'Lempicka' to end Broadway run a month after opening
The First Art Newspaper on the Net    Established in 1996 Saturday, November 16, 2024


'Lempicka' to end Broadway run a month after opening
Amber Iman, standing left, as Rafaela and Eden Espinosa as Tamara de Lempicka in the musical “Lempicka” at the Longacre Theater in New York, on March 18, 2024. “Lempicka,” a new musical about an artistically and sexually adventurous painter, announced on Thursday, May 2, 2024, that it would close on May 19, just a month after opening. (Sara Krulwich/The New York Times)

by Michael Paulson



NEW YORK, NY.- “Lempicka,” a new musical about an artistically and sexually adventurous painter, announced Thursday evening that it would close May 19, just a month after opening.

This is the first show to fall after this year’s Tony nominations were announced Tuesday. “Lempicka” scored three nods — for actresses Eden Espinosa and Amber Iman, as well as for scenic design — but was shut out of the best musical category. It really needed a boost, because its grosses have been anemic — last week it grossed $288,102, which is unsustainably low for a Broadway musical.

The musical, which has been in development for years, had productions at the Williamstown Theater Festival and the La Jolla Playhouse in San Diego before arriving on Broadway during a crush of openings this spring; it began previews March 19 and opened April 14.

The show, which explores the life of 20th-century painter Tamara de Lempicka, was written by Carson Kreitzer and Matt Gould and directed by Rachel Chavkin. Reviews were mixed to negative.

The show, produced by Seaview and Jenny Niederhoffer, was capitalized for up to $19.5 million, according to a filing with the Securities and Exchange Commission. That money will be lost. In a statement, the producers said, “We are so proud of our production and the family of artists and artisans who’ve shaped it. Few knew better than Tamara de Lempicka that art isn’t easy but always worth the effort.”

Broadway is packed with shows right now — there are 35 running, 12 of which opened in the nine days before the April 25 deadline to qualify for the Tony Awards. They are facing significant challenges, because production costs have risen and attendance has fallen since the pandemic. Many industry leaders believe that most of the new musicals will not succeed financially.

This article originally appeared in The New York Times.










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