Dense in paint and often expansive in scale, Rheingantz's landscapes now on view at White Cube
The First Art Newspaper on the Net    Established in 1996 Saturday, December 21, 2024


Dense in paint and often expansive in scale, Rheingantz's landscapes now on view at White Cube
Marina Rheingantz, Schmetterlinge im bauch, 2023. Oil on linen, 300 x 400 cm | 118 1/8 x 157 1/2 in.



LONDON.- Opening during Frieze London, White Cube presents the first UK solo exhibition, 'Maré', of works by São Paulo-based artist Marina Rheingantz and her debut with the gallery. The exhibition features new paintings and tapestries informed by the artist’s observations of tidal rhythms, ocean beds and meteorological conditions.

Rheingantz’s works, which expand the genre of landscape painting, embody the dichotomies inherent within Latin America’s social relations, industrialisation and the sublime natural world.

Dense in paint and often expansive in scale, Rheingantz’s landscapes impart the experience of seeing distant, vanishing horizons and wide, panoramic views. Formed by an accumulation of paint, her works are characterised by their rich surface texture, sense of mass and dissolution of image. Privileging the physicality of paint and its application, Rheingantz explores the realm of the pictorial that exists between matter and abstraction.

Marina Rheingantz
Lives and works in São Paulo
B. 1983

The work of Brazilian artist Marina Rheingantz expands the genre of landscape painting, with space seemingly unpopulated, time decelerated and detail momentarily preserved. Created through a varied application of paint, the artist presents place as indistinguishable from atmosphere as well as remembrance and emotional attachment, negotiating seemingly empty regions as accreted with time and resonant with affect. As vestigial repositories of life and conduits of time’s passing, Rheingantz realises landscapes in the wake of activity long since evacuated: wastelands, ruins, training fields. At times adopting an aerial perspective or the suggestion of flight in her paintings, Rheingantz deconstructs topography into its loosest forms, articulating a lyrical suggestion of place that has been ‘seen, sensed and remembered’.

White Cube Mason's Yard
Marina Rheingantz: Maré
October 10th, 2023 - November 11th, 2023










Today's News

October 10, 2023

A dazzling art collection, hiding in plain sight

National Gallery of Art acquires work by Sam Gilliam

Maurizio Cattelan's Comedian, composed of a banana duct taped to a wall added to NGV Triennial

'Robert Irwin and Mary Corse: Parallax' explores the intersections and convergences between artists and light

Dense in paint and often expansive in scale, Rheingantz's landscapes now on view at White Cube

Site Santa Fe invites visitors to 'scream until you can't breathe' in new exhibition by Nicholas Galanin

Galerie Thaddaeus Ropac opens an exhibition of works by Daniel Richter

'Fragments of Epic Memory' is now open for viewing at the Portland Museum of Art

First solo presentation at Victoria Miro of works by New York-based Iranian artist Ali Banisadr to open

The quiet reading room that gets trippy after dark

Hamiltons Gallery presents exhibition of photographs taken in Skye, Scotland by photographer Albert Watson

Chinese art from a German family collection offered at Bonhams Cornette Saint Cyr

Milestone's Oct. 28 auction to launch multi-year series devoted to toys from famed Wisconsin museum

Group exhibition devised by renowned Turner Prize-winning artist Mark Leckey opens at Turner Contemporary

Mazzoleni and Kukje Gallery present 'The Paradox of Proximity: Agostino Bonalumi and Lee Seung Jio'

Noonans hold three coin sales in a week which total hammer price of £515,885

Ten exceptional new pieces by the American designer Chris Schanck now on view at David Gill Gallery

In 'Naive and Sentimental Painting' artist Liu Ye examines art-historical legacy of portraiture

'Blood on Blood', a solo exhibition by Los Angeles-based artist Austyn Weiner, opens today

Sequences Biennial announces full artist list for 11th Edition, 'Can't See'

Review: In 'Bite Me,' taking aim at familiar teenage tropes

Harry Smith was a culture-altering shaman. Can the Whitney contain him?

Alison Jacques opens 'Sheila Hicks: Infinite Potential'

TOP FIVE BENEFITS OF ENROLLING IN AN ONLINE MBA PROGRAM

Exploring the Enchanting World of Anime: A Gateway to Anime-Zutto

Flyfish Review - A Platform that makes it Easy to send and Receive Payments

Recognizing Employee Burnout Before it's too late




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful