LONDON, ENGLAND.- Gasworks will present Lapdogs of the Bourgeoisie - Class Hegemony and False Consciousness in Contemporary Art, 10 November, 2006 – 14 January, 2007. Artists include: Annika Eriksson, Chris Evans, Sylvie Fleury, San Keller, Natascha Sadr Haghighian, Hassan Khan, Marion von Oston, Michelle Di Menna, and Erkan Özgen & Sener Özmen.

How exactly, and to what extent does class play a role in the production, direction, criticality and dissemination of contemporary art? Lapdogs of the Bourgeoisie is an ambitious, year-long exhibition and research project led by Gasworks and touring to other institutions internationally in 2007. The project investigates the latent issue of class underlying contemporary art. It is an open question, an invitation to a discussion long overdue, and offers no foregone conclusions other than the relevance of class itself.

Curated by Nav Haq and Tirdad Zolghadr, Lapdogs of the Bourgeoisie will present a series of exhibitions and events, as well as concurrently commissioning research into the subject. The projects will involve a number of newly commissioned works specifically produced for the context of each location.

Lapdogs of the Bourgeoisie aims to investigate the manner in which socioeconomic background still defines one’s career – and to what point this career might reflect or consolidate the very hierarchies in question. Lapdogs of the Bourgeoisie will also ask whether the traditional analytical tools at our disposal are helpful in such an examination of the art world today.

What tendencies and antagonisms would an analysis of the backgrounds, patrons and ideological partialities of those within contemporary art reveal? Would this perhaps tell us why the issue of class has been so easily overlooked in the production and presentation of contemporary art? The participating artists have not necessarily been chosen for a specific engagement with issues of class within their work; rather they have been selected for their particular methodologies, their ability to analyse the politics involved and for having the background knowledge and tact to tread a fine line between provocation and hard-hitting pertinence.