Dia Art Foundation presents its 2025 exhibition schedule
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Dia Art Foundation presents its 2025 exhibition schedule
Tehching Hsieh, One Year Performance 1981–1982 (Outdoor Piece), 1981–82. Performance view, New York, 1981–82. © Tehching Hsieh. Photo: Tehching Hsieh.



NEW YORK, NY.- Today Dia Art Foundation announced the 2025 exhibition schedule across Dia Beacon, Dia Bridgehampton, and Dia Chelsea. The program of single-artist presentations includes Renée Green, Roni Horn, Tehching Hsieh, Hélio Oiticica, Kishio Suga, and Jack Whitten at Dia Beacon, as well as Duane Linklater at Dia Chelsea and Amy Sillman at Dia Bridgehampton.

2025 exhibition schedule at Dia Beacon, Dia Bridgehampton, and Dia Chelsea

Roni Horn
Opening December 6, 2024 and spring 2025, long-term view
Dia Beacon


Roni Horn features works from Dia’s collection that were realized between 1980 and 1990 and highlight the artist’s early experiments with lead, cast iron, and copper. The two-part exhibition begins with Post Work III (1986–87), on view starting December 2024, followed by an expanded presentation spanning multiple galleries in the spring.

Renée Green: The Equator Has Moved
Opening March 7, 2025, long-term view
Dia Beacon


Renée Green: The Equator Has Moved marks the multidisciplinary artist’s first major solo museum presentation in New York. Constellating historical, reconfigured, and newly commissioned work in Dia Beacon’s two expansive central galleries and the perpendicular corridor, this presentation stages the artist’s practice in contact and context with influential figures of Minimal and Conceptual art key to Dia’s history and Green’s formation.

Amy Sillman
June 27, 2025–May 25, 2026
Dia Bridgehampton


Since the 1990s, Amy Sillman has produced a prolific body of paintings, zines, prints, and animations featuring gestures that move seamlessly between figuration and abstraction. At Dia Bridgehampton, Sillman proposes a totalizing, site-responsive commission that questions whether printmaking itself can serve as a model and method for a whole room.

Kishio Suga
Opening July 25, 2025, long-term view
Dia Beacon


Kishio Suga brings together a representative group of the artist’s sculptures dating from the 1960s to the mid-1990s, mostly drawn from Dia’s collection, that probe the slippages between knowing and thinking. In conjunction with the exhibition, the artist’s mystery film Being and Murder (1999) will screen for the first time outside of Japan.

Duane Linklater: 12 + 2
September 12, 2025–January 24, 2026
Dia Chelsea


12 + 2 is an exhibition of new work by Duane Linklater addressing the theme of weathering. The exhibition takes the essential architecture of the teepee—12 poles in a circle plus two off-center—as its unit structure to encompass the galleries of Dia Chelsea in a set of relations. The presentation of sculptures and performances is accompanied by a series of dialogues and a survey of the artist’s moving-image work. 12 + 2 marks Linklater’s first large-scale commission in the United States.

Tehching Hsieh
Opening October 3, 2025, long-term view
Dia Beacon


Tehching Hsieh follows the noteworthy gift of 11 career-defining works to Dia in 2024 and is the first retrospective of the Taiwanese-American performance artist’s career. The exhibition covers 1978 through 1999, a period when Hsieh enacted his five iconic One Year Performances followed by a final 13-year performance. The exhibition is organized around an architectural model that spatially conveys the relative time endured for each performance.

Jack Whitten
October 24, 2025–May 18, 2026
Dia Beacon


Jack Whitten features a group of recently acquired black-and-white works on paper that the artist realized in the 1970s following a shift in his studio methods, with systematic process replacing the gestural abstraction of the previous decade. As the works in this presentation attest, the pulse of experimentation is first felt in Whitten’s oeuvre on paper.

Hélio Oiticica
Opening November 21, 2025, long-term view
Dia Beacon


Hélio Oiticica’s expansive body of work laid the foundations for participatory art, offering radical insights into abstraction through the lens of social, political, and economic conditions in Latin America and beyond. At the center of the exhibition at Dia Beacon, Grande Núcleo (Grand Nucleus) (1960–63) stands out as one of Oiticica’s most engaging environments.










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