Gagosian exhibits works by Jeff Wall in New York
The First Art Newspaper on the Net    Established in 1996 Thursday, November 21, 2024


Gagosian exhibits works by Jeff Wall in New York
Jeff Wall, In the Legion, 2022. Inkjet print, 63 3/4 x 80 inches (162 x 203 cm) Edition of 3 + 1 AP © Jeff Wall. Courtesy Gagosian.



NEW YORK, NY.- Gagosian is presenting an exhibition of works by Jeff Wall at the 541 West 24th Street gallery in New York. Included are five new pictures and several not previously seen in the United States.

Wall connects photography with elements of painting, cinema, and literature in pictures that range from classic reportage to elaborate constructions. Some images emphasize what the artist calls “blatant artifice,” while others are made simply, spontaneously, and directly. Wall favors no particular approach and has explored the breadth and complexity of photography for several decades.

A number of works in the exhibition are what Wall calls “near documentary” images, which may resemble snapshots but are made in collaboration with people who appear in them. This group includes two full-length portraits, Young man wet with rain (2011) and Portrait in Noto, which was photographed in 2007 during a visit to Sicily, but printed only this year. Fallen rider, made in summer 2022, derives from an event witnessed by a friend thirty years ago; Wall recovered the memory of this account and reconstructed it near the place where it apparently occurred.

Also on view are Echo Park (2023), an image made in Los Angeles, and three early landscapes, Steves Farm, Steveston; The Bridge; and The Jewish Cemetery (all 1980), which have not previously been shown together in the United States. Each of the earlier works depicts an area of urban or suburban settlement in the artist’s Vancouver birthplace. Steves Farm is Wall’s first documentary photograph, while Echo Park is his largest cityscape to date.

Two other new pictures move into realms of the imaginary. Maquette for a monument / to the contemplation / of the possibility of mending / a hole in a sock (2023) shows a woman holding a needle and the titular garment while seated in what appears to be a bookstore. The scene’s dreamlike quality positions it as an allegory for the impulse to repair and restore—or not. Informant: An occurrence not described in chapter 6, part 3 of Últimas tardes con Teresa by Juan Marsé (2023) was commissioned by the city of Barcelona for the project Unknown City Beneath the Mist. New images from Barcelona’s Peripheries at the Museu d’Art Contemporani de Barcelona, Spain (2024–25). The work was inspired by Marsé’s 1966 novel, whose title translates to Last Afternoons with Teresa, which is set in mid-century Barcelona as observed in part from the city’s geographical and societal hinterlands. It represents one of a small number of pictures in Wall’s oeuvre that are based on literary sources, embodying a researched approach to an imagined scene and reviving the socially critical stance of his earliest projects. A second image, inset into the larger one, shows that the young woman depicted in the photograph is on the phone with a police officer.

Another work occupies a zone somewhere between the documentary and the imaginary. In the Legion (2022) shows the busy interior of an aging tavern and the interactions of its patrons, including a man captured amid what looks to be an impromptu backflip. Like Fallen rider, this may be a reconstruction of an event witnessed by the artist, or may derive from another source, or from some fusion of the two approaches, since Wall has always claimed complete freedom in the conceiving and making of his photographs.

Jeff Wall was born in Vancouver, Canada. He lives and works there and in Los Angeles. Collections include the Museum of Modern Art, New York; Metropolitan Museum of Art, New York; The Broad, Los Angeles; San Francisco Museum of Modern Art; Vancouver Art Gallery, Canada; and Museum für Moderne Kunst, Frankfurt am Main, Germany. Exhibitions include Photographs 1978–2004, Schaulager, Basel (2005, traveled to Tate Modern, London, 2005–06); Museum of Modern Art, New York (2007, traveled to Art Institute of Chicago, 2007; and San Francisco Museum of Modern Art, 2007–08); Photographs, Art Gallery of Western Australia, Perth (2012, traveled to National Gallery of Victoria, Melbourne, Australia; and Museum of Contemporary Art Australia, Sydney, through 2013); Tableaux, Pictures, Photographs 1996–2013, Stedelijk Museum, Amsterdam (2014, traveled to Kunsthaus Bregenz, Austria, 2014; and Louisiana Museum of Modern Art, Humlebaek, Denmark, 2015); and Fondation Beyeler, Riehen/Basel (2024).

A catalogue for the recent exhibition at Fondation Beyeler, published by the museum and Hatje Cantz, features texts by Martin Schwander and Ralph Ubl alongside the artist’s own commentary.

Wall has curated a selection of films as part of an ongoing series copresented by Gagosian and Metrograph. Jeff Wall Selects begins on November 8 and includes screenings of The White Ribbon (2009, dir. Michael Haneke); Stranger by the Lake (2013, dir. Alain Guiraudie); and Fat City (1972, dir. John Huston). Wall will introduce Fat City at Metrograph on November 9.










Today's News

November 9, 2024

Exhibition spotlights the transformative possibilities of color, form, and motion

Abstract artist exhibits paintings in Tubac, AZ art gallery

Almine Rech New York opens Javier Calleja's fourth solo exhibition with the gallery

Berlinische Galerie opens an exhibition of photographs by the Dutch artist Rineke Dijkstra

Exhibition features new and recent bronze sculptures by Tom Sachs

Guggenheim unveils new visual identity uniting its global constellation of museums

Kunsthalle Bremen unveils comprehensive Ernst Ludwig Kirchner woodcut exhibition featuring contemporary artists

First exhibition to examine the intertwined histories of American sculpture and race opens in DC

Monumental Yayoi Kusama Dancing Pumpkin sculpture unveiled ahead of exhibition

Staatliche Kunsthalle Baden-Baden opens a group exhibition inspired by Etel Adnan's book 'Sea and Fog'

MoMA will present Christian Marclay's 'The Clock' for the first time in over a decade

Ludwig Museum opens an exhibition of works by Wolfgang Hahn Prize 2024 winner Anna Boghiguian

Sotheby's inaugural auction in Saudi Arabia to take place in Diriyah in February 2025

Exhibition at James Cohan centers upon Bill Viola's large-scale video installation 'The Raft'

Kaveri Raina opens first solo exhibition at Casey Kaplan

Gagosian exhibits works by Jeff Wall in New York

Kunstmuseum Luzern opens an exhibition of works by Maya Dunietz

Rarely-seen Dutch Impressionist works from private collections on view at Ashley Gibson Barnett Museum of Art

Kent State University Museum partners with student organization to advance its mission

Walead Beshty's fifth solo exhibition with Regen Projects opens in Los Angeles

Yixuan (Sonia) Song: Redefining Digital Design as a Form of Modern Art

How the SalvationDATA Tools Work in Video Forensics

IPTV Subscription USA: The Cheapest Price

Benefits of a Good Web Design

Can White Label Software Help Build a Stronger Security Service Offering?

Chrome Hearts: Redefining Modern Luxury Fashion




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful