ICA/Boston promotes Anni A. Pullagura to Assistant Curator

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ICA/Boston promotes Anni A. Pullagura to Assistant Curator
Pullagura will have an expanded role in the ICA’s curatorial and exhibition program, deepen her involvement with the ICA’s educational initiatives, and oversee curatorial internships.



BOSTON, MASS.- The Institute of Contemporary Art/Boston announces the promotion of Anni A. Pullagura to Assistant Curator. In her new position, Pullagura will have an expanded role in the ICA’s curatorial and exhibition program, deepen her involvement with the ICA’s educational initiatives, and oversee curatorial internships. Among her significant projects at the museum, Pullagura assisted in the organization of Simone Leigh: Sovereignty, the ICA’s commission for the 59th Venice Biennale as well as the nationally touring survey exhibition Simone Leigh and its accompanying publication. Pullagura has also organized the forthcoming 2023 James and Audrey Foster Prize exhibition opening Aug. 24, 2023, and is contributing towards the first U.S. Museum survey of Charles Atlas, opening in 2024.

“Since first joining as a curatorial fellow, Anni has been an indispensable part of the ICA’s curatorial department distinguishing herself with deep intelligence and equanimity,” said Ruth Erickson, recently appointed Barbara Lee Chief Curator and Director of Curatorial Affairs. “In her time at the ICA, Pullagura has made many important contributions to the museum’s curatorial program and permanent collection, while developing a thoughtful body of scholarship on American art, empathy, and museums.”

Pullagura became Curatorial Assistant in 2020, after joining the ICA as a Curatorial Fellow in 2018. At the ICA, she has organized Jordan Nassar; Bárbara Wagner and Benjamin de Burca: Swinguerra; The Worlds We Make; and i’m yours: Encounters with Art in Our Time. She has also supported the management of the permanent collection and assisted in the organization of Deana Lawson; A Place for Me: Figurative Painting Now; Revival: Materials and Monumental Forms; William Forsythe: Choreographic Objects; and When Home Won’t Let You Stay: Migration through Contemporary Art.

In 2022, Pullagura received her Ph.D. in American Studies from Brown University, and is the recipient of numerous fellowships, including the Center for Curatorial Leadership/Mellon Foundation Seminar in Curatorial Practice Fellowship and the Professional Alliance for Curators of Color Fellowship from the Association of Art Museum Curators. She currently serves on the Art of the Americas Advisory Think Tank at Harvard Art Museums. In addition to presenting regularly at the American Studies Association, Black Portraiture[s], and the College Art Association, among others, her writing has appeared in Art Journal; The Journal of American History; and Journal of Visual Culture, as well as in numerous exhibition catalogues. Prior to the ICA, Pullagura held positions at the Center for the Study of Slavery and Justice at Brown University, Smithsonian Institution’s National Museum of African American History and Culture, High Museum of Art, and the Metropolitan Museum of Art.










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