautiful Mess" and "An Eye on Michelangelo and Bernini" on view at The Society of the Four Arts

The Aldrich announces 26 artists participating in landmark exhibition '52 Artists: Revisiting a Feminist Milestone'

Entirely new Disney exhibition premieres at the Bowers Museum

Mp3juices.su Website Off Best Download Songs Online

The top 5 benefits of free reverse image search:

How to multiply your bankrolls in an online casino?




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful