Escher's illusions take root in Conversano: A journey through mind-bending art opens
The First Art Newspaper on the Net    Established in 1996 Monday, March 31, 2025


Escher's illusions take root in Conversano: A journey through mind-bending art opens
Installation view.



CONVERSANO.- Art enthusiasts, mathematicians, and the simply curious are gearing up for a mind-bending journey as the Polo Museale - Castello Conti Acquaviva d'Aragona in Conversano prepares to unveil a major exhibition dedicated to the art of Maurits Cornelis Escher. Opening its doors tomorrow, March 28th, and running until September 28th, 2025, the show promises a deep dive into the captivating world of the Dutch artist, a visionary whose work continues to fascinate and confound in equal measure.


Inspired by the Escher exhibition in Conversano? Bring the magic of his illusions and tessellations into your home! Click here to discover a wide selection of Escher art prints, books, puzzles, and more on Amazon.


Escher, who passed away in 1972, remains a global phenomenon. His iconic images, with their impossible perspectives and tessellating patterns, resonate not only with art aficionados but also with those drawn to the logical precision of mathematics, the ingenuity of design, and the visual trickery of graphic art. This exhibition aims to illuminate the threads that connect these seemingly disparate fields within Escher's oeuvre, showcasing his unique ability to bridge the gap between the tangible and the imagined, the scientific and the natural.

The Conversano exhibition, a collaboration between the Municipality of Conversano, Museco – Museums in Conversano, the Puglia Region, and Arthemisia, in partnership with the M.C. Escher Foundation and Maurits, is curated by Federico Giudiceandrea, a leading Escher expert. It will present approximately 80 works, offering a comprehensive overview of Escher's artistic evolution, from his early explorations to the masterpieces that cemented his global fame. Educational materials, videos, and immersive installations will further enrich the visitor experience, providing context and deeper understanding of Escher's intricate creations.

Born in the Netherlands in 1898, Escher developed a singular artistic voice characterized by its ability to transport viewers into seemingly impossible realms. His time spent living and traveling in Italy between the two World Wars proved formative, exposing him to the country's rich artistic heritage and inspiring his early explorations of landscapes and architectural forms. These early influences, while seemingly more conventional, laid the groundwork for his later fascination with geometric structures and perspective.

The exhibition will guide visitors through distinct phases of Escher's career. The initial section will highlight his early forays into graphic art, influenced by his teacher Samuel Jessurun de Mesquita, a proponent of Dutch Art Nouveau. These pieces showcase elegant, sinuous lines and decorations drawn from nature, hinting at the Art Nouveau and Symbolist movements. Even in these early works, Escher's keen observation of the natural world is evident, with detailed depictions of flowers and insects. His subsequent travels through Italy, from 1922 to 1935, provided a wealth of inspiration, as he meticulously documented monuments, landscapes, and the local flora and fauna, later transforming these observations into graphic art characterized by unusual perspectives.

A pivotal moment in Escher's artistic journey was his exploration of tessellations, the tiling of a plane with repeating geometric shapes without gaps or overlaps. His visits to the Alhambra in Granada, Spain, particularly during his second stay in 1936, ignited this fascination. The intricate Moorish decorations sparked a deep dive into the mathematical principles underlying these repeating patterns. Escher meticulously cataloged 137 different watercolor studies of tessellations, which became a foundational element of his mature style, seamlessly blending fantasy, geometry, and figurative elements.

The exhibition will also explore Escher's captivating metamorphoses, which emerged from his work with tessellations around 1937. For Escher, metamorphosis involved the transformation of one form into another through the modification and concatenation of different tessellations. This led to the creation of dynamic works where abstract shapes seamlessly morphed into animate forms and vice versa, often exploring contrasting yet complementary concepts like day and night, or good and evil. These explorations pushed the boundaries of representation, delving into the concept of infinity through the endless division of the plane.

Another key section of the exhibition will focus on Escher's manipulation of spatial structures. Departing from traditional Euclidean representation, Escher became increasingly intrigued by mathematics and geometry, particularly spheres, geometric solids, and reflective or topological surfaces like the Möbius strip. His famous self-portraits reflected in spheres highlight his fascination with how such forms encapsulate the surrounding space, placing the observer at the center of their own universe. This exploration of perception fueled his interest in paradoxes, perspective distortions, and optical illusions.

Escher's mathematical explorations reached a new level of recognition in 1954 when his prints were exhibited at the International Congress of Mathematicians in Amsterdam. This exposure led to a fruitful dialogue with mathematicians and crystallographers, providing further inspiration for his investigations into impossible structures, optical illusions, and the representation of infinity. The exhibition will showcase iconic works like "Ascending and Descending," "Belvedere," "Waterfall," "Print Gallery," and "Relativity," which exemplify Escher's ability to create seemingly coherent yet logically impossible scenarios, reflecting his complex relationship with mathematics and the concept of infinity.

Beyond his more celebrated mind-bending works, the exhibition will also touch upon Escher's commissioned pieces, such as ex libris and greeting cards. These often demonstrate his skillful use of tessellations, highlighting not only his artistic signature but also the practical application of these patterns for efficient and visually striking designs.

The final section of the exhibition, aptly titled "Eschermania," will explore the surge in Escher's popularity from the 1950s onwards. Connections with the scientific and academic communities led to increased recognition in publications. Perhaps unexpectedly, the hippie movement of the 1960s also embraced Escher's work, albeit sometimes modifying and reproducing it in psychedelic styles on posters and clothing. Today, Escher's influence remains strong, inspiring artists, musicians, advertisers, and comic book creators. Even the world of cinema has frequently referenced his iconic imagery, particularly "Relativity." The enduring appeal of Escher's tessellations and impossible worlds continues to inspire new developments and reinterpretations across various creative fields.

The opening of this major retrospective in Conversano marks a significant cultural event for the region. Giuseppe Lovascio, the Mayor of Conversano, expressed his enthusiasm, stating, "Escher represents a new and intriguing cultural challenge for our city of art, which wants to propose itself with ever greater vigor as a point of reference for experts, enthusiasts, and students of every level."

Katia Sportelli, the Councilor for Culture, echoed this sentiment, adding, "Looking towards the horizon, we have always imagined this City, which today, once again, proves to be up to expectations, planning a cultural offer without rivals."

Iole Siena, President of Arthemisia, highlighted the significance of the exhibition, noting, "Conversano has now become a case study: bringing major exhibitions and significant numbers to a geographically small center was not a foregone conclusion, but thanks to the collaboration between Arthemisia and the enlightened Administration of Mayor Lovascio, we have achieved a result that today is an example for hundreds of towns in Italy. It is a source of great pride for us to have participated in this beautiful project, and with Escher we raise the bar."

"M.C. ESCHER" promises to be an unmissable exhibition, offering a profound and engaging exploration of an artist whose work transcends traditional boundaries and continues to challenge our perceptions of reality and imagination. As the doors open tomorrow, Conversano is poised to become a temporary epicenter for those seeking to unravel the mysteries and marvel at the brilliance of Maurits Cornelis Escher.



Artdaily participates in the Amazon Associates Program, an affiliate advertising program designed to provide a means for us to earn commissions by linking to Amazon.com and affiliated sites. When you purchase through our links, we may earn a small commission at no additional cost to you. These commissions help us continue curating and sharing the art world’s latest news, stories, and resources with our readers.










Today's News

March 28, 2025

"Made You Look" at William Shearburn Gallery challenges perception with hyperrealism and illusion

Kamilaroi artist Warraba Weatherall presents his first solo museum exhibition

Explore mumok's evolution: "Never Final!" offers a deep dive into the museum's collection history

The Met receives major gift of relief prints by renowned Inuit printmakers

The Hispanic Society Museum & Library presents Adriana Varejão: Don't Forget, We Come From the Tropics

Escher's illusions take root in Conversano: A journey through mind-bending art opens

Amano's worlds unfurl in Rome: "Corpus Animae" exhibition opens at Palazzo Braschi

Retrospective of Australian fashion icon Martin Grant opens in Melbourne

Rock revolution relics take the stage in Heritage's Music Memorabilia and Concert Posters Auction

New multi-year partnership puts photography in focus across Australia

Gaspard Maîtrepierre's "Depuis Bourg-Palette" opens at Galerie John Ferrère

Hales Gallery presents Sarah Faux's second solo show, delving into the delights and discord of the body

VMFA appoints Karen Daly as its first Senior Manager of Provenance Research

Elvira Bach, Salomé, and more: Vibrant 1970s Berlin art reimagined in new exhibition

MUZA presents Echo, featuring the NLB contemporary art collection

Heard Museum announces 23rd Annual Katsina Doll Marketplace

The Deutsche Börse Photography Foundation opens the group exhibition "Foam Talent 2024"

Medieval monsters meet manga heroes: "Berserk & Pyrrhia" exhibition opens at Frac Île-de-France

Krems poised to celebrate 30 years of artful impact at Kunsthalle anniversary

Mary Banning's pioneering mycological discoveries take center stage in new exhibit

ARCOlisboa 2025 showcases Lisbon as one of the major centres of art in Europe

Berlinische Galerie presents Käthe Kruse with live performances by the artist

Perrotin announces the representation of the Estate of Young-Il Ahn




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful