ATHENS, GA.- “Kei Ito: Staring at the Face of the Sun” began on January 27th, and will continue through to July 14 at the Georgia Museum of Art at the University of Georgia. How do you make a photograph without a camera? Believe it or not, cameraless photography is older than photography with a camera. Artist Kei Ito uses cameraless photography to create what he calls “irradiated histories,” or works of art that address nuclear disaster and the possibilities of healing and reconciliation. His work will be on view in “Kei Ito: Staring at the Face of the Sun,” a new exhibition at the Georgia Museum of Art at the University of Georgia January 27 to July 14, 2024.

Organized by Jeffrey Richmond-Moll, now the George Putnam Curator of American Art, Peabody Essex Museum, and previously the Georgia Museum of Art’s curator of American art, the exhibition shows Ito’s different approaches to communicating the trauma of the nuclear age.

For example, “Sungazing Scroll” is a 118-foot-long photogram for which Ito exposed segments of photographic paper to sunlight 108 times, with each exposure lasting the length of a single breath. The number 108 holds profound cultural meaning in Japanese Buddhism. To mark the Japanese New Year, bells toll 108 times, symbolizing the cleansing of inner turmoil and the purifying of the human soul. The idea of sunlight as a terrifying force comes from Ito’s grandfather’s experience as a survivor of the atomic bomb the United States detonated over the Japanese city of Hiroshima. Ito’s grandfather said that the light from the explosion was as though hundreds of suns were lighting up the sky. The work also makes the viewer think about how nuclear radiation and breath are similarly invisible but powerful.

Ito sees the global nuclear era as having produced shared trauma worldwide, not just in those who experienced the bombing of Hiroshima. His work “Eye Who Witnessed,” on view in the exhibition,” consists of 108 photograms that show close-up views of eyes. Half of the eyes belong to Japanese nuclear survivors, and half belong to American downwinders, the forgotten casualties of nuclear testing. Some of the earliest victims of U.S. nuclear weapons were the Americans who performed government tests or who lived downwind of those test sites. Placing them side by side, Ito focuses on their shared experience of suffering and resilience.

Richmond-Moll said “Kei Ito’s photographs encourage viewers to recognize their own place within our collective nuclear legacy. In a world facing continued threats of nuclear violence, his works are a spark and a balm: they engage with intergenerational trauma through a technically innovative visual language, yet also offer an emotionally stirring commentary on the possibilities for reconciliation.”

Ito’s photography encourages visitors to recognize their own place within our collective nuclear legacy. His cameraless techniques make visible the invisible forces of radiation, memory and mortality.

Funding for “Kei Ito: Staring at the Face of the Sun” is made possible by the Henri and Tomoye Takahashi Charitable Foundation, with additional support from the Friends of the Georgia Museum of Art and Sara and John Shlesinger.

Georgia Museum of Art
Kei Ito: Staring at the Face of the Sun
Saturday, Jan 27, 2024 — Sunday, Jul 14, 2024