TORONTO.- One of the world’s most esteemed ceramic artists, Dame Magdalene Odundo, will make her Canadian debut this fall at the Gardiner Museum in Toronto. Magdalene Odundo: A Dialogue with Objects opened October 19, 2023. It is the largest ever North American exhibition of Odundo’s work. Since the early 1980s, the British-Kenyan artist has pursued a singular vision centered on the refined, magisterial ceramic vessel. Made entirely by hand and finished to a smooth, lustrous sheen, these works are uniquely her own while synthesizing traditions of ceramics and other media from multiple global cultures.

Odundo’s sensuous vessels, with their vibrant orange and velvety black surfaces, reference the human body; their rounded bellies and elongated necks evoking a sense of energy and movement. The artist works on a single vessel for months, slowly and rhythmically, pouring years of experimentation and technical mastery into each piece. Odundo’s work can be found in the world’s preeminent collections, including The Metropolitan Museum of Art, The Brooklyn Museum, National Museum of African Art, The British Museum, The Victoria & Albert Museum, and the Gardiner Museum.

“I always hoped I would be invited to have an exhibition in Canada, and to have it at the Gardiner Museum is very special for me, especially as one of my favourite pieces to come out of my studio is in their collection,” said Odundo.

The carbonized terracotta vessel, which will be featured in the exhibition, was made by Odundo in 2003 and is the only work by the artist in a public collection in Canada.

Magdalene Odundo: A Dialogue with Objects comes almost four years after the biggest ever display of the artist’s work, Magdalene Odundo: The Journey of Things, opened at The Hepworth Wakefield in the UK. Like the acclaimed British presentation, the exhibition at the Gardiner Museum will feature Odundo’s work with contextual objects from art and archaeology, giving insight into her global influences.

As a student in England, Odundo began visiting British museums where she first encountered such works. While amassed as an assertion of colonial power and authority, Odundo engaged these collections as an artist, woman, and potter from the global south, finding connections between them and the world she experienced growing up in Kenya.

THE EXHIBITION

More than 20 works spanning Odundo’s career, including new pieces directly from her studio, will be displayed alongside objects selected by the artist from the Gardiner Museum’s permanent collection, as well as objects on loan from major Toronto museums and private collections.

The objects span geographies, time periods, and media, bringing Odundo’s work into conversation with objects as diverse as an ancient Cycladic marble figurine, a Ndebele apron from South Africa, and a painting by the late Trinidadian-Canadian artist Denyse Thomasos.

Magdalene Odundo: A Dialogue with Objects is co-curated by Magdalene Odundo and Dr. Sequoia Miller, Chief Curator & Deputy Director at the Gardiner Museum, and is organized by the Gardiner Museum.

“The exhibition foregrounds Magdalene Odundo's masterful, reverent vessels while cultivating conversations around the role of museums, cultural hierarchy, colonialism, and the potential for generative cultural exchange,” said Dr. Miller.

Magdalene Odundo: A Dialogue with Objects is accompanied by a fully-illustrated catalogue featuring essays by Dr. Sequoia Miller, Chief Curator and Deputy Director at the Gardiner Museum, Dr. Elizabeth Harney, Dr. Nehal El Hadi, and Dr. Barbara Thompson, with foreword by Sue Jefferies, former Curator of Modern & Contemporary Ceramics at the Gardiner Museum.

This exhibition has been financially assisted by the Ontario Cultural Attractions Fund of the Government of Ontario through the Ministry of Tourism, Culture and Sport, administered by the Ontario Cultural Attractions Fund Corporation.

THE ARTIST

Born in 1950, Magdalene Odundo received her initial training as a graphic artist in her native Kenya. In 1971, she moved to the United Kingdom and enrolled in the foundation course at the Cambridge School of Art. In 1976, Odundo graduated in Ceramics, Photography and Printmaking from the University for the Creative Arts, Farnham, UK. She completed her Post Graduate studies at the Royal College of Art in 1982. In 2019, Odundo was appointed Chancellor of the University for Creative Arts (UCA) and was made a Dame in the Queen’s New Year Honours list 2020.

Odundo's work is in the collections of many museums internationally including The British Museum, London; The Ashmolean Museum, Oxford; The Victoria and Albert Museum, London; The Fitzwilliam Museum, Cambridge; The Metropolitan Museum of Art, New York; The Brooklyn Museum, New York; National Museum of African Art, Smithsonian Institution, Washington D.C.; Los Angeles County Museum of Art, Los Angeles; Gardiner Museum, Toronto; Stedelijk Museum Voor Hedendaagst Kunst, Hertogenbosh, Netherlands; Frankfurt Museum for Applied Arts, Frankfurt; and Die Neue Sammlung The Design Museum, Munich.

Gardiner Museum
Magdalene Odundo: A Dialogue with Objects
October 19th, 2023 - April 21, 2024