Original artworks by Carl Barks, Robert Crumb and Edith Head lead Heritage's Hollywood and Entertainment Auction
The First Art Newspaper on the Net    Established in 1996 Saturday, November 2, 2024


Original artworks by Carl Barks, Robert Crumb and Edith Head lead Heritage's Hollywood and Entertainment Auction
Carl Barks Rich Finds At Inventory Time CB Oil #141 Painting Original Art (1994).



DALLAS, TX.- The magic of great entertainment partly comes down to its ability to cast a spell, to pull you into its unique universe and let you leave your own world behind. Whether your poison is movies, books, comics, television or theater, you trust your favorite storytellers to deliver the goods fully realized, with no sign of behind-the-scenes inception.

The catch: The stories that cast such powerful spells end up with fans — and collectors — who want to dig deeper and see how that omelette came together; they seek the backstory, the building blocks, the ingredients that led to such greatness. We collect scripts, animation cels, first drafts, props, storyboards, original promotional art — anything that gets us closer to the stories and characters we adore. On July 25-26, included in its comprehensive Hollywood/Entertainment Signature® Auction, Heritage will offer original artworks by foundation builders whose projects range from David Lynch’s Duneto Key Largo; from such indelible characters as Donald Duck and Wonder Woman to James Bond and King Kong. Artists Carl Barks, Robert Crumb and Edith Head are just some of the masters whose works lead the auction. Before comic-artist fandom became a thing, one of the comic world’s most renowned creators, while still anonymous, was dubbed the “Good Duck Artist.” Carl Barks, the man behind the comic charm and artistic genius of Disney’s Donald Duck and the creator of Scrooge McDuck, has since been hailed by colleagues as “the most popular and widely read artist-writer in the world” and "the Hans Christian Andersen of comic books” — but his loyal collector base still affectionately refers to the late animation and comics pioneer as “the Duck Man.”

Barks’ original oil paintings of Scrooge and his grand-nephews Huey, Dewey and Louie– especially those that depict the wealthy duck surrounded by his money (dubbed “Money Bin” paintings) — command high prices, but the few that were turned into limited edition prints by Walt Disney Studios are the most sought-after, and Heritage has a doozy: Barks’ Rich Finds At Inventory Time, which he painted in 1994, made for a spectacular Disney print edition and is infused with Barks’ incredible paint handling and compositional brilliance. Scrooge rides a goldmine cart into a chamber stacked with his riches as his wide-eyed grand-nephews and famous nephew Donald look on, and the entrance to the mine behind him reads “MINE ALL MINE!” The colors are saturated, the details are dazzling, and the painting is twice the size of his usual original paintings. The painting was commissioned by Barks’ longtime admirer, the comics impresario Steve Geppi. From the auction house that is the authority in all things Disney, this is by far the largest and most impressive masterpiece by the great "Duck Artist" that Heritage has ever encountered.

Decades after her Hollywood reign, Edith Head remains the most lauded costume designer in history, with eight Academy Awards (still the most Oscars won by any woman in cinema) — a testament to her 50-plus years designing the most memorable costumes for the most celebrated movies ever to hit the silver screen. Seeing Audrey Hepburn, Grace Kelly or Elizabeth Taylor glide across a set in a Head ensemble, we understand the timeless impact of the designer’s work. A great deal of the power of Head’s designs is grounded in her profound understanding of how the clothes propel a story forward — how they move with the actor not only through motion, but through character development. Through Head’s designs, a commoner becomes a princess, a villain finds redemption, a love story blooms.

She sketched her designs herself, and these working drawings tell the story of her process. In them you can see her hand in shaping a movie’s essence and aesthetic, from the regal ballgown worn by Audrey Hepburn in Roman Holiday to Elizabeth Taylor’s all-black stunner in A Place in the Sun to Grace Kelly’s ethereal pink ensemble in To Catch a Thief. More than 30 of Head’s original drawings for these Hollywood classics and others share the spotlight in this event. Drawn in gouache and ink on paper, the sketches represent the apex of Head’s creative power and include the most recognizable of her creations, many of which have shaped our vision of Hollywood glamor.

On the topic of classic Hollywood at its finest: Key Largo, Dark Passage, Dead Reckoning– Humphrey Bogart ruled the big screen in the 1940s, but his star turns were introduced to the world via each movie’s brilliant promotional material, and go-to artist-illustrator Luigi Martinati was the man to capture the tough-but-tender spirit of Bogart in his original artworks that became the posters for these films’ Italian campaigns, which could take place several years after WWII and their initial stateside releases. Martinati’s fluid yet detailed renderings of Bogie and his co-stars (including Lauren Bacall) take on each movie’s emotional and aesthetic resonance, and Heritage presents five of Martinati’s large-format vintage original illustrations of Bogart’s most celebrated films, including the aforementioned classics, as well as Martinati’s originals for You Can’t Get Away With Murder and the James Cagney-starring Angels With Dirty Faces. Executed in graphite, ink, watercolor and gouache on illustration paper and wrapped to artist's board, some are detailed with the artist's notes on verso concerning compositional tweaks and printing details.

Leave it genius comic artist and American grouch Robert Crumb to skewer the preciousness of the Academy Awards: In 1991 the irascible comics visionary was asked by Premiere Magazine to attend the Oscars and report back on his glamorous night out: He in turn gave the world a hilarious, honest and touching four-page comic strip detailing his anti-social foray into the very heart of Tinsel Town. In unmistakable Crumb style, he logs for us the depths of his alienation from the celebrity machine as he stands on the sideline or sits alone among the stars and wonders to himself about the very character of Hollywood’s most gorgeous and powerful. He renders himself, as usual, as a skinny, wretched fish out of water as he muses: “The men all stuck their chests out ... many of them had very hard faces ... they look like killers... like — GANGSTERS!! (I dunno maybe they were just character actors),” and when faced with his red-carpet frog march: “I felt ill at ease in the extreme and embarrassed for all of humanity.” In Crumb’s book, only fellow traveler and lone wolf Spike Lee gets a pass. Crumb’s entire original comic strip is another charming work in the event.

“Heritage continues to shape collectors’ discerning and evolving relationship with Hollywood entertainment and beyond,” says Joe Maddalena, Heritage’s Executive Vice President. “This auction is rich with indelible imagery and artistry, and these are some of the works by the brilliant artists who conceptualized some of our most beloved characters, narratives and modern mythologies.”










Today's News

July 15, 2024

Blackwell announces July 27 auction of two signed, exhibited artworks by Jean-Michel Basquiat

On August 10, 'Bohemian Club Books & Ephemera' go up for bid at Turner Auctions + Appraisals

Ugo Rondinone returns to his home country to present an extensive retrospective exhibition

The Chrysler Building, the jewel of the Manhattan skyline, loses its luster

Anselm Kiefer's 'Mein Rhein' to open at Thaddaeus Ropac Salzburg Villa Kast

David Hockney to Cornelia Parker: A rare opportunity to see recent acquisitions of prints and drawings

Thomas Hoepker, who captured an indelible 9/11 image, dies at 88

Judy Belushi Pisano, who defended her husband's legacy, dies at 73

LUMA Arles presents 'Lee Friedlander Framed by Joel Coen'

Group exhibition curated by artist Rashid Johnson on view at David Kordansky Gallery

Selma Selman wins 12th edition of ABN AMRO Art Award

Original artworks by Carl Barks, Robert Crumb and Edith Head lead Heritage's Hollywood and Entertainment Auction

Fortes D'Aloia & Gabriel collaborates with Nara Roesler hosting a group show in Portugal

This documentary about Brian Eno is never the same twice

Centraal Museum presents Rory Pilgrim in Landhuis Oud Amelisweerd

Cowboy hats and Koi fish photos? There's a reason.

'Sing Sing' review: Divine interventions

Release of Kevin Costner's next 'Horizon' film is canceled

'A Midsummer Night's Dream' review: Sprinkling magic under a night sky

The Lowe Art Museum explores the evolving dialogue of gender, sport, and the body in contemporary art

Shannen Doherty, 'Beverly Hills, 90210' star, dies at 53

In memoriam: Rob Schröder (1950-2024)

Walker Art Center to open most in-depth museum exhibition of artist Walter Price

Get Caller ID Reputation Protection for your business with Call Confident

The Benefits of Facials: A Comprehensive Guide

Why I Swear by Facials: The Ultimate Skincare Secret

Custom Temporary Tattoo Stickers: Stylish and Temporary Ink for Any Event

Lives and Styles of Peter Doig and Jean-Michel Basquiat

Hyereem Son: The Maestro Behind Music That Moves Audiences




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful