'Titanic' door prop that saved Rose (sorry, Jack) sells for $718,750

The First Art Newspaper on the Net    Established in 1996 Saturday, April 27, 2024


'Titanic' door prop that saved Rose (sorry, Jack) sells for $718,750
An undated photo provided by Heritage Auctions shows a wood panel that resembles a famous piece of debris salvaged from the Titanic in 1912, sold at auction for $718,750 and part of a trove of memorabilia from Planet Hollywood. The prop “bears a striking resemblance,” Heritage Auctions said, to a panel from the Titanic housed at the Maritime Museum of the Atlantic in Halifax, Nova Scotia. (Heritage Auctions via The New York Times)

by Remy Tumin



NEW YORK, NY.- At the end of the movie “Titanic,” Rose floats atop an ornately decorated piece of a door frame as her beloved Jack clings to its edge, holding her hand. A rescue boat finally arrives, but in time only for Rose, who promises to “never let go” of Jack as she frees herself from his icy grip and he slips below the surface of the Atlantic.

In reality, the ocean was a tank that held 17 million gallons of water. And the door frame? Balsa wood.

The wood panel sold at auction for $718,750 on Saturday, part of a trove of memorabilia from Planet Hollywood. About 1,600 items, including the whip from “Indiana Jones and the Temple of Doom,” a bowling ball from “Kingpin” and the ax from “The Shining,” brought in $15.7 million, according to Heritage Auctions, the auction house that handled the sales.

Heritage Auctions said in a statement that the event “shattered expectations” and set a record for the company’s auctions of movie props and costumes, drawing more than 5,500 bidders from around the world.

The live auction was held at Heritage’s headquarters in Dallas, with several auctioneers rotating over the course of five days. The auction was also streamed on Heritage’s website.

The “hero floating wood panel,” as the auction house described the “Titanic” prop, was designed to mimic the most famous complete piece of debris salvaged from the 1912 shipwreck. According to Heritage, it includes ornate floral accents and scrolling curves prevalent in rococo motifs that align with the reign of King Louis XV of France. The prop “bears a striking resemblance,” the auction house said, to a panel housed at the Maritime Museum of the Atlantic in Halifax, Nova Scotia, which the movie’s director, James Cameron, visited while doing research for the film.

The prop itself has been the subject of fan debate: Could the panel really keep both Jack (Leonardo DiCaprio) and Rose (Kate Winslet) afloat?

The prop measures approximately 8 feet long and nearly 3 1/2 feet wide, and is reinforced with hardwood.

“Big item, the biggest scene really, the climatic scene if you will,” the auctioneer said as he opened the bidding at $90,000. “This is the goodbye.”

In just over five minutes, the price soared with a winning in-person bid of $575,000. With a fee to the auction house known as a bidder’s premium, the final price was $718,750. The winning bidder, who attended the auction in person, wishes to remain anonymous, a Heritage spokesperson said. The prop had been in storage for the better part of two decades and before that had been displayed at a Planet Hollywood in Orlando, Florida.

The prop was one of several “Titanic” items on the auction block; others included the ship’s helm and costumes worn by DiCaprio and Winslet. All but a few sold, and some are still available, including high school yearbooks featuring Steven Seagal, Sharon Stone and Michelle Pfeiffer; and a red thong from “The Full Monty.”

In February, Robert Earl, the chair and co-founder of Planet Hollywood, said in a statement that the sale was “an extremely exciting, pivotal moment” for the resort and casino group. The items were a selection of memorabilia from the Planet Hollywood vaults, he said.

When the first Planet Hollywood opened in New York City in 1991, it was a star-studded affair, with appearances from Bruce Willis, Arnold Schwarzenegger and Sylvester Stallone, who were among the restaurant’s financial backers. Planet Hollywood would go on to open more than 100 locations around the world. But the luster quickly faded, and the company filed for bankruptcy twice after opening a marquee location in Las Vegas in 1998. Earl lost $1 billion along the way.

Earl and Planet Hollywood did not respond to a request for comment.

In an interview with Heritage Auctions before the event, Earl said that Planet Hollywood was meant to be “an extension of the red carpet experience to you where you were.”

“Unless you were in LA or possibly New York, you never touched anything except seeing your idols on screen,” he said. “You didn’t have any involvement in any extensions of the movie or their lives, and we afforded that.”

This article originally appeared in The New York Times.










Today's News

March 28, 2024

'Titanic' door prop that saved Rose (sorry, Jack) sells for $718,750

Vitra Design Museum opens 'Transform! Designing the Future of Energy'

Kunstmuseum Bern bequeathed five major paintings by Eberhard W. Kornfeld

Richard Serra, who recast sculpture on a massive scale, dies at 85

Museums and galleries across the UK to share world-leading collections with local communities

Group exhibition explores the concerns associated with the use of paper as a material

Intesa Sanpaolo opens Cristina Mittermaier's first retrospective in Europe

Filmmaker draws censors' wrath: 'A Price I Have to Accept'

Inside the Garrick, the elite men-only London club rocked by criticism

Is humanity out of fashion?

First solo UK exhibition of Italian designer Enzo Mari opens at the Design Museum

Seance? Celebration? A risqué tribute to Sinead O'Connor arrives.

Thaddaeus Ropac now represents Hans Josephsohn Estate

A director brings TikTok's chaotic vibe to the big screen

Aurora tourism in Iceland: You can seek, but you may not find

Lawrie Shabibi now representing Mandy El-Sayegh

"Pino Pascali" opens exhibition at Fondazione Prada

Marjorie Perloff, leading scholar of avant-garde poetry, dies at 92

Governors Island taps new head curator

IGinstant Review: Best Place for Buying Instagram Followers & Likes

Traditional Multiple Face Swap and AI Multiple Face Swap

How to Make Money as a Cam Model: A Comprehensive Guide

The Glass Splashback: Your Kitchen's New Showstopper

The Hottest Trends in Custom Mouse Pads

Atlas Pro ONTV's Expanding International Expansion And Appeal




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful