Cheekwood acquires sculpture from notable Nashville-born, Brooklyn-based artist Virginia Overton

The First Art Newspaper on the Net    Established in 1996 Friday, May 17, 2024


Cheekwood acquires sculpture from notable Nashville-born, Brooklyn-based artist Virginia Overton
Virginia Overton, Untitled (4x8 view), 2018, Installation view, Built, Socrates Sculpture Park, Long Island City, NY, 2018. Courtesy the Artist and Bortolami, New York. Photo by Nicholas Knight.



NASHVILLE, TENN.- Cheekwood Estate & Gardens continues to grow its contemporary outdoor sculpture collection with the acquisition of Untitled (4x8) from internationally recognized, Brooklyn-based artist Virginia Overton. Overton was born in Nashville in 1971 and maintains strong connections to Middle Tennessee, where her family has owned a farm for more than a century. Untitled (4x8) has been exhibited around the world with two earlier versions in European and American private collections. The third version of the series has been fabricated specifically for Cheekwood and will be permanently installed on The Ann & Monroe Carrell Jr. Family Sculpture Trail, the second addition since the trail’s major renovation and reopening in 2020. Untitled (4x8) will debut on Oct. 8 in conjunction with the Frist Art Museum’s exhibition Virginia Overton: Saved, which will be on view Oct. 7 through Dec. 31, 2022.

“We are excited to soon unveil our newest sculpture,” says Cheekwood Vice President of Museum Affairs James W. Tottis. “The acquisition is a significant addition to our permanent collection as it enables us to celebrate an internationally known artist with roots in Tennessee and continue the tradition of bringing world-class contemporary sculpture to Nashville.”

Overton's work includes photography, sculpture and installation, exploring the profound potential of everyday materials. She transforms organic elements, as well as pickup trucks, rusty pipes and other industrial detritus, into sculptures that respond to and shape their surrounding environments. Untitled (4x8) is a marked example of Overton’s oeuvre. It’s made of an oversized steel frame filled with dozens of repurposed metal pipes of different sizes. When viewed head-on, the sculpture creates the effect of looking through a kaleidoscope, fragmenting one’s view while also highlighting the surrounding landscape in changing seasons.

Overton was the first woman artist to have a solo exhibition at the Socrates Sculpture Park in New York and her work has been exhibited widely at major national and international institutions, including Kunsthalle Bern, Frist Art Museum, Institute of Contemporary Art in Miami, Storm King Art Center, the Whitney Museum of American Art and the new terminal at LaGuardia airport in New York. She has also been included in group exhibitions at the Venice Biennale, Frieze Sculpture, London’s Hayward Gallery and Art OMI. As a top actively collecting art museum in Tennessee with a permanent collection of more than 7,000 works, Cheekwood now joins the ranks of many important private and public collections to which Overton’s art belongs, including the Museum of Modern Art, the San Antonio Museum of Art and the Whitney Museum of American Art.










Today's News

August 4, 2022

A battlefield from 1777 yields a dozen mercenaries' remains

Cheekwood acquires sculpture from notable Nashville-born, Brooklyn-based artist Virginia Overton

Nationalmuseum acquires sculpture by Carl Richard Söderström

Sprüth Magers presents new glass sculptures by Andreas Schulze in Venice

Jeremy Eden awarded Archibald Prize 2022 ANZ People's Choice award for portrait of Samuel Johnson

Phillips in collaboration with The Artist Room presents New Romantics in Seoul

Bortolami announces the passing of Mary Obering

The pedal steel gets its resurrection

AstaGuru's 'Opulent Collectibles' auction impresses collectors of vintage and antique decoratives

Pérez Art Museum Miami presents 'Mariano: Variations on a Theme'

Zeitz MOCAA opens a site-specific commission of monumental scale by Joël Andrianomearisoa

Oscar Wilde first edition, Tom of Finland original illustrations, historic ephemera, & more at Swann

Buxton Contemporary presents a newly commissioned work by Susan Jacobs

Eli N. Evans, who wrote about Jews in the American south, dies at 85

Bernard Marson, a catalyst for SoHo's renaissance,dies at 91

'Paint brush warrior' Tom Phillips announced as 2022 Guildhouse Fellow

SuperRare's 'Ghost In The Machine' opens at SoHo Gallery

At the BlackStar Film Festival, a revelatory understanding of cinema

Mo Ostin, music powerhouse who put artists first, dies at 95

The Shed presents 'Tiona Nekkia McClodden: The Trace of an Implied Presence'

New Frontier's Aug. 27 annual auction features iconic John Wayne film-worn hats & apparel

"Pompeii Commitment. Archaeological Matters" launches two new projects

Nicola Vassell Gallery presents a group show examining novel and stirring interpretations of interior space

15th Triennial Kleinplastik Fellbach announces winners of the Triennial Prize

The art of playing Swedish casino online

The Science of Spatial Learning Inside Virtual Reality

Why Yiwu Sourcing Agencies Are Best in China

Medical marijuana is not a myth

3 Tips For a Fast WordPress Website




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful