PARIS.- A groundbreaking exhibition dedicated to Guillaume Guillon Lethière is currently on display in Paris. Co-organized with the prestigious Clark Art Institute of Williamstown, this first major monograph shines a light on one of the most influential history painters of the late 18th and early 19th centuries, whose remarkable legacy had long been overshadowed.


A groundbreaking publication on the Caribbean-born French Neoclassical painter Guillaume Lethière and his extraordinary, yet largely unexamined career


Born in 1760 in Sainte-Anne, Guadeloupe, Lethière's journey from the Caribbean to the heart of Parisian art circles is nothing short of extraordinary. The son of a mixed-race slave and a white colonial prosecutor, his unique heritage and exceptional talent propelled him to the forefront of the art world during a time of immense political and social upheaval. Despite his prominence, like many of his contemporaries trained under the Ancien Régime and active during the Romantic era, Lethière was largely forgotten by the latter half of the 19th century, deemed a classic out of step with emerging artistic innovations.

This exhibition aims to change that narrative by tracing Lethière's illustrious career amidst the tumultuous backdrop of revolutionary France and the rise of the July Monarchy. Visitors embark on a journey through his life, exploring how he adeptly navigated shifting political landscapes to maintain his status as a sought-after artist. From serving as the director of the French Academy in Rome between 1807 and 1816 to becoming a respected member of the Academy of Fine Arts in 1818 and a professor at the School of Fine Arts in 1819, Lethière's contributions to the art world are both significant and enduring.

A centerpiece of the exhibition is "The Oath of the Ancestors" (1822), housed at the Musée du Panthéon National Haïtien in Port-au-Prince. This masterpiece, signed “g. guillon Le Thiere né à La Guadeloupe,” not only represents Lethière's most personal work but also serves as a poignant link between his own heritage and the broader historical context of his time. As a Haitian national treasure, the painting underscores the complex interplay of race, identity, and history that defined Lethière's life and work.

The exhibition also highlights Lethière's role as an educator. Since opening his first workshop in 1793, he was dedicated to nurturing the talents of his students, including notable female painters like Eugénie Servières and Hortense Haudebourt-Lescot. These protégés, among others, benefited from his mentorship, ensuring his influence extended well beyond his own creations.

Lethière's artistic evolution is another focal point of the exhibit. Initially aligned with neoclassical ideals, his style gradually incorporated pre-romantic elements while remaining steadfast in his focus on mythology, history, and classical literature. This dedication to timeless subjects, even as he experimented with new artistic trends, speaks to his versatility and deep-rooted commitment to his craft. Monumental works such as "Brutus" (1811) and "The Death of Virginie" (1828) exemplify his ability to blend grandeur with emotional depth, securing their place in the Louvre's Denon room and cementing his reputation during his lifetime.

Charles Blanc, in his 1865 History of Painters from All Schools, aptly described Lethière as “one of the great authorities of his time.” Throughout his career, Lethière maintained close ties with abolitionist circles and influential figures from the Antilles, including the family of General Dumas. These relationships not only influenced his work but also reinforced his standing within the artistic community.

A fascinating aspect of the exhibition is the exploration of Lethière's personal identity, particularly his name change after 1799. Initially signing his works as “Le Thiere” or “Lethière,” he adopted the name “Guillon Lethière” following his father's recognition. This shift reflects the complexities of his heritage and the personal affirmation of his place within both his family and the broader society.


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