NEW YORK, NY.- GRIMM
presenting L.I.T.S., a solo exhibition of new works by German-born, Brooklyn-based artist Volker Hüller at the New York gallery from January 26 through March 18, 2023. This is the artists sixth solo exhibition with the gallery and the first in the gallerys new Tribeca location.
The exhibition title references the continuum of an evolving oeuvre, a double entendre and acronym for life is too short and lost in time and space. Borne out of a deep reflection of the artists work over the past decade, the new works on view break old patterns while still offering a comprehensive representation of a distinctive modernist approach that consists of painting and hand-colored etchings. On this occasion, Hüller employs a medium new to his practice, soft pastel, whose pigments imbue his largescale etchings with a new sense of vitality.
In each work a lively scene unfolds in fragments, somewhere between joyful revelry and tormented selfreflection. There is a chaotic melding of limbs, faces, bottles, lighters, and other objects scattered across competing planes that collapse into one another.
Each image is poised between an exuberant communal celebration and a reflection on the alienating pace of modern society. Hüller evades direct narrative but allows each work to speak through motifs and gestures from which multiple possibilities emerge.
The monochromatic palette of the pastel-colored etchings parallels with new oil paintings whose sense of materiality is heightened in vast fields of whites and silvers. The paintings are collaged with textured materials such as burlap and studio detritus, providing rich dimension to the often surreal, abstracted figuration that emerges from the paintings splintered compositions. This collaged, patchworked approach to painting is free of both narrative and esoteric implications, and instead exists as a memory and record of its own creation.
A strong dialogue is shared between these collage paintings and two monumental new etchings, the artists largest to date. Often the artists etchings are motivated by ideas of figuration, but these new works exist in a state of pure abstraction. As in the paintings, notions of intrusion and extrusion are explored where thoughts, forms, and worlds are born into and out of one another.
The artists interest in formal qualities such as scale, material, and color, which are pushed and pulled through examinations of the artists own oeuvre and the greater art historical context, define the approach of many of the new works on view.
A series of small-scale paintings, however, offer a more intimate perspective. Observations from everyday scenes or personal excursions are depicted amongst contemplative representations of human forms: figures lay resting, or perhaps they are nearing lifes edge, longing to be reborn. Whereas the other works in the exhibition offer a macrocosmic view of approaches to image making, these paintings can be seen introspective visions of the artists subconscious.
Volker Hüller (b. 1976 in Forchheim, DE) currently lives and works in Brooklyn, NY (US). He studied under the late Norbert Schwontkowski (1949-2013) at the Academy of Fine Arts in Hamburg (DE), graduating in 2008. Recent exhibitions include Wasteland, Produzentengalerie, Hamburg (DE); Birds, Van Doren Waxter, New York, NY (US); Bon Voyage, GRIMM, Amsterdam (NL); Paradise Inn, GRIMM, New York, NY (US); Tonics, Van Doren Waxter, New York, NY (US); Volley, Produzentengalerie, Hamburg (DE); L.I.T.S. Homo Naledi, GRIMM, Amsterdam (NL); Volker Hüller, 11R Gallery, New York, NY (US); Volker Hüller, Timothy Taylor, London (UK); Volker Hüller, curated by AnnaCatherina Gebbers, Salon 94, New York, NY (US). Hüller has participated in group exhibitions at the following venues: GRIMM, New York, NY (US); Museum Weserburg für Moderne Kunst, Bremen (DE); Kunsthal KAdE, Amersfoort (NL); Saatchi Gallery, London (UK); and the Falckenberg Collection, Hamburg (DE). Hüllers work is included in the collections of The Museum of Modern Art, New York, NY (US); The Dallas Museum of Art, Dallas, TX (US); Saatchi Gallery, London (UK) and the Israel Museum, Jerusalem (IL), as well as many private collections.