Art Institute of Chicago announces 'Paula Modersohn-Becker: I Am Me'
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Art Institute of Chicago announces 'Paula Modersohn-Becker: I Am Me'
Paula Modersohn-Becker. Self-Portrait with Two Flowers in Her Raised Left Hand, 1907. Jointly owned by The Museum of Modern Art, New York, Gift of Debra and Leon Black, and Neue Galerie New York, Gift of Jo Carole and Ronald S. Lauder.



CHICAGO, IL.- The Art Institute of Chicago announced Paula Modersohn-Becker: I Am Me, on view from October 12, 2024 through January 12, 2025. This exhibition marks Modersohn-Becker’s first museum retrospective in the United States. Showing the full range of her achievement over her career, the exhibition includes more than 50 paintings, 15 large-scale drawings, and five etchings.

Paula Modersohn-Becker charted her own path in turn-of-the-century Germany. Her frank portrayals of the bodily experiences of motherhood, pregnancy, youth, and old age introduced a bold perspective not often seen in early 20th-century art. The introspective Modersohn-Becker painted herself many times, including in the first nude self-portraits known to have been made by a woman.

“This exhibition is much anticipated and long overdue. It will allow visitors to see first-hand Modersohn-Becker’s forceful works of art, ones that have solidified her posthumous place as a feminist icon,” said Jay A. Clarke, Rothman Family Curator, Prints and Drawings. “The timeless images she created of young women in forest settings envisioned a deep affinity between the landscape and its occupants, viewing their identities as intimately intertwined. Her portraits, self-portraits, and figure paintings captured the inner essence of her subjects and depicted the female body frankly and knowingly.”

Modersohn-Becker’s innovative style, which emphasized expression over representation, placed her at the forefront of experimental art in Europe as she approached subjects such as figure drawing, landscape, still-life, and portraiture.

Together her works, and the exhibition’s title, which comes from one of Modersohn-Becker’s letters, show an artist deeply invested in both artistic and personal expression and self-determination.

Paula Modersohn-Becker: I Am Me is curated by the Art Institute of Chicago’s Jay A. Clarke, Rothman Family Curator, Prints and Drawings, and Jill Lloyd, independent scholar, Neue Galerie New York.










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