Reine Paradis' multimedia exploration of self and surrealism opens at KÖNIG TELEGRAPHENAMT
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Reine Paradis' multimedia exploration of self and surrealism opens at KÖNIG TELEGRAPHENAMT
Reine Paradis, THE STATION II, 2024. Archival pigment print, framed, 35.6 x 50.8 cm; 37 x 53.5 cm. 14 x 20 in; 14 5/8 x 21 in. 1/5 + 2 AP .



BERLIN.- KÖNIG TELEGRAPHENAMT presents ECLIPSE, a solo show with new works by French artist Reine Paradis.

Born in 1989 and a graduate of the Gobelins School of Visual Communication in Paris, Reine Paradis has lived and worked in Los Angeles since 2012 – a city of cinema, stories, fantasies, and eternal self-reinvention. It provides the perfect environment for the creation of her works which include photography, painting, film, and sculpture.

Paradis’ process includes several steps, the first of which is the imagination of a scenario. From that vision, she creates a small, collaged maquette on paper. This maquette is used as a blueprint when she scouts for the perfect location to photograph a scene – the scouting process alone can take years. Once a location is found, Paradis designs and creates costumes, props, and her origami-influenced sculptures, which will all be part of the scene. With the help of a partner who shoots the images, Paradis stages herself as the main figure in the work, adding a performative dimension that is essential to her process – "living" the scene allows her to fully transmit her original vision. Unflinching in the face of extreme situations and shielded by a blond wig, she embodies another character as an extension of herself, through which she can experience an alternative life, if only momentarily.

Editing the photos is a meticulous process completed by Paradis herself, in a game of perspective and depth she projects her world onto ours, changing each individual tone of the image to fit within her minimalist color palette. One usually thinks of photography as a tool to capture reality. We should start from the opposite assumption in the scenes of Reine Paradis. The resulting self-portraits bear witness of her imagination while transporting the viewer into a perfect frame of her world.

In the same rigorous spirit as her photographic works, Paradis creates paintings that are deeply rooted in memories and places while exploring the simplicity of the language of her surreal universe. Additionally, she transforms some of the origami props from her images into neon-translucent uranium glass sculptures—another dimension to Paradis’ multimedia approach.

Through the use of these different mediums, Paradis is able to create a world that exists in reality and imagination simultaneously. The use of reflective and transparent materials in her works obscures, reflects, and absorbs light while creating an aurora-like barrier –one that can hide but also illuminate. ECLIPSE, her newest series of works, is an audacious dive into Paradis’ mind, inviting viewers to witness her inexhaustible quest to transcend boundaries.

The award-winning feature film QUEEN OF PARADIS (Amazon Prime, 2020) follows Paradis on a journey across the United States to complete her previous series MIDNIGHT. The film captures her process from beginning to end in a dramatic adventure that peels the curtain back on how Paradis creates her surreal images. A second feature film, PARADISLAND, which follows the making of the current series ECLIPSE, is set for release in the fall/winter of 2025 for a worldwide theatrical and streaming audience.










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