Bernard Hill, actor in 'Titanic' and 'Lord of the Rings,' dies at 79

The First Art Newspaper on the Net    Established in 1996 Monday, May 20, 2024


Bernard Hill, actor in 'Titanic' and 'Lord of the Rings,' dies at 79
With a stout frame, bushy whiskers and a weathered visage, he embodied men of authority facing down danger with weary stoicism.

by Alex Traub



NEW YORK, NY.- Bernard Hill, a British actor who incarnated a humble style of masculine leadership in three hugely successful Hollywood movies, “Titanic” and two films in the “Lord of the Rings” franchise, died Sunday. He was 79.

His death was announced in a family statement sent by a representative of Lou Coulson Associates, a British talent agency. It did not say where he died or provide a cause.

Hill drew praise from critics for his work in serious TV dramas, small-budget films and theater. But he was best known for playing the ship’s captain in “Titanic” (1997) and the ruler of a horsemen’s kingdom in the second and third installments of the “Lord of the Rings” trilogy, “The Two Towers” (2002) and “The Return of the King” (2003).

By appearing in “Titanic” and “The Return of the King,” Hill became the first actor to star in more than one film to gross over $1 billion and the only actor to appear in two of the three films to win a record 11 Oscars (the third is “Ben-Hur”), The Manchester Evening News reported in 2022.

In each film, his stout frame, bushy whiskers and weathered visage helped him embody men of authority who faced danger with reluctance, then acceptance and, finally, self-sacrificial stoicism.

In “Titanic,” he was Capt. Edward J. Smith. Early in the movie, he grasps the ship’s railing, looks out to sea and instructs one of his crew to increase the ship’s speed: “Let’s stretch her legs,” he declares. The movie ultimately suggests that the undue speed of the ship is a factor in its fatal collision with an iceberg.

After hearing the bad news, Hill walks in a daze on the ship’s deck, eyes lost in the middle distance, the official regalia of his captain’s outfit rendered absurd. He walks alone to the helm and stands there erect as water bursts through the windows, ensuring that he will go down with his ship.

He had a more prominent role in “The Lord of the Rings,” as Théoden, the king of Rohan. Initially prematurely aged and enfeebled because of the conniving evil wizard Saruman, he is restored to vitality by the good wizard Gandalf.

He gradually awakens to the need to fight Saruman, declaiming phrases of weary resolution like “Let them come” and “So it begins.” He leads the Rohirrim, his army’s horsemen, in a climactic victorious battle in “The Two Towers,” but dies leading a charge under similar circumstances in “The Return of the King.”

His prominence in those movies, however, did not capture the breadth of his career. Speaking to The Oxford Student, a university newspaper, Hill said the role that changed his life was one that few Americans had heard of: Yosser Hughes, a jobless Liverpool resident with a penchant for head-butting, on British TV in the early 1980s.

Bernard Hill was born on Dec. 17, 1944, in Blackley, a small town outside Manchester, England. His father was a miner, and his mother worked in kitchens.

As a teenager, Bernard worked in construction and did not know any actors, but he wound up quitting his job and going to drama school at Manchester Polytechnic (now known as Manchester Metropolitan University). He graduated in 1970.

He first played Yosser Hughes in “The Black Stuff” (1980), a TV movie written by Alan Bleasdale, who wrote Hill’s part. Hill asked the writer what the character was like. “Well, it’s a guy that goes and smashes meat potato pies on his head and head-butts lampposts!” Bleasdale replied, Hill recalled in a 2002 BBC interview.

The character, which Hill reprised in a 1982 miniseries, “Boys From the Blackstuff,” caught fire with the British public for his comic pathos in trying to support his three children alone and without work. He was particularly identified with a catchphrase that came to symbolize anger at the austerity policies of Margaret Thatcher, uttered in Liverpudlian vernacular: “Gizza job. Go on, gizza job. I can do that.”

When Hill’s work as Yosser Hughes appeared on American television in 1987, a New York Times TV critic, John J. O’Connor, praised his performance as “a powerful tour de force, his eyes constantly conveying Yosser’s bottomless despair and unending panic.” Around the same time, the Times also praised Hill for playing a bouncer at a seedy nightclub “with splendid blankness” in “No Surrender,” a 1986 movie whose screenplay was also written by Bleasdale.

His survivors include a fiancee, Alison, and a son, Gabriel.

When the BBC asked this miner’s son about the “glamour” of the “Lord of the Rings” premieres, he demurred.

“Well, it’s like running a marathon in a fur coat,” Hill said. “It’s hard work, but it looks glamorous from the outside.”

This article originally appeared in The New York Times.










Today's News

May 10, 2024

Between the poles of family and industry: LaToya Ruby Frazier is paying it forward

Shelley Duvall vanished from Hollywood. She's been here the whole time.

A vintage publication saved from The Great Fire

Ruiz Healy Art in New York exhibits 'Contemporary Bodegones'

Barbara Stauffacher Solomon, pioneer of supergraphics, dies at 95

ANALOGr announces an auction of rare items from the life and career of The Grateful Dead

The Laing opens 'National Treasures: Turner in Newcastle. Art, Industry & Nostalgia'

Smithsonian launches online lesson that investigates long-omitted information on California's Gold Rush

Lehmann Maupin welcomes Oren Pinhassi to the gallery

A piano from the Titanic's sister ship awaits its next audience

Gallery FUMI opens an exhibition featuring Casey McCafferty's carved wooden works

A serene oasis for making music

The Wadsworth acquires rare work by master Renaissance sculptor, Giambologna

Bernard Hill, actor in 'Titanic' and 'Lord of the Rings,' dies at 79

Contemporary Chinese ink art makes striking debut at Olympia

Trent Riley named Oklahoma Contemporary Arts Center's executive director

New Orleans Museum of Art dedicates Japanese Art Galleries in honor of Kurt A. Gitter, MD and Alice Yelen Gitter

The romance novelist, his muse and a 'healing' plot twist

Steve Albini, studio master of '90s rock and beyond, dies at 61

A star is born. She looks a bit like Amy Winehouse.

'Time of the Heathen': Postwar life and death, an American tale

What happens when a happening place becomes too hot

For her Broadway debut, she sings Alicia Keys's story

Apple's new iPad ad leaves its creative audience feeling... flat

Exploring the Tranquil Haven of Chuan Park: A Hidden Gem

Unveiling Cool Art Prints: Exploring the Aesthetic Appeal of Pacific Prints

Keep and Treasure Your Customized Keychains

When Do You Know It's Time To Go For Q-Switch For Hyperpigmentation?

Are You an Artist Looking to Shine? How to Boost Your Visibility in Today's Market

How Digital Tools Are Revolutionizing Classrooms

Pixels in Peril: 5 Art Data Disasters and How to Prevent Them




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful