The First Art Newspaper on the Net    Established in 1996 Wednesday, August 17, 2022


Exhibition at Gagosian presents sculptures by Anthony Caro from the 1960s and 1970s
Anthony Caro, Month of May, 1963. Painted steel and aluminum, 110 1/16 x 120 1/16 x 141 1/8 in. 279.5 x 305 x 358.5 cm © Barford Sculptures Ltd. Photo: Mike Bruce. Courtesy Gagosian.



LONDON.- Gagosian is resenting Caro and North American Painters, an exhibition of sculptures by Anthony Caro from the 1960s and 1970s shown together with contemporaneous paintings by his friends and peers.

Contextualizing aesthetic dialogues between Caro and his fellow artists, Caro and North American Painters features significant floor sculptures by Caro including Capital (1960), Month of May (1963), Smoulder (1965), and Hog Flats (1974). Paired with these works are paintings by American artists Helen Frankenthaler, Kenneth Noland, Jules Olitski, and Larry Poons, as well as Canadian artist Jack Bush.

Caro was among the most influential British sculptors of his generation and his career had a transatlantic reach. During a trip to the United States in 1959, he observed the emerging American art firsthand, encountering the work of David Smith and befriending Frankenthaler, Noland, and critic Clement Greenberg. Upon his return to London, he initiated a radical new approach to his practice by welding and bolting together steel beams, plates, tubes, and other elements. In the 1960s he painted these constructions in bold, flat colors, developing a range of other finishes over the course of the subsequent decade. As one of the first artists to discard the traditional sculptural pedestal, Caro made works that occupy the same space as the viewer, and by grounding them with horizontal elements combined with linear and planar structures, he effectively activated their surroundings.

Caro’s innovations in composition, geometry, and the use of color and space had echoes in the work of the painters he admired. Loosely grouped under the banner of Color Field painting or Post-painterly Abstraction, these artists’ work was acknowledged by Greenberg for its “lucidity” of color and “physical clarity and openness.” Approaching the support as a flat, unbroken plane, Bush, Frankenthaler, Noland, and Poons applied dilute oil and acrylic paint to raw canvas, generating compositions with highly saturated colors. Olitski experimented further through use of a spray gun, producing paintings marked by fields of brilliant hues. In Noland’s case, this investigation of color and form led to his development of shaped canvases. Such inventions have particular resonance when considered alongside Caro’s use of industrial materials.

In addition to his influential tenure at London’s Saint Martin’s School of Art, Caro returned to the United States from 1963 through 1965, having accepted a teaching post at Bennington College, Vermont. There, he met frequently with Olitski, who was on the faculty, and with Noland, who lived nearby. Frankenthaler also had close ties to Bennington, having graduated from the college in 1949. Caro would maintain close friendships with vanguard American painters of his generation throughout his career, exchanging ideas and exploring new aesthetic possibilities. According to Paul Moorhouse, curator of the exhibition and chief executive of the Anthony Caro Centre, “During the early 1960s, Caro pioneered the creation of abstract sculpture, but he was not alone. His conversations with Noland, Olitski, and other painters had a two-way significance, encouraging all these artists to explore new, radical approaches. This exhibition reveals the ways that—together—they transformed the language of art.”

A catalogue featuring an essay by Moorhouse and drawing on archival materials, including correspondence between Caro and his fellow artists, has been published to accompany the exhibition.










Today's News

February 10, 2022

McNay Art Museum champions San Antonio artist community with two exhibitions

SFMOMA appoints Christopher Bedford as its new Director

Exhibition at TOTAH features eleven new works by Mel Bochner

Photographer's death casts harsh light on the cold streets of Paris

Sotheby's auction of Louis Vuitton & Nike "Air Force 1" by Virgil Abloh soars to record-breaking $25.3 million

The Metropolitan Museum of Art to renovate its galleries for Ancient Near Eastern and Cypriot Art

One of evolution's oddest creatures finds a fossilized family member

Getty Museum presents 'Grand Design: 17th Century French Drawings'

Exhibition at Gagosian presents sculptures by Anthony Caro from the 1960s and 1970s

Arnolfini opens an exhibition of works by Paula Rego

National Gallery of Victoria acquires Lavinia Fontana painting, first woman professional painter in Europe

Hauser & Wirth presents a selection of sculptures, ceramic pieces and works on paper by Fausto Melotti

Christie's presents 'Deep Impact: Martian, Lunar and Other Rare Meteorites'

Venus Over Manhattan now representing Cornelius Annor

The Estate of Emory Ashford Schwall, Sr. to be auctioned by Ahlers & Ogletree

Benedict Cumberbatch has heard your confusion about 'The Power of the Dog'

Exhibition at OJMCHE's Menashe Gallery features four large-scale works painted by Henk Pander

Museum acquires archive of nearly 200 rare documents related to soldiers of color in the Revolutionary War

Tate Britain presents a multi-channel video installation by Danielle Dean

Decoding Dickens' secret notes to himself, one symbol at a time

Kathleen Guzman joins WorthPoint's board of directors

Norma Waterson, a key figure in Britain's folk revival, dies at 82

Lin-Manuel Miranda on writing lyrics in Spanish and the heartbreak of 'Dos Oruguitas'

The Kirov Academy, a leading ballet school, to close in May

The Need for TikTok in Elevating Social Sales

8 Healthy Ways for Men to Speed Up the Weight Loss Process

Easy Ways You Can Make Your Interior Reflect Your Personality

What You Need to Know About Funeral Services Singapore

Different Styles to Wear Maxi Dresses

Brilliant Bathroom Renovation Ideas




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful