José Zanine Caldas: A Brazilian Modernist master celebrated at Carpenters Workshop Gallery LA
The First Art Newspaper on the Net    Established in 1996 Sunday, February 23, 2025


José Zanine Caldas: A Brazilian Modernist master celebrated at Carpenters Workshop Gallery LA
José Zanine Caldas, Denuncia Trunk Lounge Set, 1970s. Pequi Wood, Upholstery, 81.5 x 222 x 36.5 cm. 32.13 x 87.38 x 14.38 in.



LOS ANGELES, CA.- Carpenters Workshop Gallery Los Angeles presents an exhibition celebrating the prolific career of the late architect, sculptor and designer José Zanine Caldas, whose sculptural style and commitment to ecological awareness made him a leading figure in Brazilian modernism. Caldas said, “I learned wood has two lives: the first as a tree; the second as a table and chair, a bed, a broom .. The second life is generated by the human hand and spirit.” Raw and sensual in character, the works combine modern elegance with an environmental consciousness that was avant-garde for this radical creator’s time.

Growing up in Belmonte on the west coast of Bahia, Brazil, Caldas found inspiration in the work of local craftspeople who carved each boat from a single felled log. The artist became known for using salvaged elements of wood and ceramics, whether natural waste from the forest, scraps from factories or rubble from demolition sites. This engagement with Brazilian craftsmanship and natural materials underlies all Caldas’ work. Today, his designs remain amongst the most sought-after pieces in the Brazilian modernist canon.

Among the exhibited works is one of the artist’s most iconic pieces, Namoradeira (loveseat), which gave rise to a new artistic language based on the use of “natural waste”, with softer, smoother shapes marking a closer alliance of craft and design through organic forms. Inspired by traditional Brazilian canoe-building techniques, the benches have a unique structure that allows the seated persons to remain face-to-face.

The exhibition also features works from the Denuncia (protest) collection, mostly made in the artist’s Nova Viçosa workshop from reclaimed timber. With comfort playing an essential role in his design process, Caldas would sit on each piece to make adjustments that suited the proportions. Pieces like Denuncia Dining Bench and Denuncia Dining Chair demonstrate Caldas’ innate knowledge of woodworking craftsmanship.

Forming part of Carpenters Workshops Gallery’s historic programming, this exhibition pays tribute to a modernist master who marked an era in 20th century design. Caldas’ sculptural approach, organic craftmanship and sense of environmental responsibility produced a legacy that remains an inexhaustible source of inspiration for designers today.










Today's News

February 18, 2025

Manhattan artbuyer/seller Lee Rosenbloom and his APR 57 Gallery defendant in new court case

Asia Week New York Zooms-in on Shifting Landscapes: New Approaches to Modern + Contemporary South Asian Art

Miller & Miller Auctions announces 2 Online-Only Auctions, Feb. 28 thru March 2

The Museo Nacional del Prado is reuniting a major group of works painted by El Greco

Camille Claudel's iconic work The Age of Maturity sells for €3,663,000

Behind the scenes: A new exhibition at the Gemäldegalerie uncovers the unsung labor of women

Francis Bacon's Portrait of Man with Glasses III to lead Christie's 20th/21st Century: London Evening Sale

TarraWarra Museum of Art announces opening of the Eva and Marc Besen Centre

Black Panther Party artists unite in "Carrying On" exhibition at Rowan University

ZKM Karlsruhe exhibits browser art since the beginnings of the World Wide Web

Serpentine launches a new online and physical publication focusing on innovation in long-form writing

George Rouy's "The Bleed, Part II" lands in Los Angeles

José Zanine Caldas: A Brazilian Modernist master celebrated at Carpenters Workshop Gallery LA

The Mennour Institute announces the two recipients of its second "Mennour Fellowship for Art History Research"

Alison Pebworth: Cultural Apothecary brings an antidote to loneliness and isolation to MASS MoCA

Breathing life into the Kulturforum: An exhibition grows alongside a garden

Castellani Art Museum presents an immersive, site-specific installation redefining space and artistic process

Exhibition highlights architectural practices emerging from the American South

Jane Lombard Gallery announces representation of Azita Moradkhani

Chazen Museum of Art celebrates the father of the Studio Furniture Movement with exhibition

Badu Island artist Matilda Nona creates innovative inks from Torres Strait's natural pigments




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful